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Michael And Other Music Stars Have Worked In Secret At Palms Studio, Las Vegas

Published May 9, 2012 by MJ WAS A CUTIE PIE

Source: Las Vega Review Journal – By David Elfman

It takes about one minute to walk from the Palms’ casino floor to its recording studio. Yet, tourists and locals never know that just a few walls separate them from the secretive Studio at the Palms, where Alicia Keys, Dave Matthews and a steady stream of stars write new music, day and night.

The Studio is such a hidden place that, over the course of a few years, even Michael Jackson recorded two sessions at the hectic Palms, for weeks at a stretch, clandestinely.

Jackson would stroll in wearing black jeans, a silk shirt and black leather jacket (no masks, no camouflage). His kids were in tow. He met with Vegas R&B singer-songwriter Ne-Yo to record music still unreleased.

Jackson wrote on keyboards and sang. When he’d finish for the day, his music-in-progress would get dumped onto a portable hard drive and locked in a safe, erased from Studio computers for his protection.

During a third visit, Jackson met with artists crafting a 2008 Super Bowl TV ad for SoBe fruit juices. It was in this studio that Jackson danced “Thriller” steps to show illustrators how SoBe’s computer-animated lizards’ needed to mimic his moves.

You’ve not heard these Michael Jackson details before, because the $6 million, state-of-the-art Studio guards musicians’ working seclusions with rare Vegas gravity, so they may work in peace.

When the Grammys air Sunday, four awards could go to hit songs or albums recorded at the Studio: Eminem’s “Relapse” (up for best rap album) and “Beautiful” (best rap solo); Jamie Foxx’s “Intuition (best R&B album); and Alice in Chains’ “Check My Brain” (best hard rock performance).

It was also here that Axl Rose arrived (with ever-present bandana) to lay down vocals on a handful of songs for Guns N’ Roses’ notorious “Chinese Democracy.”

Usher recorded in 2008 and 2009 for his March album, “Raymond vs. Raymond.” Usher then posed next to the Studio’s piano for a milk ad, white mustache painted across his lip.

Many musicians now record on home studios, or they stick with their hometown studios in New York, L.A. and Nashville. But since opening in 2005, the Studio has snared Timbaland, LL Cool J, Gym Class Heroes, Journey, Death Cab for Cutie, Regina Spektor, Gavin Rossdale, Mary J. Blige, Will.I.Am, Elton John, Britney Spears, Tony Bennett, Diddy, Chevelle, Ciara, Ludacris, the Killers, and on and on.

As a bonus, musicians get to sleep in their choice of elaborate Fantasy Tower suites, bedazzled with personal pools, a bowling lane and a basketball court. They travel covert halls and elevators, never encountering screaming fans or friendly interruptions.

“These guys are here to work,” Palms owner George Maloof says. “They like it, because their friends are not here and they can focus.”

Stars interact with fans when they want. Jermaine Dupri blogged about his recording sessions.

“And they can write a dance song, and go test the song out at Moon (nightclub upstairs), and see how the audience likes it,” says Studio Director Zoe Thrall.

In 2008, Jamie Foxx wrote a tune, then popped up to Moon to gauge its danceability.

Unlike other studio cities, delicacies are always at hand on the 24-hour Strip.

“We can get them a steak from N9NE Steakhouse” day or night, says Thrall (who previously earned a stellar reputation for managing New York’s legendary studios The Hit Factory, Avatar and The Power Station).

Many stars are surprisingly easy to serve. Panic at the Disco subsisted on grilled-cheese sandwiches — all the time.

When the Killers recorded the album, “Sam’s Town,” drummer Ronnie Vannucci Jr. was the Tabasco king.

“You could never get enough hot sauce for him,” Thrall says.

Finally, she ordered him a gallon.

Marijuana icon Snoop Dogg recorded here, so I ask Thrall why the Studio doesn’t still reek of pot.

“Because Snoop’s not here right now,” Thrall jokes.

Maloof tells Palms insiders about recording sessions on a need-to-know basis.

“I’ve had people in the Studio, and nobody believes it,” Maloof says. “I’ll say Eminem’s downstairs right now,’ or ‘Dr. Dre’s downstairs.’ And they’re like, ‘What?!’”

“Believe me, we love hearing about (stars) staying at the Palms, in the media. But the studio’s just more of a private place,” Maloof says.

“I didn’t want it to become like: ‘So-and-so’s in the studio, and they had a turkey burger.’ ”

Some musicians are so unbothered by the cost (a relatively inexpensive $1,850 a day), they’re under the mistaken impression it’s free.

A month ago, Maroon 5 keyboardist Jesse Carmichael told me he thought his band’s studio time was a freebie, in exchange for singer Adam Levine’s gambling forays.

“I can show you the invoices. They pay,” Thrall says and laughs.

Maroon 5 recorded “Makes Me Wonder” and songs for a new album at the Studio, where bands use a second studio for mixing and cutting demos.

“We’ve gotta spread the truth about the serious quality of songs that come out of there,” Carmichael says. “We can ‘track’ anything that we would ever need to record there.”

When bands perform in the Pearl theater and Palms lounges, they can record those live shows with a touch of a button, sending live output directly to recorders in the Studio via hotel-wide fiber optics. My Morning Jacket and other bands have released in-concert Pearl/Studio albums exclusively on iTunes. Jay-Z is doing the same soon.

Six years ago, the Palms’ Maloof brothers got the idea of building the 8,000-square-foot facility (designed by studio architect Francis Manzella) from Larry Rudolph, Britney Spears’ manager at the time.

Stars were already flooding Vegas and the Palms. Why not rent them studio space?

Its success has been a pleasant surprise beyond expectations. But in a town of chest-thumping self-promotion, the Studio continues to offer stars privacy they crave while creating. Even Maloof has visited recording musicians only four or five times after they’ve asked to meet him.

“I don’t want to be the owner-groupie that goes up there and is all over them when they’re trying to do their work,” Maloof says.

“I leave them alone.”

To a working musician, those are four magic words.

Doug Elfman’s column appears on Mondays, Tuesdays and Fridays. Contact him at 383-0391 or e-mail him at delfman@reviewjournal.com. He also blogs at reviewjournal.com/elfman.

http://www.lvrj.com/news/shhh-music-stars-work-in-secret-at-palms-studio-82579467.html

 

Photographer Jim McCrary Dies

Published May 8, 2012 by MJ WAS A CUTIE PIE

Source: Billboard

Jim McCrary, who was behind the camera for hundreds of album covers including Carole King’s iconic “Tapestry,” but who soured on rock photography following an encounter with a young Michael Jackson, died last month at age 72.

His niece Colleen Pollard told the LA Times that McCrary passed away April 29 of complications from a chronic nervous system disorder at a hospital in Palo Alto, Calif.

As a self-taught staff photographer for A&M Records, McCrary shot more than 300 album covers and countless promotional images for artists ranging from Cat Stevens, The Carpenters, Phil Ochs, Joe Cocker, Captain & Tenille and B.B. King. Perhaps his most famous cover was for King’s landmark 1971 album, “Tapestry,” which features the singer lounging on a window sill with her cat.

