When I heard the news this evening that Robin had passed, I was very sadden that he was gone. He has been through much sickness and pain and bravely fought to live with many complications. His poor body was worn out, I am sure. While I am not happy that he is no longer with us, I am glad that he’s does not have to suffer anymore. I know that we have lost so many of our favorite entertainers this past week, but this scripture of comfort came to my mind immediately.
“I have fought a good fight, I have finished my course, I have kept the faith: Henceforth there is laid up for me a crown of righteousness, which the Lord, the righteous judge, shall give me at that day: and not to me only, but unto all them also that love his appearing.” II Timothy 4: 7-8.
Except for Barry, these beautiful brothers are now gone. They gave us great songs and good times doing the reign of disco. May God keep the Gibb family during this time of their bereavement. Robin, may you rest in eternal peace. Much love, Cutie Pie ♥
Once again, I am in deep shock and despair upon hearing that another fabulous entertainer has gone home today. She had been quietly fighting cancer. I remember how much I loved Donna growing up. I used to pretend that I was her. I would sing her songs in the mirror with a hair brush as my microphone. My first Donna Summer album was “Bad Girls.” I love absolutely every song on the album and I listened to it and “Off The Wall” constantly on 8-track. I played them so much, they broke! My grandmother refused to replace them because was sick of me blasting them everyday.
Donna was an absolutely beautiful lady. She aged well as she got older and looked just as good as when she was young. Both she and Michael were long time friends and I know that he was waiting for her when she arrived at her final resting place.
Yesterday, Washington, DC lost its legend the “Godfather of Go-Go” Chuck Brown at the age of 75. I am not aware of him having any ties to Michael, but I would like to give my respect to the Brown and Summer families. The Kennedy’s are in mourning and I send condolences to them as well. They always say that it comes in three’s. I say I wish that death would never come, but we all have to make that journey one day. We can only take comfort in knowing that we shall see them all one day, better than when they left us.
I don’t really don’t have much to say because I just feel lost. In 2009, we saw many deaths of famous and non-famous people. I hope that this year is not going to be the same. Too many people are leaving too young and too soon.
Mark Ronson says his sleepovers with Michael Jackson were “pretty wild”.
The music producer used to be friends with the late singer – who died in June 2009 aged 50 – when he was younger and would often stay over in the same apartment as the Thriller singer, where they would have a lot of fun joking and playing around.
He said: “I was probably 12. He was super cool. You’re 12 years old and he’s the world’s most famous overgrown kid, who’s running around your friend’s apartment with you. It was pretty wild.”
Mark – son of writer and socialite Ann Dexter-Jones and former band manager Laurence Ronson – admits his childhood was quite star-studded and was once saved from drowning by Beatles legend Sir Paul McCartney.
He told live magazine: “That sounded like one of my mum’s crazy stories. But then I did a song with Paul McCartney a few months ago. After a couple of days in the studio, he came in and said, ‘Your mum’s Ann, right? Me and Linda (his late wife) would always run into your parents on the beach in Long Island.’ I told him about my mum’s story that he saved me from drowning one time, and he said he vaguely remembered something like that.
“So maybe he backed up her claim, which means I can’t really tease her about it now.”
LANCASTER — With 40 years of experience drumming for Michael Jackson, Lionel Richie, Quincy Jones and others, Ricky Lawson has gained a wealth of knowledge about the music business.
On Friday he shared that knowledge with about 150 Lancaster, Madison-Groveport and Watkins Memorial music students at Lancaster High School before performing with the LHS Percussion Ensemble.
He will do another performance with the ensemble at 8 p.m. today at the high school.
“There’s nothing greater than to see young people achieve their goals and be happy with their lives because of something we’ve done as adults,” Lawson said. “There’s a lot of great kids here. We’ve just got to talk to them and not talk at them.”
Lawson, 57, had no trouble talking to the students as he gave them tips on the music business and talked about working with some of pop music’s greatest performers. For example, he was the drummer on Whitney Houston’s hit, “I Will Always Love You” and said he was allowed to play a drum solo during the song.
“That song didn’t start until I hit the first note,” Lawson said.
Lawson also toured with Jackson on a couple tours.
“Michael was a great guy,” he said. “He loved music and he loved people.”
Lawson also spoke of the money it’s possible to earn as a musician.
“You can make a gazillion dollars,” he said. “You can make a ton of bread. You can go down and buy a sports car with the money you make, and I mean a nice sports car.”
He said some musicians make anywhere from $3,000 to $10,000 per week on tour. Lawson said he was on the higher end of that scale.
Along with talking, Lawson performed three songs for the audience, including Sting’s “Fragile” and Jackson’s “Thriller.” He drummed to recorded instrumental versions of the tunes.
Lawson’s seminar lasted about an hour. But he stayed for another hour talking to a handful of students, and he played clips of a Jackson concert video he was in and a Steely Dan video he played on.
Then he pulled out a surprise.
Lawson’s uncle is Grammy-winning music arranger Paul Riser, who arranged Motown hits such as Diana Ross’ “Ain’t No Mountain High Enough,” The Temptations’ “Pappa Was a Rolling Stone” and Marvin Gaye’s “I Heard It Through the Grapevine.”
Lawson called Riser on his iPad, and Riser spoke to the students for about five minutes. Riser urged the students to learn music theory and listen to the classic recordings.
Lawson told the students to not only listen to the classics, but learn the history of the songs, too.
“That’s the problem with downloading music now,” he said. “All you get is the music. You used to buy albums, and the cover would tell who the producer was, who the arranger was and who the musicians were who played on the album. You don’t get any of that now with downloading. It’s sad — there’s a lot of history that’s been lost.”
It takes a lot of hard work to achieve the level of success Lawson has achieved, he said.
He first started playing the drums at age 15 to impress a girl in his hometown of Detroit. He would borrow another uncle’s drum set for four days each week. He would assemble and disassemble the kit and ride on the bus to give it back to his uncle each weekend. But Lawson said that is the kind of persistence is takes to make it in the music world, even it if means leaving home.
“If you’re a lumberjack, go where the trees are,” he said. “If you can’t find it here in Lancaster, then go to Columbus. If it’s not there, go to Cincinnati, or New York or Paris. Just don’t give up your dreams.”
Try to have fun in the process, Lawson said.
“Keep smiling when you’re playing,” he said. “Because when you’re happy, you play better.”
Each year the Songs For Kids Foundation sends musicians to children’s hospitals and 20 special needs camps all over the state. The money raised by 500 Songs for Kids plays a big part in funding these activities. The theme this year is simple: The 500 most beautiful songs of all time. The complete list of acts on the schedule is still coming together, but should be announced very soon. Songs, dates, order, and time are all subject to change, or course, and some songs will be played out of order.
UPDATE: Sonia Leigh has been added to the lineup for Monday, May 7, and Janelle Monáe has been added to the lineup for Fri., May 11. The folks at 500 Songs For Kids aren’t saying what songs they’re gonna sing, but if you can guess the songs they’re doing, there’s a pair of tickets with your name on them. … That’s a tough one.
Be the first person to leave the correct song titles for each artist in the comments section of this post and the tickets are yours.
The countdown begins … 500. “Into Your Arms,” the Lemonheads 499. “Big Me,” Foo Fighters 498. “Rockin’ In the Free World,”Neil Young 497. “Sweet Caroline,” Neil Diamond 496. “September Gurls,” Big Star 495. “California Love,” Tupac 494. “You Are Not Alone,” Michael Jackson 493. “We Just Disagree,” Dave Mason 492. “What’s Love Got To Do With It,” Tina Turner 491. “Born In The U.S.A.,” Bruce Springsteen 490. “Tempted,” Squeeze 489. “At Last,” Etta James 488. “Sweet Disposition,” The Temper Trap 487. “Respect,” Aretha Franklin 486. “Bennie and the Jets,” Elton John 485. “The Waiting,” Tom Petty & The Heartbreakers 484. “Romeo And Juliet,” Dire Straits 483. “White Wedding,” Billy Idol 482. “Neighborhood #1 (Tunnels),” Arcade Fire 481. “The Concept,” Teenage Fanclub 480. “Closer To Fine,” Indigo Girls
Win an autographed picture from my new photo shoot! -Click the link below and unlock the reward, then tweet about my new artistshare recording project on your twitter, and get 5 of your friends to re-tweet you and YOU win!
LMFAO Dj/producer Goonrock will be calling on old school friendships if Will.I.AM ever decides to dust down the tracks he recorded with Michael Jackson in the final years of the pop superstar’s life – because he has always dreamed of working with the King of Pop.
The Party Rock Anthem hitmaker and LMFAO star RedFoo went to the same Los Angeles junior high school as will.i.am and he’s hoping his old pal calls him if her ever reconsiders releasing the Jackson sessions.
The Black Eyed Peas star insists the songs he recorded with the Thriller singer will only be released if Jackson’s mother Katherine asks him to put them out – and GoonRock wants to be there when he’s editing and dubbing.
He tells WENN, “That would be amazing. Michael Jackson had such a big influence on me and me and RedFoo, all we ever talked about was Michael Jackson growing up. He got to go to all the concerts and he brought me back an autograph when I was in sixth grade. That would be a dream come true.”
The late music legend’s brothers Jermaine, Jackie, Tito and Marlon just announced that they are joining together for Unity Tour 2012, a 27-city jaunt that kicks off June 18 in Louisville.
It marks the first time they’ve toured together since the Victory Tour in 1984.
“I just wish Michael was here with us, but I’m sure his spirit will be in the house,” Jackie exclusively told me this morning.
And he may be with them afterall. Jackie said a Michael hologram could very well be part of a bigger tour they’re planning for next year after they release a new album with their recently reunited record label Motown.
“It could have Michael—absolutely,” he said. “Wouldn’t that be wonderful? As a matter of fact, we had that idea two years ago for Michael’s Cirque du Soleil show.”
The brothers are still working on the set list for Unity. “There are so many songs,” Jackie said. “That’s the hardest part because we want to include all the favorites and not leave anything out. We’re going to sing some of Michael’s stuff, too. We’re going to honor him on the stage. He’d want us to do our thing to the best of our ability.”
Bally Technologies, Inc. (NYSE: BYI), a leader in slots, video machines, casino-management, interactive applications, and networked and server-based systems for the global gaming industry, today announced that it will exhibit a large selection of innovative gaming solutions at the FADJA trade show in Bogotá, Colombia, April 11-12. This will be the fourth consecutive year Bally has showcased its games and systems solutions at the South American show.
“We are extremely excited to showcase our new world-class licensed brands and award-winning systems solutions in South America,” said Bally Technologies’ Senior Director of Latin America Ricardo Regner. “Attendees will experience our new compelling game content, trailblazing play mechanics, and floor-wide bonusing applications that deliver an incomparable entertaining experience across the casino floor on games from any manufacturer.”
Bally will exhibit 30 unique game titles and a wide array of cutting-edge systems technologies in stand #52.
Taking center stage is Michael Jackson King of Pop, which features one of the most widely beloved and influential artists of all time in an exciting, music-filled game on Bally’s new Pro Series™ V22/32 cabinet with the custom, Pro surround-sound chair. Offering everything from mystery wilds bonuses and free games bonus events and featuring hit songs Bad, Beat It, Billie Jean, Dirty Diana,and Smooth Criminal, this game is highlighted by a U-Spin™ Platinum Record Bonus and video clips showcasing the performer. Michael Jackson is represented exclusively for licensing by the Bravado International Group.
Inspired by Paramount Pictures’ 1978 American musical film about two love-struck teens in a 1950s high school, GREASE is Bally’s first double-play game, featuring two, 25-line games – enabling the player to play two games at once. GREASE also fully utilizes Bally’s iDeck™ touch-screen button deck in the “Dance Off” Free Games feature in which players “dance” on the iDeck to win additional free games or credits, and in the “How Cool Are You?” bonus in which the player selects from one of four cars on the iDeck and the car moves up the ladder; the winning character indicates the player’s “coolness” factor and awards one of the four progressive jackpots or credit values.
Bally will display the award-winning Fish’n for Loot™ and Total Blast™ on the Pro™ Upright cabinet. These exciting new games introduce Bally’s U-Shoot™ virtual-shooting gallery bonus-game play mechanic in which the player touches the iDeck to create weapons for “shooting” at targets on the main game screens.
Also being shown is the arcade favorite SKEE-BALL® on the Pro™ V32 cabinet. The game, which recently won a Slot Floor Technology award for innovation, includes a bonus feature in which players touch and slide to throw the SKEE-BALL®, winning “tickets” that enable them to “Pick a Prize” on the game that reveals credit awards.
All That Jazz™, also featured on Bally’s Pro V32 cabinet, has a revolutionary iDeck feature called U-Play™, in which players touch and play virtual piano keys. Players attempt to follow a melody by playing the piano keys. Every note is converted into numbers which populate four bonus reels. At the end of the song, the reels are spun to reveal the base-game prize.
For the award-winning Pro Curve™ cabinet, featuring the industry’s only curved LCD to emulate spinning reels on a video slot, FADJA attendees will see a variety of titles, including Moon Goddess™, Sun God™, Money Works™, Cash Cruise™, and Break the Ice™. Included in the Curve lineup are several new play mechanics such as Rolling Wilds™ and Breakthrough Free Games™.
FADJA visitors will also experience Bally’s world record-setting technology iVIEW Display Manager™ (DM) and Elite Bonusing Suite™ (EBS), which are able to create dramatic new levels of excitement and anticipation to the slot-play experience throughout the entire gaming floor through a player-user-interface coupled with powerful bonusing technology that enables instant slot tournaments, virtual-racing events, and more.
About Bally Technologies, Inc.
With a history dating back to 1932, Las Vegas-based Bally Technologies designs, manufactures, operates, and distributes advanced gaming devices, systems and technology solutions worldwide. Bally’s product line includes reel-spinning slot machines, video slots, wide-area progressives, interactive and mobile applications, and Class II, lottery, and central-determination games and platforms. Bally also offers an array of casino management, slot accounting, bonusing, cashless and table management solutions. For more information, please contact Laura Olson-Reyes, Senior Director, Marketing & Corporate Communications, at 702-584-7742, or visit http://www.ballytech.com. Connect with Bally on Facebook, Twitter, YouTube and LinkedIn.
This news release may contain “forward-looking” statements within the meaning of the Securities Act of 1933, as amended, and is subject to the safe harbor created thereby. Such information involves important risks and uncertainties that could significantly affect the results in the future and, accordingly, such results may differ from those expressed in any forward-looking statements.Future operating results may be adversely affected as a result of a number of risks that are detailed from time to time in the Company’s filings with the Securities and Exchange Commission. The Company undertakes no obligation to update the information in this press release and represents that the information is only valid as of today’s date.
Administrator’s Note: I checked with Bally Technologies about two weeks’ ago and so far there is no 2012 release date for the Michael Jackson slot machine as previously reported in the earlier article I posted from CNN. Cutie ♥
The glittering glove. The Thriller-era leather jacket. Those spit-shined penny loafers that gave him the otherworldly ability to glide across the stage.
Yes, it’s no coincidence that we associate the different chapters of the King of Pop’s career with the clothes he wore. But what’s perhaps most impressive of all when it comes to Jackson’s aesthetic is that it never once felt contrived. His wardrobe — though flamboyant — was never some grandiose political statement or performance-art afterthought. Like his music, his style reflected the inverse of an introverted artist wrought with complexity: flashy, singularly talented and larger than life.
It was a wardrobe, for lack of better words, fit for a king.
Lionel also addressed his thoughts when Shaun asked him about the passing of his friend, Whitney Houston.
“There was one side of me that was absolutely shocked and then the other side of me was more disappointed,” Lionel said of losing the superstar singer, who he also co-starred in “The Preacher’s Wife” with. “I went through this with Nicole, you know, where there’s a point in time, when you go through the rehab program and your little girl walks down the hall this way and you walk down the hall that way and I kept saying, ‘Why are we here?’ And they said, ‘The parents and the loved ones are here, we are here to save your life, from them,’ because you’ll otherwise be an enabler forever.
“So you have to know that, and it’s up to them to save their own lives. You have to want that for yourself and what she had around her was… the desire not to want it, No. 1, and No. 2, she had enablers around her that allowed her to go that route,” Lionel continued, seemingly turning his talk to Whitney. “So, you know, we can sit here all day long and point the finger, but actually at the end of the day it’s a tragedy because somewhere along the line, she lost her footing and just couldn’t get back.”
Lionel said Whitney’s death brought back memories of another of his friends – the late Michael Jackson.
“I watched it happen with my dear friend, Michael, and Michael and I talked about this forever in our career – This will never that happen to us…’” Lionel told Shaun.
The singer told Shaun that he and Michael actually spoke about not going down the troubled road when they were breaking out as big solo stars in the 1980s.
“We saw so many other artists go through it, and we just made a promise to ourselves back in the early ‘80s, we would never let that happen to us, and then it just takes one little thing — in his case — it was just the burning of the scalp, just a little bit [during the Pepsi commercial] that changed what we now know was the big slippery slope,” Lionel said.