On his website , McCrary showcased dozens of other images of King through the years, including the cover for her “Tapestry” followup, “Music.”

Country rock fans have McCrary to thank for his part in documenting Gram Parsons and The Flying Burrito Brothers, including several early photo shoots with the band in Nudie Western gear as well as candid images during their brief history.

By the late 1970s, McCrary was photographing a wider range of younger artists, including ones he was not overly familiar with. One of those was Michael Jackson, whom he was tasked with shooting for the cover of his “Off the Wall” album. As the session was about to start, McCrary changed the channel on a nearby radio, even though the song playing was Jackson’s “Don’t Stop Till You Get Enough.”

“Jim did not know Michael’s music and changed the radio station,” his niece Colleen Pollard, who was tasked with dancing with Jackson to loosen him up, told the LA Times. “I yelled, ‘No, that’s his song.’ The looks on Michael’s face and his manager’s were priceless.”

Jackson did not use any of the images and Pollard noted that this was one of the reasons McCrary left rock photography. “He said he just didn’t feel connected with the bands anymore,” she said.

He later transitioned to shooting portraits and still lifes and in 1990 opened up a camera equipment store in Hollywood, called Pix Camera.

McCrary is survived by a son and two brothers.

http://www.billboard.com/news/tapestry-photographer-jim-mccrary-dies-1006982362.story#/news/tapestry-photographer-jim-mccrary-dies-1006982362.story

 

 

 

‘Michael Jackson Was A Nice And Shy Client’

Published April 30, 2012 by MJ WAS A CUTIE PIE

Source: The Times of India

'Michael Jackson was a nice and shy client'

…says Spanish sculptor Xavier Benlloch, who is in Pune, and reveals his association with the King of Pop and Charlie Chaplin, among others.

Artist Xavier Benlloch remembers Michael Jackson as a nice and shy client who would send his manager to look at his work every time before he came to purchase his favourite piece of art work. In Pune for his exhibition, this Ibiza based sculptor and painter spoke about the King of Pop, the Chaplin family and more. “Michael Jackson visited my studio several times before he ordered a giant Peter Pan for Neverland,” recalls Benlloch who also made a custommade bronze sculpture of Charlie Chaplin for the Chaplin home in Los Angeles. Jackson preferred more of Benlloch’s cartoon sculptures while the Chaplins picked from the collection of his realistic art work series.

The last painting that Benlloch sold to Jackson before his mysterious death was a small figurine inspired by Betty Boop, an animated cartoon character created by Max Fleischer and Grim Natwick in the 1930s. Other than having Chaplin and Jackson as his clients, Benlloch boasts of a long list of Hollywood stars in his buyers’ list which he did not like disclosing.

“Celebrities are very normal people. They are fond of art, have taste and are culturally sensible,” he explains. However, Benlloch seldom likes to reveal “personal things about his clients.”

“When Jackson bought my works of art, he fell in love with them which is a matter of the heart. It had nothing to do with the celebrity status he had with him,” he quips. Apart from Hollywood celebs, Benlloch caters to a host of clients including designers, architects and other art lovers. “I share a very close, creative and loyal relation with all of them,” he adds. In the short span of time that he will spend in the neighbouring city, Benlloch wishes to capture “all the art from every corner.”

http://timesofindia.indiatimes.com/life-style/people/Michael-Jackson-was-a-nice-and-shy-client/articleshow/12822893.cms

 http://www.xbenlloch.com/

An Interview with Jimmy Jam of The Original 7ven, Part Two: Jimmy Jam discusses The Time, Prince, and working with Janet and Michael Jackson.

Published April 22, 2012 by MJ WAS A CUTIE PIE

Source: The Morton Report – By Chadd Lipp

Jimmy Jam’s illustrious career as a musician, songwriter, and record producer began in the early ‘80s with The Time. The band scored Prince-produced hits such as “Cool” and “777-9311” while establishing itself as a live act not to be taken lightly. Prince, with whom The Time toured during that period, once told Rolling Stone, “They’re the only band I’ve ever been afraid of.”

After their forced departure from The Time in the mid-‘80s, Jimmy Jam and Terry Lewis formed Flyte Tyme Productions. Together the duo produced hit after hit, most notably for Janet Jackson, but also artists including Usher, Mariah Carey, Michael Jackson, George Michael, Boyz II Men, and many others.

After a 20-year-plus absence, The Time has reunited, albeit under a new name. As The Original 7ven, they have issued an all-new album called Condensate. Part one of my interview with Jimmy Jam focused on the conception of that album and the band’s future plans. As our conversation continued, we discussed not only The Time’s history, but also other aspects of Jimmy Jam and Terry Lewis’s career as producers.

Let’s look back to 1990 and the Graffiti Bridge movie. How did the original seven members of The Time come to be involved with that project?

Let me try to clarify a little bit. There might be a misconception that we got back together to do the Graffiti Bridge movie. That’s absolutely not the case. What happened, Morris [Day] was working on a project with Prince. It was basically going to be more of a solo project. Prince was going to do the bulk of the writing and playing. I think it was going to be calledCorporate World, but there were a few different names floating around at that point. Around that same time period, we had also been working with Morris on different projects and things. We thought, let’s get The Time back together and just make a record. So we got back together and started making an album. This was with Prince’s blessing, by the way. And we had our own idea for a film.

What kind of film did you guys have in mind?

It was basically based on our own true story, rather than a fictional story. Purple Rain was a fictional story based in some truth, the whole backdrop of Minneapolis and the competition of the bands. The way that worked was very true and very well done in that movie. But we really wanted to make a film about our exploits on the road and some of the things that went on, because we had a great time on the road.

How far did you guys get with this project?

We actually brought in someone to write a screenplay. We sat and talked with a couple of screenwriters, telling them the stories we thought were funny, letting them weave a storyline around it. We were in talks with Warner Bros. to do it. The next thing you know, literally out of the blue, Prince called us for a meeting at Paisley Park. And I remember we walked in thinking it was going to be about the movie — the movie we thought we were going to do. All of sudden it turned into Graffiti Bridge, and we were like,“What’s Graffiti Bridge?” Prince was like, “This is my movie.” And it was, you know, this girl and a feather. [laughs] It was like, “No, no, no — we’ve got our own ideas for a movie.”

The Time still made a very successful album though, which includes some songs that were in the movie.

That’s the reason that, when everything was done, Pandemoniumcame out, which was basically our album. Then the Graffiti Bridge soundtrack came out, which had four of our songs on it. Just one soundtrack album probably would’ve made more sense. But it was because we were already doing our other things. We were like, “Okay, we’ll do your movie, Prince, but we’re still going to do our own album.” We were already on the path to do that.

How did the same basic track from “My Summertime Thang” onPandemonium end up being reused for “The Latest Fashion,” which was part ofGraffiti Bridge?

The origin of “My Summertime Thang” came about around Ice Cream Castle [1984], right around when me and Terry got fired from The Time. We always loved the song, so that was one of the ones we asked Prince for. We said, “Hey Prince, ‘My Summertime Thang,’ can we have that? That was our song from back in the day.” And he said, “Yeah, you can have it. But you know what, I changed the words. It’s called ‘The Latest Fashion’ now.” And we’re like,“No, no, no, no.” So that was sort of a compromise. He wanted it as “The Latest Fashion” because it worked in the movie for the scene. But we wanted it as “My Summertime Thang” because that’s what it was back when we had it. There was a lot of that kind of thing going on, which is why I make the distinction that we didn’t get back together specifically for Graffiti Bridge. We were already on our own path, doing our own thing. We kind of reached a compromise to do it.

The Time Graffit Bridge (380x213).jpg

What did you think of the finished movie?

I thought the music in Graffiti Bridge was great. I didn’t particularly like the movie. [laughs] But I thought the musical scenes were a lot of fun. We were sort of an afterthought anyway. Literally when we would shoot scenes, they would put makeup on us in the morning, and then we’d have to sit around all day in our suits. Then at the end of the day, after everything else was done, they’d go, “Oh, we have to shoot these other scenes.” There was no continuity, everybody looked different. There’s one scene, I swear to God, I have dark glasses on in one shot and regular glasses on in the next shot. There was absolutely no continuity in the movie whatsoever.

Do you think Prince was in over his head, wearing too many hats as writer, director, and star?

Well, I think the downfall of the movie was that it didn’t have a real director. I think that Prince was so accustomed to making music on his own, because he could be the engineer, the producer, the writer, the keyboard player, the guitar player. He could do it all himself without ever really having to communicate to anybody. And he’s a genius at doing that. Movie making is a whole different medium.

What was Prince’s directorial style like during production?

I remember the first day on the set, Prince walked out and said, “Okay, we’re going to shoot this scene.” And about five people standing around him start asking questions. The camera guy asked, “How do you want this shot framed?” And Prince goes, “What?”

He didn’t want to hear any of that stuff. It was more like,“Just shoot it.” He had in his head what it was supposed to be. But to make a movie, you have to communicate what’s in your head to other people. And that was not Prince’s strong suit. I think the movie suffered because of that. It didn’t allow everybody to do their best work. That’s why I say, to me, the best thing about the movie is the music.

The Time wasn’t involved in Under the Cherry Moon (1986), but of course Jerome Benton co-starred with Prince. That film, with Prince directing, was so much more technically accomplished.

That movie had a great look and was very creative. But that was shot on location in France and was a different kind of thing. Graffiti Bridge was all on a sound stage with sets and had a very claustrophobic feel. You weren’t filming at First Avenue, like in Purple Rain, which was already a real club with the vibe of a real club. You were shooting on a sound stage in a kind of fictitious set-up.

Graffiti Bridge almost has a fantasy look to it, like a slightly surreal fantasy.

You know, it’s interesting because now, with Glee and people being more used to seeing characters breaking into song, I think something likeGraffiti Bridge could work really well. I’d love to see Prince do that now. I know he could make a great musical and I think it would work better now because people are seeing it more often on television. Who knows, he probably is going to do something like that. The way he writes his songs I think lends itself to that type of treatment.

While we’re talking about Prince, have you and Terry every talked about producing him?

We’d love to do it. And he knows it. We’ve talked about it over the years. When we were in Minneapolis, and had our studio up there, he came by and visited one day and fell in love with Studio A, the design for which was based on a studio called Westlake. It just was a great, big, comfortable room.

And we asked him at one point, “Could we ever go through your vault and just pick out some songs and maybe mix them or do something like that?” And he said, “Yeah that’d be great. I’ll let you guys have ten songs and you can do with them what you want.” So we’ve talked about that. We’ve talked about us producing him. We’ve talked about him using our studio to record. And I think Terry might have had a conversation with him in the last couple months where some of those same things came up. So you never know. I don’t even know whether that’s something that would be successful or not, but I’d love to try it. At the end of the day, I’m probably one of the biggest Prince fans ever.

You and Terry, of course, have done phenomenally successful work with Janet Jackson over the years, but weren’t involved with her last album, Discipline (2008). Any chance you guys might work with her again?

I think so. The ball’s in her court there. We started working on a record with her. Around the time that Michael passed, we were actually in the studio. Matter of fact, we had actually gotten one song done. She was going to take three weeks off to go down to Atlanta to work with Tyler Perry on Why Did I Get Married Too? When she was done, we were going to resume working. And of course, Michael passed. And we never really got back in the studio again. She went straight into another film and then did the Up Close and Personal tour.

We have songs for her that we think are great. And if she thinks they’re great, I think we would work together on something. If she doesn’t think they’re great, maybe we wouldn’t. It’s as simple as that. If we’re thinking along the same lines about what she should do next, then I think we’ll definitely work together again. There’s a comfort level there. There’s never been any animosity between us or any bad blood in any way. She’s like family to us. As a matter of fact, she’s the godmother to my first son. So beyond the music part of it, we’re close anyway. But we’ll see. I would love that.

Jimmy Jam and Terry Lewis (380x316).jpg

Speaking of Michael Jackson, what can you share about working with him on HIStory (1995)?

Michael was amazing. I can’t think of a studio moment that blew us away more than the first time he got in front of a microphone on“Scream.” It was really funny. First of all, when we put that track together, I had Janet come to Minneapolis. I just said, “I need you to be here for inspiration.” So Terry and I put together four or five different tracks, and for one of the tracks, Janet said, “I hope he doesn’t like this one, because I want this one for me.” And another one of the tracks, she said, “This is the one he’s going to like, I know my brother.”

So we go to the Hit Factory in New York. We played all these tracks, and when the track that ended up being “Scream” came on, he said, “Yeah I like that.” Janet said, “I told you that’s the one he was going to like! I’m so glad he didn’t like that other track.” Well, the other track ended up being“Runaway,” her single from Design of a Decade. I actually thought that track would’ve been a great duet for them, but Michael wanted to be real aggressive and real hard. He had things on his mind about how he felt he was being treated in the press. And the track for “Scream” was sonically perfect for what he wanted to do lyrically.

When he went into the studio, the idea was that he was going to sing it first and then Janet would go in and sing after him. So Janet’s sitting there, me and Terry are sitting there, and Michael goes in. Before he sings, he’s just real calm and quiet, “Can you turn my headphones up a little bit?” Then all of a sudden the music comes on and he starts dancing around the room, hitting all his signature moves. And he’s like, wearing a bracelet or something while clapping — you’re not really supposed to do that when you’re on the mic, but it didn’t even matter. When it was over, I swear to God, it was just silence in the room. He said, “How was that?” We’re like, “Yeah, that sounded really good.” And I turned and looked at Janet and she said to me,“I’ll just do my vocal in Minneapolis.” It was like, “I’m not going to do my vocal right now.” Obviously he just killed it, right? [laughs]

So we go to Minneapolis with Janet, where she does a great job on her vocal. We send it to Michael, he goes, “Wow, Janet sounds great. Where did she record that vocal?” I said it was in Minneapolis. “I’m coming to Minneapolis.” So Michael comes to Minneapolis to re-record his vocal, and it was a real glimpse into his competitive nature. It didn’t even matter that it was his sister. It was just like, “No. I have to redo it. She did hers, I have to redo mine.” It was just crazy, his competitiveness even with his own sister. But it was that drive for perfection. And the original vocal he did in New York ended up being probably 90 percent of the vocal on the final song.