When Shaun asked Lionel if he feels like the “lucky one” to have seen his own daughter turn around and thrive, now a hip designer and a mentor on “Fashion Star,” he said it he is thankful for how things turned out.
“It could have gone it could have gone either way. This is not a guarantee, this is not — a life is, unfortunately, it’s not rehearsed, so you just don’t know what that happy ending is going to be or whether it’s going to be a silver lining,” he said. “You just don’t know, but when it does turn, ‘Hallelujah.’”
And the crooner is getting a real kick out of watching his daughter on NBC’s “Fashion Star.”
“She has a sense of timing that you can’t teach anybody, she just has that wit that I’m in love with,” Lionel said. “You don’t know what she’s gonna say next. I would love for her to kinda give me a clue give me a secret.”
“Well, she was giving it back to some of those contestants who thought that she didn’t know what she was talking about,” Shaun pointed out.
“I can tell you right now, I never thought, in my life, I would ever be intimidated by two 7-year-olds — Paris [Hilton] and Nicole and her little band… And I’m dressed to go to whatever awards show and they were sitting there going, ‘You’re not going out looking like that, are you dad?’” Lionel laughed. “Now just imagine two 7-year-olds [turning] me around to go back upstairs to change my clothes. She’ll do just fine on ‘Fashion Star.’”
The University of Louisiana at Monroe presents Marlon Jackson, multi-platinum recording artist and member of the world famous Jackson 5.
Jackson’s lecture, “Growing up Jackson,” will begin at 11 a.m., Friday, March 16 at the Emy-Lou Biedenharn Recital Hall.
As one of Motown’s biggest acts, Jackson scored numerous platinum records singing with his famous family, the Jackson 5, including little brother Michael.
Jackson’s solo album “Baby Tonight” was released in 1987 and reached #22 on the R&B charts, with the single, “Don’t Go,” reaching #2 on the R&B charts.
Seating is limited; tickets are available at the ULM SGA office starting Wednesday, March 14.
Contact the SGA office at 318-342-3485 for more details. The event is free and open to the public.
Jeff Russell, owner of the Costume Bazzar in Milford, straightens an autographed jacket worn by Michael Jackson. The jacket is among a few costumes and props worn by celebrities that were auctioned in Milford March 10 and 11. The jacket sold for $9,000. (MICHAEL McANDREWS, mmcandrews@courant.com / March 6, 2012)
An auction held this weekend at Premiere Props in Milford succeeded in selling two items once owned by Michael Jackson, but a gown created for the evil queen character “Mirror Mirror” failed to meet its reserve price, the auction’s organizers report.
Jackson’s military jacket, signed by the pop star, sold for $9,000, plus a 23 percent buyer’s premium.
Jackson’s white fedora with a black band, embossed with Jackson’s name, sold for $2,300 plus the buyer’s premium
All 80,000-plus non-celebrity-related items in the auction sold.
Born and raised in Russia, Alex Krasky came to the United States in 2000. He worked as a security officer (a position that led him to Las Vegas) until he was laid off in 2008. With new free time, Krasky realized his hands were built for a paintbrush and not a gun. The self-trained artist bowed to his wife’s urging and signed up for an art class. After a single oil painting lesson, Krasky discovered that the medium came naturally. He painted for two years until he found the perfect muse.
“When Michael Jackson died, I had only been painting for a couple of months with oils, but I decided to make a painting of him,” he says. “I decided to give the painting to his parents. I went to the [memorial service at Staples Center], but they wouldn’t let me in.”
He wasn’t deterred. Last summer, he participated in a contest to paint Gov. Jim Gibbons, but missed the deadline. Krasky completed the portrait while documenting his progress on YouTube. Channel 13 featured his work, and he received a letter saying that Gibbons would like to add the painting to his collection.
“I was thinking that it was a joke,” he says. The next thing he knew, Gibbons himself showed up at his front door.
“I began to think about what I wanted as an artist,” Krasky says, adding that he has never sold a single painting (Gibbons’ painting was a gift). “I want to be recognized, and I want to be known. … I started to think about the most significant piece of art I can do. I asked myself who had the biggest impact in the United States and I realized that the people with the most influence are the presidents.”
Krasky has just finished a painting of what he deems the five most significant presidents: John F. Kennedy, George W. Bush, Barack Obama, Ronald Reagan and Bill Clinton. And he’s just sent Obama a letter saying as much.
“I have a dream that in one month I will personally give it to Barack Obama,” he says. “The United States is a country of miracles. Anything can happen here.”
All his life, Alex Krasky wanted to be an American.
Now that he has been granted U.S. citizenship, he’s so proud of the red, white and blue that he’s using his talent to create a 4-foot-by-6-foot patriotic oil painting he hopes to hand over personally to President Obama.
‘This is the country of miracles,’ he said.
The Summerlin resident recently was in the running with four other painters to be the official portrait artist for outgoing Gov. Jim Gibbons. His version was not selected, but Gibbons personally went to his house to receive it.
Krasky’s zest for all things American stems from his experiences. As a youngster in Russia’s Crimea region — now part of Ukraine — he had a privileged childhood, the son of a surgeon father and a mother who was a doctor. They lived in various parts of the world before returning to Crimea. At 27, Krasky, a fireman who was on the Russian radar for speaking out against some government policies, knew he had to flee the country. The idea to emigrate to the United States took root.
But visas were hard to come by, so in 1997, he traveled to Argentina. From there, he applied for visas to other countries, eventually hopscotching his way through Costa Rica, Nicaragua, Honduras and Guatemala, a month at a time.
‘I told them, ‘If I go back to my country, I’ll be killed tomorrow,’ ‘ he said.
But the expected visa to travel to Mexico did not materialize. Krasky suspected that the numerous stamps on his passport raised a red flag.
He found a coyote — a person willing to act as a guide to a possible border-crossing site — and paid him $300. After walking for hours through the desert, half of it carrying a sick 5-year-old, Krasky and his fellow travelers got on a bus, only to be stopped by the authorities.
‘They said we were spies,’ he said, adding that he suspected the coyote had sold them out.
He was thrown in a Mexican jail. All his attempts to talk his way out were fruitless. Finally, he succumbed to the most immediate method available: he paid his jailers a bribe. He was set free.
Krasky reached California by traveling up Baja California and walking up to the U.S. border police at Tijuana. He had purposely consumed a quart of tequila before approaching the guards with a story of partying too hard and ended up regurgitating all over the place. The border guards promptly passed him through, thinking him to be an American.
‘It was the most idiotic plan, a stupid plan, but it worked,’ he said.
When he landed at Laguna Niguel, Calif., an upscale community, he was struck by all the freedoms Americans enjoy.
‘But the way I imagined the U.S., it was totally different,’ he said. ‘It was like (I expected) money would grow on trees.’
He put his nose to the grindstone, got a green card and worked in federal security services for the Internal Revenue Service, Immigration and Naturalization Service, Social Security Administration and a Veterans Affairs clinic.
He moved to Las Vegas, married and became a citizen last year. But it took being laid off for two years for his artistic talent to emerge and emerge with a vengeance. The little boy who used to doodle with his pencil suddenly discovered a passion for art and a passion to succeed at it. He took four one-hour lessons to learn oil painting techniques, but Jan Bennett, the instructor at Desert Art Supplies, 2003 E. Charleston Blvd., sent him home and said she couldn’t teach him anything he didn’t already have inside him.
‘He brought in a picture of a young child, done in acrylics,’ said Bennett. ‘I was just in awe of it. But he wasn’t very confident of himself. He looked at me kind of funny like, ‘Is this good or is it not good?’ ‘
His wife, Debra, a nurse, said the house has been turned into a gallery since he began painting. She is the subject of some of them.
‘I don’t need to buy decorations or someone else’s art,’ she said.
When Michael Jackson died, the event prompted Krasky to paint the pop icon nonstop. He completed nine full-size paintings and has nearly a dozen yet to go. His house is covered wall to wall with nudes, portraits and studies.
‘Life is un-reversible,’ he said of his drive to create as many paintings as he can.
Upon seeing some of his art, Bonnie Lamrock of mj-upbeat.com wrote to him, saying, ‘You will shake the president’s hand. Have faith and never give up. If you believe … then it will come true with hard work and dedication. You have certainly given both.’
His latest passion: the over-sized painting that depicts Ronald Reagan, Bill Clinton, John F. Kennedy, George W. Bush and Barack Obama with the Statue of Liberty. With his frenzied appetite to paint, it took about eight weeks to complete.
‘They say Rembrandt and Dali and painters like that worked on one piece for a year,’ he said. ‘But time is running away. I want to do as many beautiful pieces as I can.’