That’s pretty unique that you’ve had opportunities to work with both Prince and Michael Jackson.

It was great too, working with Prince and working with Michael, they were polar opposites in the way they worked. Prince would walk in the studio at the beginning of the day and he’d walk out with “1999,” done. Michael, we’d spend a day just on the volume of the handclaps. I mean, literally. And we’d turn them up and he’d say, “Okay, I’ll come back tomorrow and we’ll listen to it again.” We come back the next day, and he’d go, “Can we turn that up just a little more?” Yes, we turn it up. “Okay, make me a tape.”Okay. “I’ll come back tomorrow and we’ll listen again.” I mean, it was literally like that. But that was, you know, learning from people like Quincy Jones, people who were very meticulous about what they did.

What was Michael like on a personal level?

Michael was married to Lisa Marie Presley at the time we were working with him. And I remember my wife asking Lisa what attracted her to Michael. She looked at my wife and just said, “He’s the kindest man I’ve ever known.” And I remember thinking the same thing after working with him. Just a nice dude.

That reminds me, we used to get into these big, long conversations. And Michael would pick my brain about stuff, always curious about everything. He said to me, “Jimmy, how do you want to be remembered?” I asked him what he meant. “When people talk about you after you’re gone, how do you want to be remembered?” And I said, “I want to be remembered as a nice guy.”Michael goes, “No, I mean, as a producer, how many number one songs,” you know, whatever, whatever. I just said, “Michael, those are statistics. I don’t want someone to say ‘Oh yeah, that Jimmy Jam, he had a bunch of number one hits.’ I just want them to say, ‘Jimmy Jam, he was a nice guy.’”

Fast forward about a year later. We needed to get a sample cleared and he was the only one who could clear it. I ended up having to call him directly. I said, “Michael, how are you?” He said, “I’m good. I know you wanted to ask me something, but before that, can I just tell you something?” I said sure. He said, “Remember what you said about how you want to be remembered?” I said yes. “Well, every time someone asks me about you, I just say, ‘Jimmy Jam, he’s the nicest guy.’” And I said, “Great! You get it now, Michael?”And he said, “I totally get it.”

At the end of the day, after all the talent and all the groundbreaking stuff he did, he was just simply a nice guy. He was one of the nicest people I’ve met and worked with ever.

Jimmy Jam and Terry Lewis 3 (380x252).jpg

What’s next on the horizon for you and Terry Lewis?

I would say the three things that are in various stages of being recorded, one would be Usher. We’re working with him on his new album. We’re in the studio with a group we just signed called the RoneyBoys. My 11-year-old son discovered them on YouTube, which I think is getting pretty common these days. They’re three young kids – 10, 12, and 16 years old – who play their own instruments and write their own songs. The 10-year-old sounds like the first time you heard “I Want You Back” by The Jackson 5. He’s got that voice and that kind of soul to him, pretty amazing. The older one, the 16-year-old, is basically John Mayer Junior, except on the ukulele. They’re super talented. So we’re in the studio with them right now.

And then New Edition is back together, all six of them. The last time they had all six guys together, we did a record called Home Again that was very successful. We did some stuff with Johnny Gill for his solo album, and now he’s saying that all the guys want to come down and get some new music out. If that happens, it would be fantastic. When we did the Heart Break album with New Edition, that was the point where they kind of grew up and went from being the little boys to the big guys. And they haven’t really looked back since then. We really share a great bond with them, so we’re looking forward to doing that.

And then of course, last but not least is getting The Original 7ven together to tour and go play these new songs from Condensate live in front of crowds.

What concluding thoughts you can share about the approach The Original 7ven took with Condensate?

As producers, one of the strengths me and Terry have had is being able to look at somebody who is already established and see them from a fan’s perspective. We simply think, I’m a fan and this is a record I’d like to hear them do. I think that was the approach with The Original 7ven’sCondensate. We tried to take ourselves out of it and go, “Man, if I was a fan of The Time and I hadn’t heard any new music in 20 years, what would I like to hear?” And we immediately wrote “Strawberry Lake.” It was like, “This is what I’d like to hear. I want to go right back to where I was 20 years ago.” And then together, all seven of us created that record.

Many thanks to Jimmy Jam for sharing his insights and experiences. Keep up with The Original 7ven on the band’s official website and on Facebook.

Condensate

Original 7ven

Buy New $11.97

http://www.themortonreport.com/entertainment/music/an-interview-with-jimmy-jam-of-the-original-7ven-part-two/

Michael Jackson Tribute Bust – By Jordu Schell

Published April 18, 2012 by MJ WAS A CUTIE PIE

Source Text: Schell Sculpture Studio

Pictures Only: Q8 All In One

"I was contacted by my friend Karen Faye, Michael’s personal makeup artist (who has been with him since making him up for the ‘Thriller’ album cover), to potentially do some masks for the ‘Ghosts’ segment of his upcoming tour in England, but things fizzled when it became clear that there wasn’t enough time to do them properly. I had a feeling then that this show was possibly going to end disastrously, but I had no idea what level of disaster was waiting the beleaguered star only a month away. It is still hard to comprehend the scope of this thing, and I have not come anywhere near facing its total impact. But I do know that the ramifications are enormous, America’s version of the Princess Diana tragedy."

Many years ago, while Michael was going through the terrible trial that would ultimately result in self-exile for a time from the United States, Karen asked if I wanted to perhaps send a sculpture to Michael. My answer was an emphatic ‘Yes!’. But I told her I wanted to do something really special for him, something that might take a good deal of time. He disappeared almost immediately after the trial to the Middle East, but not before I was able to have Karen pass on a book of fantasy art, one that contained a few images of mine in it. He graciously sent back a collection of his music and videos, with a hand-written note on the cover. I will treasure this forever, because I was—and always will be—an enormous fan of his. It is hard to put into words all that he has meant to so many, and what he may have given us in the future had he only been able to live a little longer. Michael, thank you so much—you have inspired, amazed and dazzled us all for over forty years, and you can now, finally, be at peace. You, of all people, deserve a good rest.
—–Jordu

Schell Sculpture Studio offers the finest creature and character design available anywhere. The studio has been providing concept art in the industry for over ten years, and owner and head designer Jordu Schell has been in the film and television industry since 1987. His talent as a designer and sculptor is world renowned, and his credits include: “Avatar”, “The Chronicles of Narnia: Prince Caspian”, “300”, “Hellboy”, “Aliens vs. Predator – Requiem”, “Men in Black”, “The Mist”, “Batman Returns”, “Edward Scissorhands”, “Alien: Resurrection”, “The X-Files Movie”, “Predator II”, “Galaxy Quest”, “Evolution”, “Babylon 5-The Series” (on which he designed an emmy award-winning creature make-up and the first fully digital creature for a television series), and many more.