Krasky sent a poster of it to the White House in mid-February, offering to present the original to President Obama in person. (Update: The Obama’s responded back with a thank you note. Alex has not given up on his dream to meet the President to deliver the original painting personally.)
David Ilan founded Points with Purpose (www.PointsWithPurpose.com) about four years ago. PWP is a thriving, art-centered, global, peer-support community. David is drawing the PWP portrait using only dots, a technique called pointillism. For every survivor or supporter who signs up for PWP, one, free, hand-drawn dot is placed in the portrait. One dot equals one survivor. The dots come together to represent a survivor who feels confident, proud and beautiful. The PWP community has helped thousands of survivors from more than 150 countries start and further the healing process. Also, because of PWP, many survivors have reported their assaults to the authorities and found professional help. Participants have emailed to say:
“Thanks so much for the Points with Purpose project. It gives the ones of us who have been assaulted a face.”
“The picture is beautiful. I found myself staring at it for 15 minutes, crying. You are creating an image that I wish to embody myself one day.”
“I’m proud to be a part of this project because of the love and caring that inspired it, and grateful to be part of it because I know it will help me to heal just a little more.
David is also known for his work in the MJ fan community as the artist for the Michael Jackson Tribute Portrait.
Are YOU a dot? I am! Right on Michael’s upper lip!
Prince and Michael Jackson fans go toe-to-toe on the dance floor as
DJ’s Dave Paul and Jeff Harris mix album cuts, remixes, rare tracks and hits from the two artists as well as cuts by ancillary acts.
The Prince and Michael Experience Saturday, March 3rd @ Madrone Art Bar 500 Divisadero @ Fell, San Francisco, CA 94117 The fun begins at 8pm – 2am / $5 cover / 21+ with ID
Collectively, Prince and Michael Jackson helped define the early-’80s era of MTV, revolutionized both R&B and popular music, and influenced thousands of musicians worldwide. The Prince and Michael Experience is meant to celebrate the music of two of the biggest pop cultural icons of our generation. It is done with love and mutual respect for both artists.
The music is far from the only thing happening at this party, there’s theme dancing, a face-off between guests repping The Purple One or The King of Pop, and much, much more. This is the perfect night out to lounge with your friends, make some new friends, get your drink on, dance your butt off and have the time of your life.
“For NINE years now, Dave Paul (proprietor of hip-hop label Bomb Records) has hosted and DJ’ed at the brilliant “Prince vs. Michael Jackson” parties. As selections of hits, rarities, and remixes from both artists are presented over the course of the evening, audience members square off in funky battle, holding signs bearing the mug of their favored entertainer to judge which one is the true king of pop. This sure ain’t the place for cynics, but Darling Nikkis and Dirty Dianas are all welcome to participate.” – SF WEEKLY
If you can’t find street parking, here’s a parking tip for you. There are 3 parking lots in the area. The best deal is at the Shell Gas Station one block away at Divisadero & Oak. $6 flat rate parking from 7pm – 3am. The 3 parking lots are – Shell Gas Station on corner of Oak & Divisadero, Behind Laundromat on corner of Oak & Divisadero, Panhandle Parking on Baker between Fell & Oak.
Friday, March 9th @ Nectar Lounge
412 N. 36th Street, Seattle, WA 98103 facebook / begins at 8pm / $6 advance, $8 before 10pm, $10 after 10pm / 21+ feat. special guests from Chicago – Ed Hollis as MJ and Marcus Scott as Prince
Saturday, March 10th @ Teds Berbati Pan
10 SW 3rd Avenue, Portland, OR 97204 facebook / begins at 9pm / $7 / 21+
Saturday, March 24th @ Beauty Bar Chicago
1444 W. Chicago Ave., Chicago, IL 60620 facebook / begins at 9pm / $5 / 21+
Saturday, April 21st @ Vitus
201 Broadway, Oakland, CA
the fun begins at 8pm / $10 / 21+
Saturday, April 28th @ Beauty Bar Las Vegas
517 Fremont Street, Las Vegas, NV 89101
the fun begins at 9pm / $10 / 21+
Saturday, June 23rd @ Red Devil Lounge
Special “Welcome 2 Summer” Edition of PR+MJ
1695 Polk Street, San Francisco, CA 94106 facebook / begins at 8pm / $10 adv or at the door / 21+
Scholarships To Benefit Youth In After School Programs
American Idol finalist, James Durbin, and Orianthi (Michael Jackson’s “This Is It”) will be performing a concert on Friday, March 2nd hosted by Center Staging in Burbank, CA. The HELP KIDS ROCK! event is a fundraiser for the Rock School Scholarship Fund that is open to all ages. Tickets for the fundraiser can be purchased for $15 at www.rockschoolfund.org.
James Durbin – The American Idol finalist shot to fame in 2011 with his monster vocal chops and a message to his fans to “keep rock alive.” James released his Wind-Up Records debut album Memories Of A Beautiful Disaster, which broke into the Top 10 on Billboard‘s Rock Album chart at #8 and #36 on Billboard‘s Top 200 Album chart. His album includes appearances by Motley Crue guitarist Mick Mars, as well as songwriting collaborations with James Michael (Sixx AM, Nikki Sixx) and Marti Frederiksen (Aerosmith, Ozzy Osbourne). James was recently named one of the “100 Greatest Living Rock Stars” by Revolver magazine and has also been nominated for a Golden Gods Award for Best Lead Vocalist. For more information, visit www.DurbinRock.com.
Orianthi is a musician, singer-songwriter and guitarist. She is perhaps best known for being Michael Jackson’s lead guitarist for his ill-fated This Is It concert series, and as the lead guitarist in Alice Cooper’s live band. Her debut single, “According To You,” peaked at No. 3 in Japan, No. 8 in Australia, and No. 17 in the U.S.A. Her second album, Believe, received a worldwide release in late 2009. Elle magazine named Orianthi one of the “12 Greatest Female Electric Guitarists.” She also was awarded “Breakthrough Guitarist of the Year” in 2010 by Guitar International Magazine. For more information, visit www.Orianthi.com.
The Rock School Scholarship Fund (RSSF) provides tuition and instruments to kids ages 7 to 17 who want to attend any rock music school in the U.S.A., but whose parents do not have the financial means. With music programs being cut back in public schools, private after-school programs have taken their place, but many families cannot afford the $200 to $350 per month for their child to attend.
“I founded the Rock School Scholarship Fund with Carl Restivo, when we were running the School of Rock in Hollywood,” says founder and executive director, Wendy Winks. “Some kids would come into the school with their parents, take a tour and hear about being in a band and being able to perform on stage at real rock venues, and they would just light up with excitement. But then I would tell them how much tuition cost, and the parents would look so disappointed. We didn’t have any kind of financial aid or scholarship program, so with the help of ONE LLP, I created the Rock School Scholarship Fund, the first 501(c)3 public charity that focuses on helping kids who want to attend any rock music school in the country.”
The RSSF currently works with 14 rock schools in Southern California, Georgia, Massachusetts, and North Carolina. To participate, a school must teach a rock music curriculum, and students must have the opportunity to perform in a band, on stage. “The many benefits of music education are well-documented,” says Winks, “higher IQ, better grades, etc. But I’ve seen this program pay off huge dividends in building kids confidence, and creating social ties that lead to opportunities that they would never have experienced otherwise. There are many charities out there that help kids play in an orchestra. Our mission is to help kids rock!”
“We are thrilled to have James and Orianthi as our special guest performers at this event,” says Wendy. “In addition to James Durbin and Orianthi, the show will include performances by students at two of our LA area schools, Burbank Music Academy, and School of Rock North Hollywood.”
I started cooking in high school at Verde Valley School near Sedona, Arizona. A few years later I was cooking at a classic vegetarian restaurant in Los Angeles, the Golden Temple. There I made 3 amazing connections—
1 – Discovered a love of food 2 – Met and worked with my best friend Akasha, of LA’s celebrated Akasha restaurant 3 – Michael Jackson began eating at the restaurant while recording Thriller nearby and I became his off site chef and catered meals for him at the studio, at home and on the road.
Cooking for Michael was one of the most amazing experiences of my life, but I will boil it down to this: I saw how hard he worked at his craft, how he collaborated to bring out the best in his dancers, musicians, studio technicians, the stage crew—just everyone pushed their work up to a new level. That stayed with me and inspired me to this day, to create the best recipe and taste sensation I possibly can.
I was able to put that philosophy into practice a few years later when I opened Måni’s Bakery in Los Angeles. We used organic flour and natural sugars like concentrated fruit juice, maple syrup and barley malt to bake everything from whip cream, eggs, butter and unbleached flour chocolate cakes to whole grain muffins and the big three of that era: fat free, vegan and wheat free, now more clearly defined as gluten free. The reception to the bakery from the people of Los Angeles was overwhelming. A second location was added and the business served the community for 20 years.
I moved to the San Francisco area in 1999 and am eager to open a new concept in artisan baking!
Highlights— 1982-1985 Michael Jackson’s first Private Chef while recording and touring for Thriller 1989 – 1997 Founder of Mani’s Bakeries in Los Angeles 2005 – present Recipe columnist for www.clabbergirl.com (baking powder) 2006 – 2012 Executive Chef at Just Desserts, San Francisco
Books – Sweet & Natural Baking (Chronicle, 1996) Covered in Honey (Rodale, 2003) Sweet! ( Da Capo Press, 2008)
Disclaimer: Posted for informational purposes only. This is not an attempt to help solicit funds for this project.Participation is strictly at your own risk.
Long before he began developing his new indie turn-based strategy title, Skulls of the Shogun, Jake Kazdal worked at Sega’s Shibuya, Japan office, contributing to the development of games such as Rez and Space Channel 5. The latter game is famous for having a version of Michael Jackson in it, dubbed “Space Michael”.
We recently met with Kazdal to talk about Skulls of the Shogun, but couldn’t resist asking a few questions about his Sega days along the way. In particular, we wanted to know how in the world Michael Jackson ended up in Space Channel 5.
“So, this is a funny story. We were late in development and there was no Space Michael,” Kazdal began, after we brought the subject up. “And we were laaaaaate, like almost beta, I want to say? And one day, [Shuji] Utsumi-san, who was the head of Sega’s development at the time in Japan — who is now the president of Q-Entertainment with [Tetsuya] Mizuguchi-san — came into our office.”
“We were in a remote office, we were not down at Haneda’s main corporate office. We were up in Shibuya, we had our own office up there with a couple smaller teams like AM1 and CSK. And we had sort of an impromptu meeting, and he’s like, ‘So, umm… I just got back from the states, and…’”
Kazdal continued, adding a little background on Utsumi: “He’d helped launch the PlayStation. He’s oldschool, he’d been around forever, he’s done a lot of cool stuff. He said, ‘I had a meeting, and umm…it turns out Michael wants to be in the game.’ And everyone was like, ‘What? Michael? What are you talking about?’”
“And he was like, ‘Yeah. Michael Jackson. He saw the game and he loves it and he really, really wants to be in it.’ And we had like a month left. And we were like, ‘What the hell. Let’s do it.’ So we buckled up and we just made it happen, and yeah, it was super-awesome.”
“Of course, obviously, we were super-stoked,” Kazdal recalls. “They’d worked with him before on Moonwalker, so there was a relationship there and I forget how we got the data in there. I want to say we used the Moonwalker stuff, but I can’t confirm that. I don’t remember the details. But yeah, it was exciting. It was like a complete rush, like slam, and we got it done and we were stoked that we got to include him in the game.”
I admit when I’m wrong. When the Playstation Vita launch list was first revealed, if there was one game I had zero interest in playing, it was Michael Jackson: The Experience HD. I just didn’t see how the game could be anything more than a simple rhythm game, the same kind that clog store shelves because there is nothing “unique” about them. I see a button symbol and I press it, rinse, repeat; simple.
But there was one factor that I overlooked. One thing that would make this game UNIQUE, and that was Michael Jackson himself. No matter how people felt about the man in his later years, nothing can take away his talent. And that’s why playing Michael Jackson: The Experience HD is very enjoyable.
MJE HD is a touch rhythm game. A direction symbol appears on the screen, and you mimic it with your finger(s). You make circles and half-circles, or tap the touch screen, all in time with the music.
These direction symbols make Michael dance. We are talking iconic moves like the Thriller dance, for which I got a trophy for figuring out the “zombie walk move” during a freestyle segment.
There are fifteen songs to choose from, ranging from ‘Billie Jean’ and ‘Beat It,’ to later hits such as ‘Ghosts’ and ‘Blood on the Dance Floor.’ There are no ballads, no R&B classics; these are all hot dance tracks.
Each song is represented by its “video” (or CG recreation of its video) and there are five different tasks that need to be accomplished to earn medals. Earning these medals unlocks different accessories for Michael to wear when he’s dancing. This also leads to some PSN Trophies.
The controls are simple. Everything is handled with the touch screens, both front and back. The front screen handles 90% of the moves, and during freestyle segments, which are earned after pulling off a set number of combos, the back screen comes into play.
In fact, tapping the back screen during freestyle makes Michael perform a signature move taken directly from the video of the song. This is how I unlocked the “zombie move” from Thriller.
It can get complicated when you need to use multiple fingers to pull off a complicated move and still hold the PS Vita. Sometimes one of my hands blocks the screen and I miss a move and kill my combo streak, but it’s nothing that touch screen games haven’t dealt with before.
MJE HD is broken down into solo play, called HIStory, and Battle, which allows for ad hoc, head-to-head dance offs. There is also a mode called Backstage, where you can view and customize your Michael complete with gloves, clothes, and hats. There are different difficulty setting, the harder levels unlocked as you progress through the fifteen songs, which I imagine can get really, really intense.
The graphics really pop, and the art design captures Michael in each of his different eras. He never moves too stiff except for in the ‘Thriller’ video, but that was choreographed, and the presentation of the songs as their classic music videos is neat. I would have rather had real footage intercut with the CG Michael, because some of the extra characters – especially in the Black and White video- look real creepy.
The sound is excellent and one of the best parts of the game. Vita’s stereo speakers really sound great, and as the game suggests in the very beginning, the volume should be turned all the way up for optimal enjoyment. Even when my game isn’t going so well, I’m still really enjoying it, because the songs are so great.
If there was one drawback to Michael Jackson: The Experience HD is that it is a glorified iOS-like game. This same game could be played on an iPhone, or iPod Touch. There is nothing that really makes it a “need to own” title for the infant PS Vita system.
No matter how incredible the gameplay is, or how enjoyable it is to hear these songs again, I just can’t stop thinking that I could get a similar game from the iTunes App store for a buck instead of paying $40 for it. And therein lies the problem. Only really big fans of Michael Jackson’s work will want to pay that kind of money, especially for only fifteen songs.
Michael Jackson: The Experience HD is a fun game, more fun than I ever thought it could be. I enjoy playing it, and I really enjoy listening to the music again. It takes me back, and, as the game’s title suggest, it truly is an experience.
The media told us we weren’t supposed to. For years, they fed us-the public-on a steady diet of myths and lies about who Michael Jackson was, and what we were supposed to think of him-and most notably, what we were supposed to think about his appearance. We were supposed to believe he was “Wacko Jacko.” We were supposed to believe that here was someone who had literally “carved” his face into something unrecognizable, even sub-human. Tabloids, TV shows, and medialoid sites routinely compared photos of the young, Thriller-era Michael, or Jackson 5 era Michael, to current photos, always emphasizing how much his looks had changed and, what’s more, implying what we were supposed to think of those changes.
This Was The Photo That First Made Realize That Michael Was As Beautiful At 47 As At 25…And That The Media Had Fed Me A Blatant Lie!
We were supposed to think either one of two things. How sad and tragic, or, on the flipside, how “Ew.” (Usually, these outlets hypocritically professed the former, while reading between the lines, it was blatantly obvious that the latter reaction was their true intent).
What they didn’t bargain on was that anyone would ever consider that face to be beautiful. But you know what? I discovered something interesting after I became a diehard fan. I discovered that millions of people-including women all over the world-considered this face beautiful. And by that, I’m not talking merely a kind of acceptance, as in “we love Michael, warts and all” kind of acceptance. I am talking a genuine, sincere belief that Michael Jackson was just as sexy, and just as physically beautiful, post-vitiligo and post-cosmetic surgery, as before. In fact, perhaps to some, even moreso.
But I’m getting ahead of myself here. Allow me to back up just a little, back to those horrific “Wacko Jacko” days, and my own personal journey as I went from a sheep following the herd, to actually having my own eyes opened wide to what true beauty actually is. And as the old cliche’ goes, beauty is not only “just” in the eye of the beholder, but is also internal as well as external. True beauty that shines from within can make even the most hideous exterior a thing of great beauty. Just look at Mother Theresa. Certainly this woman would never have been mistaken for a pinup girl. But to me, she was more beautiful than any Playboy bunny could ever be.
Michael At 50…Stunning!