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Akon Accidentally Hung Up On Jackson Out Of Shock

Published April 13, 2012 by MJ WAS A CUTIE PIE

Source: MALExtra

Akon hung up on Michael Jackson when the King of Pop first phoned him about recording a duet – because he refused to believe his childhood idol was a fan.

Akon, real name Aliaune Damala Badara Thiam, grew up around the studio watching his dad, celebrated jazz percussionist Mor Thiam, perform dozensof shows in their native Senegal.

And once Thiam moved the family to America, Akon had unprecedented access to some of the industry’s best musicians, including the superstar son of his father’s pal Joe Jackson.

As part of a Behind the Music special on Akon, which aired in America on Wednesday (11Apr12), the singer recalled meeting the Thriller star when he was just five years old “I met Michael for the first time, not realising how big he was – just an amazing person.

“It made a huge impression on me, because as I got older I would always remember that moment. I used to always say to myself, ‘If I ever did anything on the music level, I would meet back (up) with Michael and maybe do something with him.’”

Akon later rose to fame on his own, with hits such as Locked Up, Lonelyand Belly Dancer and exactly three decades after their initial introduction in 1978, the star’s life came full circle when he received a phone call from Jackson in late 2008.

Akon said, “He calls me, you know (in) his little voice, ‘Hey Akon how are you?’ I was like, ‘I don’t believe you,’ and I hung up the phone. Andhe calls back, and he says, ‘Akon, it’s really me, it’s Michael, it’s really me.’ And at that moment my hands started shaking”.

The pair later teamed up in the studio, with the hope of working together on a joint album, but Jackson tragically passed away before the recordcould be made – and Akon was devastated.

He continued, “Dealing with Michael’s passing was really hard. Everything that we discussed, everything that we had ambitions to do, we will never get a chance to do”.

Eventually Akon completed work on his Jackson collaboration, Hold My Hand, and he released the track in 2010.

He added, “To be in the position where I’m the last person he actually makes a record with, and that’s the last song that the world will remember of him, it was just the craziest thing”.

Jackson also worked with will.i.am on a series of final songs, but the Black Eyed Peas leader has pledged never to release the music they made together unless Michael’s mother Katherine asks him to.

http://www.malextra.com/music/musicnews/Akon-235125.html

Richie Freaked Out By Michael’s Missing Python

Published April 6, 2012 by MJ WAS A CUTIE PIE

Source: MSN

The soul man recalls he and his pal were close to completing the USA For Africa song when he saw something slithering out the corner of his eye.

He says, “As I glance over my shoulder I’m looking into the face of a yellowish python. I am screaming like the last horror movie… and he (Jackson) goes, ‘Oh my God, there he is. Y’know Lionel, he was lost in the room. I knew he was here somewhere.’

“I said to him, ‘Michael, are you telling me you had a python in your room…?’ He said, ‘He’s been lost for a week.’”

Michael Jackson Asked Lawyer To Fix Pinball Machine

Published February 11, 2012 by MJ WAS A CUTIE PIE

Source: Billboard Biz – By Phil Gallo

Daniel Ek Talks Spotify’s Growth at Entertainment Law Luncheon; John Branca Shares Priceless Michael Jackson Story

(L-R)Ziffren Brittenham Partner John Branca, Recording Academy President/CEO Neil Portnow and Spotify CEO Daniel Ek outside the Entertainment Law Initiative Luncheon and Scholarship Presentation Friday. (Photo: Michael Underwood/PictureGroup)

BEVERLY HILLS, Calif.–Backstage, before Spotify CEO Daniel Ek did a keynote interview for the entertainment legal community at the Beverly Hills Hotel today, he predicted that income from his streaming service would equal that of Apples iTunes in two years.

Billboard Power 100: Daniel Ek

Despite his many statements about his company’s potential, the boyish-looking Swede has a certain nonchalance in his speaking voice that makes one wonder if he realizes how crucial Spotify could be to the music industry. It certainly was not lost on attorney John Branca, who reacted with the passion of man who has a full grasp on what’s at stake -­ the ability to monetize subscription services.

Spotify Up to 3 Million Subscribers Globally

“I hope he’s so successful at signing up customers that he gets there in one year,” he said, his smile growing larger as he counted down more ways that Spotify could be successful.

Daniel Ek onstage being interviewed about the future of Spotify. (Photo: Michael Underwood/PictureGroup)

Ek was interviewed at the Grammy Foundation’s 14th annual Entertainment Law Initiative Luncheon and Scholarship Presentation at the Beverly Hilton, where he explained his company’s history and anticipation about its growth.

See all of our 2012 Grammys coverage right here

(L-R) Neil Portnow, John Branca and Howard Weitzman of Kinsella Weitzman Iser Kump & Aldisert pose with Branca’s Service Award. (Photo: Michael Underwood/PictureGroup)

Among his predictions and observations:

People continue to listen to music ­ via Spotify ­ nine months after release.

Their goal is to create “the most artist-friendly tool there is” and “build tools for the industry.” Soon it may be possible to track how a song grew in popularity and trace it back to the handful of people who were first on board with it.

Spotify pays 60 percent to 70 percent of its income to the music industry.

Users of social media are three times as likely to pay for a music service than non-users, which led them to partner with Facebook.

The biggest surprise on President Obama¹s Spotify playlist?

After Ek’s interview, Howard Weitzman presented Branca, a partner in the law firm of Ziffren Brittenham LLP and former board chair of the MusiCares, with the 2012 Service Award.

Billboard Power 100: John Branca

Branca, speaking to a room that included his firm’s lawyers, past honorees Joel Katz and Jay Cooper, and Kobalt’s Willard Ahdritz, focused on being driven by passion for music. A fan of Elvis Presley, the Doors, the Rolling Stones, Berry Gordy and the Beach Boys, he related two stories that greatly affected his career.

Howard Weitzman introducing Service Award winner John Branca. (Photo: Michael Underwood/PictureGroup)

The first came when he was a second-year lawyer and had to help the Beach Boys decide whether to retain Steve Love as their manager. Mike Love and Al Jardine were pro; Carl and Dennis Wilson were against. Brian Wilson was asked to cast the deciding vote, but was “deep in slumber with his head down on a conference table,” Branca said.

He improvised, asking Brian to knock once to keep Love, two to fire him. “Lo and behold, Brian knocked three times.” It became Branca’s job to get Love to resign.