However, I’m not exactly talking about that, either. My own change in perception as to Michael’s mature beauty is something more than just an acceptance that he remained inwardly beautiful. It has more to do with an actual altering of my aesthetic perception of his physical appearance-as well as the discovery that the media had been feeding me a lie for years!
It’s Not That We Disagree That Young Michael Was Gorgeous. I Think For Many Of Us, However, The Problem Has Been With A Media That Has Tried To Convince Us That This Was The Only “Acceptable” Image of Michael Jackson.
Like so many, I came to believe that Michael Jackson was a very handsome, young BLACK man who, through whatever insecurities or mental breakdowns, had literally transformed himself into “a freak.” People made jokes about him having turned himself into “a white woman.” There were jokes about him looking like some alien drag queen. We’ve all heard them, at some time or other. Maybe we even laughed at them ourselves. I came to believe that he was someone who had had countless cosmetic surgery procedures-so many that his face was literally disintergrating! There were stories that his face was caving in; that his nose was falling off. Every photo we saw in the media seemed to emphasize these gross exaggerations. We saw photoshopped pics of a Michael with only a hole in his face for a nose. We saw a barrage of unflattering photos that always seemed to purposely accentuate the worst angles, or photos obviously taken on his worst days, when his expressions would register anger or sulleness or depression. Photos would be lightened or darkened to accentuate a bad makeup day, or a bad hair day. And despite what I now know were thousands of far more attractive and flattering photos from this era at their disposal, media outlets continued to deliberately choose only the most unflaterring photos to accompany every (usually negative) story. The intent was clear. This was a deliberate campaign to foster the “Wacko Jacko” image and to sell the myth of “the freak.” It simply wouldn’t have had the same affect if, say, TMZ ran their latest “Wacko Jacko” story only to accompany it with a photo of mature Michael looking healthy, handsome, and gorgeous. You would never see, for example, a TMZ or National Enquirer story accompanied by something like his Vogue or Ebony photos (granted, they may not have had copyright freedom to use those particular photos but that is still no excuse, since that still left many others they could have easily chosen from). Instead, media outlets would deliberately choose photos meant to accentuate the image of “the fallen” Michael Jackson. Images of him in court, or arriving and leaving from his 2005 trial, became especial favorites, since these images tended to enhance the public belief that Michael Jackson’s life was now more about scandal and legal issues, than performing and music (even though, ironically, it was one of those very photos that would turn around my whole perception of mature Michael). They loved to show his 2003 mug shot; that photo must have been their crown jewel. It encompasses everything the media wanted us to believe about Michael Jackson’s appearance. In that photo, his makeup is unattractively harsh (giving him that exaggerated, “drag queen” look that the media so loved to poke fun at) but, what’s more, he looks haggard and worn down. Mug shots, by their very nature, are never pretty. No one is happy being booked, finger printed, arrested (especially on false charges!) and put through the grill. In that photo, Michael looks disheveled, angry, but also beaten down. “You have me,” his expression seems to be saying.
At The Height Of Creating The “Wacko Jacko” Myth, Images Like Michael’s Stunning Ebony And Vogue Shots Were Kept Intentioanlly Suppressed, While The Same Handful Of Unflattering Photos Were Consistently Used Over And Over.
And that’s exactly what the media loved most. If anyone doubts that there was a deliberate media conspiracy to present Michael in the most physically unattractive light possible, just consider the words of Aphrodite Jones who was there at the 2005 trial, and witnessed the conspiracy first hand. She not only wrote in her book Conspiracy, but also confirmed when I interviewed her in person in 2010, that paparazzi and reporters covering the trial would intentionally try to get the worst angles of him, or to capture him in the worst possible lighting, so that the photos would look appropriately hideous. So it wasn’t as if these photographers were simply getting bad shots because it just happened that way; they were deliberately being instructed, and going out of their way, to get the worst shots possible!
Granted, Michael Jackson’s case isn’t unique. The media has done this same number to many celebrities. They did it to Whitney. They did it to Kirstie Ally with all of her recent weight issues. They’ve even done it to Oprah. And practically every celebrity who’s had a weight problem, or a botched cosmetic procedure, or a major illness has at some point been under fire. But I think we can safely say, none ever had it so consistently, or with such especial venom, as Michael Jackson.
A Freak, Or A Very Suave And Handsome Man? You Be The Judge!
Since, like many, I didn’t know much about Michael Jackson other than what I saw reported, I had come to believe the lie myself. There remained a lingering image of a once beautiful young man who had turned himself into a freak of nature. I am sad to say that this false belief persisted for me even sometime after his death. I even recall going on Youtube and leaving what I thought at the time was a very innocent and sincere comment on one of his early videos, Don’t Stop Till You Get Enough. I remember looking at that clip, and seeing that gorgeous, young black man with his natural hair and dazzling smile-so cool, so confident, so suave. And I typed into the comment box that it was a shame he felt he had to resort to surgery, when there was nothing wrong with his natural face.
Days later I went back only to discover that the fan who had posted the vid had deleted my comment. I was puzzled; baffled, even a bit hurt. I didn’t think I had posted anything trollish or mean. I was expressing what was, at the time for me, a sincere comment. Why did that fan consider it offensive? In my mind, I was only expressing what I assumed everyone thought. I even pm’d this fan, asking for an explanation, but I never heard back. Although I still don’t approve of censorship as the most mature way to handle disagreement, I can say now that I fully understand why my comment was probably perceived as trollish, and why that fan perceived it as offensive. For years, MJ fans had been sitting by and taking it while the media labeled this man a freak and a “wacko” and criticized his every move. Michael had just died, and no real fan was in the mood to hear it anymore. Not from anyone, well intentioned or not.
The Gentleness Of This Face And The Light In His Eyes Is What Draws You In..
Fortunately my curiosity to learn more about Michael did not end there. I started going to the fan forums, at first just as a kind of curious passer-by. I was curious about the man, and curious about how his diehard fans were reacting to the loss. And of course, as I’ve written here many times, I was trying to make sense of my own overwhelming feelings of sadness and loss over this death; trying to get my hands around why his death had hit me so hard. Like so many, I was grieving without any real idea of exactly why I was grieving so hard. My journey of discovery would eventually lead me to become a full-fledged fan.
But in those early days, I started to notice something very interesting. It struck me-and I have to add, deeply touched me-how so many fans displayed Michael’s mature photos proudly as their avators and signatures. What’s more, that they not only proudly displayed his post-vitiligo, post-surgery photos, but openly GUSHED over them; even had entire threads dedicated to them!
Realizing That His Fans Openly and Proudly Celebrated His Mature Sexuality And Beauty Was An Eye Opener For Me. It Taught Me That It Was OK To Think He Was Sexy…At Any Age And From Any Era.
This really opened my eyes in a new way, as I realized these fans (most of them female) not only accepted Michael in his maturity, but openly celebrated it; openly declared him beautiful and…yes, sexy.
At first, something within me still resisted. I thought it must be attributable only to the old “beauty is in the eye of the beholder” or “love is blind” or a way of saying their love for him simply encompassed full acceptance. Or maybe like Belle in the fairy tale “Beauty and the Beast,” they had simply come to realize, as I said earlier, that beauty from within transcends all.
But then one day I saw a photo that made my heart melt. It was the photo I posted above. By this time, I had started to slowly realize that what the media had fed me for years regarding this man’s appearance wasn’t altogether true. But this was the first time, perhaps, that I really “got” why he was still a beautiful man to his legion of devoted female fans. This photo, taken the day of his acquittal (when I suppose he finally had some reason to look happy again!) completely drew me in. There was something whimsical about this face; an indefinable, quirky charm. I couldn’t quite put my finger on what it was, but I knew instinctively-the way a woman just knows-that this was someone I would have had no problem being phyically attracted to (and yes, here I am putting aside everything else I know or admire about Michael, and am speaking purely from a physical standpoint!). Maybe it was that little devilish glint in his eye; maybe the slightly mischevous smile; maybe the inner strength, resiliency of spirit, and inner beauty that comes through so clearly in that picture…whatever it was, I knew something within me had perceptibly changed.
I was physically attracted to mature Michael. I had fallen in love with the face of mature Michael. I was..dare I say it?…even a bit in lust with mature Michael. How did this happen? And how could I have been so blindsided all those years? That’s the question that still puzzles me. Obviously, as I quickly discovered, I wasn’t alone in this transformation. Hundreds of fan stories have revealed similar experiences. It was as if tens of thousands of us, all simultaneously, were making the same discovery. Many of us were seeing, for the very first time, the photos that the media had never shown us, or at least not on a widespread scale. Perhaps the loss and the collective grief had also made many of us more attuned and perceptive than we had allowed ourselves to be before. We saw emerging from these images-some of which many of us had never seen before- a mature man who was suave, svelte, fashion savvy and-with the right makeup and hairstyle-stunning.