(L-R) Scott Goldman of the Grammy Foundation and Susan Genco of MusiCares pose with Neil Portnow. (Photo: Michael Underwood/PictureGroup)

And when Branca first became Michael Jackson¹s lawyer, the singer called with a request that was of utmost urgency. “I got ready ­ had my pen out and notebook out,” Branca related. Jackson’s request? He needed his pinball machine fixed.

Branca thanked family members and related musical and sports experiences of his youth before bringing it back to the music industry of today. In a world in which more companies attempt to bring every element of a career under a single umbrella, Branca reasoned, “lawyers remains an independent voice in the life of an artist.”

Ken Abdo of Lommen Abdo speaks at the event. (Photo: Michael Underwood/PictureGroup)

http://www.billboard.biz/bbbiz/industry/legal-and-management/daniel-ek-talks-spotify-s-growth-at-entertainment-1006162352.story

Brett Ratner Tells Kimmel About Playing Pranks With Michael Jackson (VIDEO)

Published October 28, 2011 by MJ WAS A CUTIE PIE

Source: TV Replay

Director Brett Ratner stopped by ‘Jimmy Kimmel Live’(Weeknights., 12AM ET on ABC) and reminisced about his friendship with Michael Jackson. They were such good buddies that Ratner even stayed in “The Elizabeth Taylor Suite” at Jackson’s house when Taylor wasn’t there.

They met when Ratner was making the first ‘Rush Hour’ movie and he says all the King of Pop wanted to do was play practical jokes on people. One night the pair went for a drive around Santa Barbara in Jackson’s enormous stretch limo and they got their kicks by throwing water balloons out the window.

Unfortunately for a homeless guy who just happened to be walking by, Jackson had a good arm and hit him with a water balloon before driving off. Fortunately for Jackson, he was wearing a Hulk mask so his victim never knew who’d soaked him. Until maybe now, that is …

 

My Brush With Badness – By Sam Parity

Published September 14, 2011 by MJ WAS A CUTIE PIE

 

Note: I know most everyone has read this but its one of my favorite Michael stories.  It always makes me laugh. I love reading about how genuine and funny he was. Cutie

A few weeks ago, I was at a staff meeting for new employees where everyone in the room was asked to mention one interesting thing about themselves that nobody else would know. I waited patiently ’til my turn came around, and then calmly explained how Michael Jackson once sent me to J.C. Penney to buy him underwear.

Since I have told my friends this story countless times, I was a little surprised by the strong reaction people had to my off-the-cuff comment. I guess I shouldn’t have been. Like him or not, there is no denying that Michael Jackson is still a force of nature. Even my 5th graders are aware of him, and they were all of three years old when his last record came out! So to set the record straight, here is the account of my years with the so-called King of Pop.

Back in 1989, I was a fresh-faced college grad in Los Angeles searching for my first job. Since I was one of the six people that year who actually went to college just to learn how to work in a recording studio, I had no problem landing a position at one of the major studios in Hollywood. Of course, even with an expensive college degree, you couldn’t just expect to start off working with bands inside the building, because that required actual EXPERIENCE, which of course was what everyone else was out getting while I was pursuing my worthless degree.

Instead, they stuck me out in the parking shack across the street for two months. Strangely enough, I had some experience in this area, as I had spent the summer working as a valet in a garage near Fenway Park.

Parking cars for rock stars certainly had its moments. Iggy Pop once drove up in a Hyundai with no windshield. Either Milli or Vanilli tipped me a dollar for parking their Jeep. The Beastie Boys all sped off laughing one day in their rented Escort, and then drove straight up to Mulholland Drive and pushed it over the cliff. And once a week during lunch, David Crosby handed me a twenty-dollar bill to take his brand-new BMW 750 to the car wash, which really only set me back like three bucks. Once when I brought it back to him, he handed me another twenty for a tip.

Nevertheless, a promotion was inevitable, and in the winter of ’89. I was promoted to the midnight to eight janitorial position. At least I was happy to be inside the building, as it was getting cold in the unheated parking shack. But I knew absolutely nothing about cleaning toilets and mopping floors, as evidenced by the huge cloud of noxious smoke that spewed from the cleaning bucket on my first night when I mixed the bleach and ammonia together.

Washing David Crosby’s car for twenty bucks was one thing. But cleaning the studio bathroom after David Crosby had been in there for twenty minutes was a different deal entirely. For starters, I was supposed to stay awake all night, but after six hours of cleaning the entire building, this was easier said then done. Finally, one morning as I was leaving, the studio manager asked me to take two small brass elephant bookends home and polish them up before my next shift. I spent the day looking for another job instead, and found one right away at a studio down the street on Sunset Blvd.

At my new job, I was hired on as a “runner,” which meant I got to run errands all over LA in my trusty ’84 VW Rabbit. A couple months later, they moved me out to a studio in the San Fernando Valley for a “special” project.

This project would eventually become Michael Jackson’s “Dangerous” album. When I first started, Michael was working with three different groups of producers all trying to take the place of Quincy Jones, who had not been chosen to work on this project. I think Michael wanted to go out on his own for this one, but the problem was that he had no idea what he wanted! One day, Slash from Guns N’ Roses would be recording a searing guitar solo, while the next day, a chorus of thirty children would be singing a nursery rhyme or something.

Michael didn’t say much to me at first, until one day he ran in screaming that there was a “vagabond” sitting in the alley behind the studio. I took a look, expecting Charlie Chaplin to pop out or something, but there was just some homeless guy sipping malt liquor out of a bag on the back steps.

Eventually, Michael warmed up to me, and even started talking to me once in a while if he was in the mood. Once, he asked if I was going to have to go fight in the (Gulf) war. I told him I was probably too old to be drafted, and he responded by saying that he was relieved, because “if you went to the war, you could die.”

He also started sending me out on errands, like going out with his credit card one afternoon to fill his huge Blazer up with gasoline. If I remember correctly, he had an auxiliary gas tank mounted, so he could get up to his ranch without having to get out and fill up along the way.

I guess I should mention at this point that Michael is an awful driver. He hit everyone’s car in the studio lot at least once, including mine. One time, he rear-ended a guy on the 101 freeway, and just left the scene because the guy got out of his car and started screaming at him. Eventually, he gave up and got someone to drive him in to work every day.

Other memorable experiences include calling Tower Records (RIP) an hour before they closed, and having them shut down early so that Michael and I could go shopping. Even thought it was just up the road, I was glad to get out of MJ’s car and into the safety of the store! I think he dropped about $1500 on CDs that night.

Anyway, one day Michael shyly asked me if I could do him a special favor. I’m pretty sure this was after he stopped driving, so I guess he really didn’t have any other way to get stuff during the day. Of course I agreed, which was when he told me flat-out that he had just run out of underwear.

For pretty much the whole two years that I worked with him, Michael came in every day wearing black dress pants and a red button-down shirt. He had a whole rack of just these two items in his office, which I assume he either had cleaned and returned to him, or just threw away at the end of the day. But on this particular day, I guess he was running low on drawers.