My God, we gasped. This man was gorgeous! And not just the younger incarnation of him. How had we allowed ourselves to be so blind? Okay, enough with the rhetorical questions. Let’s try to examine the answers.
If there was a deliberate media conspiracy to make us believe that mature Michael was a freakazoid, it begs the question: Why?
That Michael Jackson was sexy and had enormous appeal to female fans was never any secret. Even as a child in The Jackson 5, the late Don Cornelius said that the adult women were all over him-okay, maybe not in a sexual way (let’s hope!) but still, it was a way of saying, this kid was already driving the women wild. As Michael matured and became a solo artist, his appeal was still a given, even though the media tended to play him up as “cute” rather than “sexy.” However, we would see the media machine’s attempt to play down his sexuality become even more accelaerated as his commercial success broke the records of white icons, and as his sex symbol status became global. Perhaps for the first time in history, we had a black performer who was being desired by women of all races and nationalities all over the world.
Was he too much of a threat for some?
That question has been raised many times before, and one of the best analytical responses I’ve seen has been provided by Dr. Willa Stillwater and Joie Collins on their excellent blog, Dancing With The Elephant:
One thing that Willa and Joie have touched upon in their articles-and a sentiment I fully agree with-is that there seems to have been a definite media conspiracy to keep Michael Jackson, the Black man, “in his place.” How else to explain why a man of such obvious and enormous appeal to women of all races, nationalities, and ages was continuously denied sex symbol status? The most it seeemed the media was ever willing to concede was that Michael Jackson in his youth, before surgery and before “changing” color, was passably cute. Yet we’ve all seen the concert footage where hundreds of girls are weeping, fainting; hysterical. Every concert, the paramedics were on standby, attending to hundreds of faints. We’ve all seen the videos where female fans weep hyserically in his presence.
Did We “Really” Think He Was Sexy, Even After All The Trials, The Tribulations, The Surgeries, The Vitiligo…Hell Yes, We Did!
In the 1950′s, it was no problem to believe that millions of girls could be driven to weeping and fits of hysteria by Elvis’s gyrations. In the 60′s, the media had no problem swallowing that millions of American teenagers were crying hysterically over The Beatles. Yet, despite all the documented evidence that clearly shows how females reacted to Michael Jackson, we can still hear the disbelieving scoffs in the media whenever someone happens to mention Michael Jackson and “sex” or “sex appeal” in the same breath. How many times have we heard some disbelieving TV host say condescendingly to a guest speaker, “You really think Michael Jackson was sexy?”
Now, as to what extent these hosts are part of the conspiracy, or simply a victim of it the way so many of us were, is hard to say. But the end result is the same. It continues to feed into the cultural belief that Michael Jackson (aside from the pedophile allegations) was somehow asexual and devoid of any but the most childlike appeal. I haven’t yet quite figured how these people have all somehow missed the very blatant message of The Gold Pants or those highly suggestive dance moves, but anyway, that is all subject matter that has been hashed out before. The bottom line is that it simply seems evident that the media did not want to give Michael his due as a sex symbol. And the only logical reasons for that seem to be grounded in pure racism.
With That Gorgeous Smile Still Intact, What Was There Not To Love About This Face?
In any event, what the media instilled in us was a deeply ingrained belief that it was simply not politically correct to think of Michael Jackson as attractive post-Thriller era (or at the very least, up through the early Bad era). There seemed to be a deliberate and almost defiant media backlash against the “whiter” and more seemingly “feminized” or androgynous Michael of the late 80′s, 90′s and beyond. (Perhaps it’s also not surprising that most of the uproar over his changing appearance, especially over the skin issue, has come loudest and most vehemently from whites, when you would think it would be African-Americans who would have the most concern over whether Michael had “betrayed” his race. But ironically, while African-American fans remained loyal for the most part, it seemed to be the whites who were making the biggest hoopla over it, which again begs the question: What were they so afraid of, or so threatened by, if Michael was, in fact, becoming lighter? Let’s just put aside for a moment that Michael had vitiligo and couldn’t help losing his skin color. The fact was, there were many who saw him as an imminent threat, and who perhaps viewed his apparently lightening skin color as the refusal of a black man to stay “in a black man’s place.” One could also wonder about the apparent timing of Michael’s lightening skin color happening just about the same time as the purchase of the Beatles catalog and Thriller surpassing all records to become the top selling album of all time).
Whenever fans discuss their preference for one MJ era over another, it inevitably raises a sensitive issue that is always the unspoken white elephant in the room: Does one prefer their MJ black, or white? Now honestly, I don’t think any fans see the embracing of one as a rejection of the other. Rather, most fans (at least the ones I know) look as it as an embracing and celebration of ALL eras. Part of loving who Michael was means accepting him fully and embracing all eras, regradless of those few who will proclaim The Jacksons era Michael as “my Michael” and someone else who will say, “Well, I fell in love with him during the Dangerous era, so for me, that is MY Michael.” However, I’ve heard some criticism leveled at those fans who prefer mature Michael, or who actually think that he improved his looks with cosmetic surgery. That they are, in fact, somehow contributing to the rejection of Michael’s “blackness” and feeding the very insecurities that led him to alter his appearance in the first place.
Michael, Early Thriller Era. The New Nose Gave Him A Boost Of Badly Needed Confidence. But Contrary To Popular Myth, Most Of His Major Cosmetic Surgery He Would Ever Have Done Was Completed Long Before 1990.
Personally, I think the notion of rejecting Michael’s “blackness” is ludicrous since there was never a time when he wasn’t black (as if being a Black American were merely all about the amount of pigment in one’s skin cells, and nothing else). As for the rest, I don’t think finding him even more attractive post-surgery is anything fans should feel particularly guilty about. After all, it’s no worse than all of those male fans of Pamela Anderson who just hapened to find her much more attractive after her boob job. Although Michael was beautiful just the way Mother Nature made him, let’s face it, the truth is, he did go through a very awkward stage in adolescence. His first nose job, in my opinion, was a major improvement and gave his self-esteem a much needed boost.
But did Michael carry cosmetic surgery too far? If someone had asked me that question three years ago, my response would have been a resounding yes. But now I honestly don’t think so. Is it simply because the mature face of Michael has grown on me? Or simply because the more I have looked at that face over the last three years, the more I have realized that the stories of excessive surgeries were largely exaggerated?
Although I believe Michael was honest for the most part in stating he had only had work done to two areas of his face (his nose and chin cleft) I do believe, looking at photographic evidence, that he definitely had more than two nose jobs. However, his was never a case of “facial mutilation” as the media tried to portray.
Back in November, sanemjfan at Vindicating Michael posted an amazing 5-part series entitled “How To Recognize and Refute The Fallacies Used By Michael Jackson Haters.” Part two of that series dealt specifically with refuting the media lie that Michael had become a victim of “facial mutilation.” With permission, I am reprinting here an excerpt from that piece (the article, also, in turn quotes from Dr. Stillwater’s article, which I am also reprinting with permission):
From How To Recognize And Refute The Fallacies Used By Michael Jackson Haters, Part Two, by sanemjfan:
Let’s look at MJ’s so-called “facial mutilation” to see how the media used the big lie technique to say that MJ butchered his face! In this video, you’ll hear Fox News “journalist” Juliet Huddy call MJ a “freak”, in an attempt to dehumanize him just a few days prior to his memorial (and pay attention to O’Reilly’s use of ad populum techniques to bolster his claim that only blacks care about MJ):
First, let’s look at this photo, which consists of 2 photos taken 20 years apart and merged together. One photo is from MJ’s cover shoot of the December 2007 issue of Ebony magazine, and the other photo is from 1988. Look closely at the photo, and try and guess which photo is from 1988, and which is from 2007:
I don’t see any evidence of facial mutilation. Do you?
Pretty tough, huh? You can barely tell the difference! And this proves what MJ said all along, that he only had surgery on two areas of his face: his chin, and his nose! The rest of his face is completely structurally sound!
Below is the photo from Ebony magazine’s December 2007 issue:
Below is the photo from 1988 (you can easily tell because of his Bad attire):
Here are those same two photos merged with a photo from either 1980 or 1981. Once again, you’ll only see t change in his chin, nose, and the overall size of his face (as he had grown and gained weight over the years).I want to acknowledge LunaJo67 for creating the following 3 photo comparisons. You are amazing!
I don’t see any evidence of body dysmorphic disorder. Do you?
He aged pretty well over the 26 year time period in between these photos, huh?