At first, he just said that he wanted underwear. When I asked him what kind, he just repeated “Underwear!” When I told him I wasn’t his mother and didn’t know what to get, he kind of laughed, and then said “Hanes thirty please.” When I was almost out the door however, he came running up and yelled “make them thirty-twos, I don’t want them to be too tight!” So there it is folks. The King of Pop wears tightie-whities!

Other than that, I never saw any funny business going on for the two years I worked with him. I really enjoyed this experience, and even got my name on the CD! Michael was always polite and reserved in the studio, but he had his silly moments as well.

He was also really concerned about doing anything that would inadvertently upset anybody around him. Even though he was spending five thousand bucks a day on studio time, Michael left me this note one day on my desk. I kept it as a souvenir, and pull it out now and then if people ever question my story. It pretty much tells you everything you need to know about him as a person and an artist.

For the purposes of clarification, Michael was just telling me that he took a pen off my desk. Also, the French translation of “tightie-whities” to “panties,” although humorous, is not accurate. The type of undergarment I am describing is just a plain white pair of men’s cotton briefs. Many men continue to wear these into adulthood, though most switch to boxer shorts at some point.

MORE MUSINGS ON MICHAEL…………

Just a few more random stories that I didn’t manage to include in my original article…

–Once, Michael asked me to run down the street to McDonalds to grab some lunch for him. This was a pretty rare request, as he usually had a personal chef come in every day to prepare his meals. Anyway, when I asked him what he wanted, he admitted that he had no idea what they served, and that he had just heard from people that the food was good there!

I ended up getting him one sample of nearly every item from the menu. He took a small bite of each, and then told me what he liked and what he didn’t. If I remember correctly, he really liked their fish sandwich.

–When the title track “Dangerous” was being recorded, Michael was injured in the studio and had to be rushed to the hospital! A temporary recording booth that we had built for him collapsed and knocked him on the head just as he started singing.

He ended up being just fine, and for a long time, we used to play an early mix of the song which started with a sample of him screaming in pain as the walls came tumbling down!

–He was amazing in the studio. He has the equivalent of a photographic memory for music. He could sing something 40 different ways, and then two weeks later, remember that takes # 6 and 27 were the best ones.

–We recorded so much music for Dangerous, that it was nearly impossible for MJ to pick out what was going to end up on the album. At once point, it was going to be a double album, as he had well over two hours of music chosen for the release.

When Sony decided they wanted it all to fit on a single CD, Michael kept coming back with lists of his his “final” selections, but they almost always added up to over 74 minutes–the maximum running time for the disc. I remember them going back and forth on this for weeks.

–Madonna visited MJ in the studio exactly one time. They spent a little while in his “private” room in the back, and then she left. When I asked Micheal later about her visit, he said that she “scared” him.

I think we all speculated that she tried to make a “move” on him, but Michael never said. In any event, we never saw her again after that…

–Brooke Shields used to call him on the phone a lot. This was the pre-cell phone era, so I would usually answer his calls and then have to go find him in the studio. She was always really nice to me.

The Backstreet Boys came by one day, too. And, in the whole time I worked there, Janet only stopped by once as well.

–There were originally three production teams working in our studio. After working up about a half a dozen songs with one of them, Michael decided he didn’t like any of the stuff they had come up with, and fired them. I think some of these songs eventually came out in later releases…

–When Teddy Riley was brought on board, he didn’t want to work in our studio. So for three months, our studio sat empty, and my whole job consisted of driving tapes back and forth between our place and Teddy’s.

–MJ was very concerned about the Gulf War. Once, he asked me if I was going to have to go fight with the Army. When I told him I was planning on staying right where I was, he said “that’s good–because if you go to the war, you could die.”

–Michale had some $900 remote-controlled motorcycles delivered to the studio one day. He asked me to come out to the parking lot to try them out, and when we were messing around with them, he drove his motorcycle out of the lot and into the alley, when a car came by and ran it over!

He thought that was really funny. I couldn’t believe that he could laugh so much at losing a thousand-dollar toy.

–He still has my ink pin!

http://axecollectorblog.blogspot.com/search?updated-min=2007-01-01T00%3A00%3A00-08%3A00&updated-max=2008-01-01T00%3A00%3A00-08%3A00&max-results=13

Cooking For The King of Pop

Published August 5, 2011 by MJ WAS A CUTIE PIE

Source: 225batonrouge.com

By Jeff Roedel

Bucky Black, who grew up in Baton Rouge, was required to keep his gig as pop star Michael Jackson’s personal chef confidential.

There is a secret to the bar at Coyote Blues Fresh Mexican Grill. It’s not like most secrets. It’s not about a tax return, a kickback or an affair. As the world watched the 24-hour news cycle churn up any and all rumors swirling around Michael Jackson’s death last June—with equal measures of shock and unrivaled fascination—our minds turned collectively to the moonwalk, Motown and those allegations of child abuse. But for Bucky Black, the timber framer who designed and finished that bar, the news turned his thoughts to barbecue chicken pizza, “Mac Attack” and Liz Taylor’s wedding. The 50-year-old Baton Rouge native was in complete denial.

“I thought he may be pulling one of his tricks, like a PR thing to get more privacy,” Black says. “I was sad, angry. When I was working for him, he had a lot of good influences around him. He was in charge, though. No doubt who was in charge.”

From late 1991 through 1994, Black and his wife Maggie worked as Jackson’s personal live-in chefs at Neverland Valley Ranch in Santa Barbara County, Calif. Always discreet, Black has not spoken publicly about his secret life with the King of Pop until now.

True to form, Black never plays the celebrity card when it comes to family, either. His father Bill Black Sr. is better known to lifelong Baton Rougeans as Buckskin Bill, the loveable local television star whose Storyland and The Buckskin Bill Show entertained local tots and elementary kids at 9 a.m. and 3:30 p.m. every day of the week from the mid-1950s through 1990. Black Sr.’s programs were twice named Best Local Children’s Television Show by the National Association of Broadcasters.

By 1961, Buckskin Bill was famous enough that when the delivery nurse asked him for his newborn son’s name, and he told her the kid was a junior, she said, “Yeah, but he’ll always be ‘Bucky.’ ” It was a tough act to follow, Black recalls.

As a kid he spent a lot of time on the WAFB set of his father’s show, though he rarely appeared on camera. During appearances and tapings, Black Sr. made sure to treat his son no differently than the other young fans of the show. “When we opened the Delmont Village Shopping Center, kids were lined up to meet Buckskin Bill,” Black Sr. recalls. “And then comes Bucky for an autograph, and he waited in line just like everyone else. But we did exchange a glance there. It was a special father-son moment.”

Michael Jackson enjoyed global fame, but he went on to great lengths to keep his personal life private.  Baton Rouge born Bucky Black got a rare glimpse into the King of Pop as his personal chef.

 

Black’s stint cooking for the most famous pop star on the planet came not through any Hollywood connections or star chasing, but eventually through a blood disorder. While serving as the maitre d’ at City Club, tending bar at The Iron Pot and looking ahead to culinary school in the early 1980s, Black was diagnosed with a rare blood condition called idiopathic thrombocytopenic purpura. It results in a low platelet count, easy bruising and difficulty clotting. “I just had no energy,” Black says. “And being on Prednisone steroids in large doses is very uncomfortable.”