Let’s look at this excellent photo comparison of MJ from the “Thriller” era and during his trial! This was shared by the magnificent Karen O’Halloran, who authors the MJ Pop Culture blog!
While we’re on the subject of plastic surgery, let’s look at what Dr. Willa Stillwater wrote in her amazing article “Rereading Michael Jackson”, which is now posted on her new MJ blog “Dancing With The Elephant”. Open the article and scroll down to the section titled “I’m Gonna Be Exactly What You Wanna See” (a lyric taken from the song “Is It Scary?”), where Dr. Stillwater eradicates the “facial mutilation” garbage by analyzing photos of MJ throughout the years that actually MATCH each other, which is the opposite of what the media did to portray his face as a science experiment. Here are a few excerpts:
So why was it so commonly accepted that Jackson had extensive plastic surgery? I think partly it’s because he defied accepted notions of race and identity by changing the color of his skin and the shape of his nose, so both the media and the public became obsessed with his face. The tabloids, especially, were constantly photographing and analyzing his face, searching for additional changes. He also had a very angular jaw line and prominent cheekbones that could look quite different depending on camera angle, lighting, and the expression on his face, providing the tabloids with plenty of material for speculation.
However, the occasional odd photograph by itself could not have caused the media hysteria that came to surround Jackson’s face. There was more going on than that, and the explanation lies in the nature of perception itself, and how our beliefs shape our perceptions: we see what we expect to see. Once the media and the public became convinced that Jackson had had numerous plastic surgeries — that he was, in effect, addicted to plastic surgery — they began to interpret the photographic evidence in ways that supported their preconceived ideas.
However, that was not the explanation that was presented in the tabloids, and it was not what the public came to accept as true. The dominate narrative in the tabloids, and eventually in the mainstream media and the public mind as well, was that Michael Jackson was born with a cute pointy chin, rounded chipmunk cheeks, and a narrow jaw line, and then completely changed his face through obsessive plastic surgery, making his chin wider and more masculine and his cheekbones sharper and more prominent. And because that’s what our minds came to believe, that is what our eyes began to see. This progression as we imagined it looks something like this:
In effect, we highlighted and prioritized the images that fit the narrative we believed, and mentally edited out the ones that didn’t. And each time we saw a new photo, we evaluated it in terms of the pre-existing story line. If it fit the narrative and somehow suggested additional alterations to make his face more masculine, it was accepted as yet more proof of plastic surgery and was added to the “changing faces” photo series that sprang up like mushrooms all over the web. If it didn’t, it was largely ignored.
Notice how she referenced the media’s use of anecdotal evidence, which is the fallacy of only using evidence and research that supports your claim, while IGNORING anything that refutes your claim. (This is also known as “cherry picking”.) As Dr. Stillwater asserted, any photo that didn’t “fit” the facial mutilation meme was ignored and tossed on the cutting room floor.
Please, PLEASE take a moment to read that section and look at the photo lineups that she presented! It was excellent research that only a true MJ advocate could accomplish!
Let’s look at some additional photos of MJ to and see how the media really did a number on him. This photo below, taken in the early 2000s, is actually photo-shopped in order to make MJ’s skin even lighter than it really is, so that people could say to themselves “Yuck! He looks like a freak! I think he’s guilty!”
This is NOT his true complexion!
It’s similar to what Time Magazine did to O.J. Simpson in June 1994 (before he had his day in court!), when they intentionally darkened his complexion to make him look guilty! (Newsweek magazine ran the exact same mug shot, but without altering it.)
Throughout American history, darker skin has been associated with violent behavior.
This is what’s MJ’s skin complexion really looked like!
His real complexion!
Here is a comparison photo of MJ in 1996 and 2005; by the way, the 2005 photo is on the left, and the 1996 photo is on the right! When you look at the photo, you naturally assume that the older photo is on the left:
End of Excerpt
Most of the changes perceived in Michael’s appearance seemed to have more to do with his loss of skin pigment than actual cosmetic changes. Also, the media often failed to take into account such natural changes as those having to do with the ageing process, fluctuations in weight, and even something as simplistic as a change of hairstyle!
As many have noted, it’s amazing that once Michael had donned his curls again for This Is It, he looked amazingly like his Dangerous-era self, only perhaps a little older:
What this tells us is that Michael had had relatively little, if any, major cosmetic procedures done from the early 90′s to 2009, and that the bulwark of any major work he may have had done was probably completed by the late 80′s with the addition of the chin cleft. This is certainly, however, in stark contrast to the myth the media continued to foster upon us, which would lead one to believe that Michael had practically disfigured himself with countless procedures!
On The Set Of One More Chance In 2003. Michael Cuts A Debonaire Figure In Black Leather.
I have finally come to the conclusive opinion that, for whatever reason, the media needed Michael Jackson to be a freak, and they were determined to sell us that image at all costs, even if it meant foistering a lie. I don’t think it was as deliberate as that they sat down collectively and planned it out. But what happened in the case of Michael Jackson was a clear case that if you continue to feed people a lie long enough-and manage to manipulate enough evidence in order to get peoples’ eyes and brains to see what you want them to see-you can create almost anything.
I think that one reason so many of Michael’s fans openly and proudly embrace his mature image is also precisely for that very reason. We were basically told from on high that it was okay and acceptable to love the young Michael, the iconic Michael. But that somehow, the face of mature Michael was supposed to be something that repulsed us. We were told it was not supposed to be a face we could love.
They Tried To Tell Us That This Was A Face We Could Not Love. But How Could We Not?
These Rare Images Captured By A Fan Who Ran Into Michael At Disney World In 2002 Capture Beautifully The Mature Face Of Michael, With No Makeup And No Frills
What I don’t see is “Wacko Jacko” the “self-multilated freak”. I stopped looking for him long ago because I came to realize he never existed at all. Except as a product of some very vivid and twisted imaginations.
Talented George Vlosich spends 150 hours perfecting his black line masterpieces on the retro toy
Source: mirror.co.uk
Eight Days A Week: George devoted an enormous amount of time to his Beatles portrait
This artist clearly has a lot of time on his hands… or fingertips to be exact.
Talented George Vlosich uses an Etch A Sketch to create stunning portraits of famous faces, spending a thumb-numbing 150 hours to perfect his masterpieces.
The pictures are created using just ONE unbroken black line and because the retro toy has only two knobs to steer the ‘pen’, George meticulously plans his designs out in advance.
The 32-year-old has created amazing black line likenesses of Michael Jackson and Muhammad Ali and has just completed a Beatles project.
The nimble-fingered artist has also Etch A Sketched tributes to President Barack Obama and Prince William and Kate Middleton for their Royal Wedding day.
Stunning Etch A Sketch art by George Vlosich – Barack Obama
Stunning Etch A Sketch art by George Vlosich – Kate Middleton and Prince William
Stunning Etch A Sketch art by George Vlosich – Michael Jackson
Stunning Etch A Sketch art by George Vlosich – Ali
George, from Ohio, said: “I have just finished the Beatles etch which I think could be my best piece yet.
“I have also done a portrait of Paul McCartney as it is my life long dream to get a chance to meet him and show him my artwork.
“With the Oscars approaching I decided to do an etch of one of the all time classics, Gone with the Wind.”
The Etch A Sketch was invented in the late 1950s by André Cassagnes who dubbed it “L’Ecran Magique”, French for ‘the magic screen’.
The toy was snapped up by Ohio Art who renamed it Etch A Sketch and soon became the most popular drawing toy on the market.
A friend of mine sent me a PDF copy of the funeral program, so I decided to share it with others who may want a copy. The reason I am doing is because I don’t want to see it being sold on eBay as some people have with Michael’s funeral program and autopsy. In my opinion, I think is just plain WRONG to do that. So to keep people from profiting from her death, I am passing it on for FREE as a keepsake. It’s a beautiful tribute to a great lady.
I do not own the rights to any materials printed in the content, no copyright infringement intended. Permission to post was granted by Printing Delite.
A DRESSING gown which was worn by the late King of Pop Michael Jackson is up for auction in Wareham next week.
A Dorset woman has been lovingly storing the black towelling dressing gown for more than 23 years – after the superstar gave it to her as a present while on his Bad tour.
The woman, who wishes to remain anonymous, asked Jacko for a photo as he came off stage in Liverpool on 11 September 1988.
But the Thriller star said he could give her something better – the hooded dressing gown as a gift for her birthday the next day.
“With that he took off the black dressing robe and gave it to me,” the woman said.
“The robe has never been washed since that night and has been carefully stored since then.”
The dressing gown is expected to go for between £3,000 and £4,000 in the auction taking place at Cottees saleroom on Tuesday.