After one particularly disheartening visit to the doctor, Black turned to alternative therapies.

“I tried meditating one day and that was the first time I actually had a breakthrough on my platelet count,” he says. “With a combination of Transcendental Meditation and Prednisone I was able to navigate out of the problem.”

Black says meditating gave him more energy, and his interest in taste therapy drew him to the work of endocrinologist Deepak Chopra, who in 1985 was named director of the Maharishi Ayurveda Health Center, a new meditation retreat and spa in Lancaster, Mass.

Looking to reinvent his culinary career in the resort and spa industry, Black applied to work for Chopra’s kitchen staff.

“I had become disillusioned with the viability of haute cuisine,” he says. “The food and its consequent lifestyle seemed to me to be connected to the illness that I was getting over.”

The health center provided Black not only an opportunity to grow into a management role, but also an ideal getaway from the effects of his disorder. He met his wife, Maggie, there.

“Bucky was always serious about his work; it had to be perfect,” says Joe Catal, Chopra’s former dining room manager. “He just has such good leadership skills, which is why he was able to whip the kitchen into shape in Lancaster.”

Throughout the mid- and late 1980s the health center attracted a string of celebrities interested in alternative medicine and therapies, including Liz Taylor and former Beatle George Harrison. Michael Jackson was another. Chopra had recently become an adviser to the superstar singer. Jackson had moved into a massive Tudor home on Neverland Valley Ranch three years earlier and burned through six head chefs in the process. When he told Chopra he was looking for a new husband-and-wife team to run his kitchen, Chopra nominated the Blacks.

In the fall of 1991, Bucky and Maggie Black returned from their honeymoon to find a message on their answering machine. It was Chopra telling them about an interview with Jackson’s entourage.

Jackson flew the newlyweds to LAX, had them picked up in a limo and delivered to a penthouse suite on Wilshire Boulevard where $300 in cash and passes to Universal Studios awaited them.


The owners of Coyote Blues Fresh Mexican Grill in Baton Rouge hired Black to do the fine millwork for restaurant’s bar.

The following day they were driven to a cushy recording studio in Century City, where they were introduced to the King of Pop. “He was very nice and kind, but shy, painfully shy,” Black says. “He asked if I could cook Mexican food. He wanted to eat healthy, but at the same time he wanted to eat junk—candy and things. So he was looking for a way to eat healthily and happily at the same time.”

The next day, the Blacks were driven to Neverland Ranch for a test run. Black took stock of the food on hand and cooked up a barbecue chicken pizza that Jackson loved. He was hired.

“Michael liked pretty simple food, comfort foods,” Black says. “He and his friends had been wined and dined and overwhelmed everywhere they went with rich cuisine, and they were all just looking for good home cooking. My whole Cajun and Louisiana background fit in well with that.”

The Blacks moved into one of the original on-site ranch homes almost a mile from Jackson’s main house across Neverland’s sprawling Peter Pan-themed grounds and attractions. The only rules were that Black must be on call 24-hours-a-day to cook for Jackson and his guests and that he and Maggie had to be discreet. No photographs and no gossiping to friends, much less tabloids. They reported directly to ranch manager Lance Brown.

The first six weeks passd in breathless preparation for Liz Taylor’s wedding to Larry Fortensky. Eventually, Black trained and managed a staff of about 150 cooks and food service employees for special events, like Make-A-Wish Foundation days for children with disabilities. One aspect of the Neverland arrangement worried him, though.

“I had the dubious distinction of becoming my wife’s boss, which is never the way you want a marriage to start,” Black says. “It was an extremely difficult thing for the first year of our marriage, but I knew how I wanted to run that kitchen, and eventually it brought us closer together in a number of ways.”

The Blacks were on hand in 1993 when the family of a 13-year-old boy accused Jackson of child molestation and then agreed to an undisclosed multi-million-dollar settlement.

Black with his parents “Buckskin” Bill and Elma    

Black says the scandal rocked Jackson at the time, though he “never saw Michael put a child in harm’s way.”

He recalls child actor Macaulay Culkin’s frequent visits—also known as “Mac Attacks”—as total family affairs. Unlike Neverland’s more famous guests, the Culkin family, including seven kids, would let Black indulge in a little more gourmet dining. That meant trips to the Santa Barbara farmers market, though there were late-night pizzas and chicken sandwiches, too.

“I think it was Macauley who named my chicken sandwich the ‘Can-Bucky-Fry-Chicken Sandwich,’ ” Black says of the young actor’s wit. “We also made French fries and fresh hot doughnuts. As I remember, Macaulay was pretty easy to take care of and didn’t need much out of the ordinary, though Michael was really into giving his guests anything they wanted, whenever they wanted, at Neverland.”

As for Jackson himself, Black says his schedule was erratic. He could be gone traveling for months at a time or home at Neverland for long stretches. Like his public persona, he most often wore a long-sleeve red dress shirt and a black fedora around the house and a surgical mask when leaving and arriving.

“No food allergies, and he never complained about any of it,” Black says. “He was not a big eater. He would have preferred to live on art and air, I think. But we cooked for him breakfast, lunch and dinner.”

Jackson would often call from around the world to tell Black to prepare food for guests who were to arrive soon. Once, in the early a.m. hours, Black received a call from security that “the owner” had arrived and wanted a snack. Black fell asleep again before scrambling out of bed and speeding down to the main house in his employee-issue golf cart. He screeched to a halt just as Jackson and Brooke Shields were exiting the Neverland movie theater. The next day, Jackson kindly asked Black to slow down on Neverland’s quaint, narrow roads. “He was very charismatic without saying a word,” Black says. “He could also be aloof. He didn’t have a lot to say, but he could listen.”

After their first son, William Aubrey, was born, the Blacks wanted to move somewhere more conducive to raising a family. “We just got tired of it, the political struggles between the different authorities—his managers in Los Angeles, all the outside catering crews. Plus, the hours were so irregular.”

There were no hard feelings from Jackson. At almost four years, the Blacks had made it longer in the kitchen at Neverland than anyone before. To show his appreciation, Jackson gave Black a Panasonic boom box, a Super-8 video recorder and a television.

“It was a compound, really, Neverland Valley,” says Black Sr. “He and Maggie lived there for three-and-a-half years, and couldn’t have friends visit. They’d had their first baby by then. Family and Neverland just didn’t equate.”

Leaving the world of Michael Jackson behind, the Blacks relocated to five acres of quiet farmland near Boone, N.C., where they could raise their two sons and cook on their own schedule. Bucky started a saw milling company in 1998, and Maggie continued crafting pottery and began teaching a community outreach class at Appalachian State University.

Still meditating, Black says he hasn’t felt negative effects from his blood disorder in years. Though no longer cooking for a living, Black has tailored his woodwork to the restaurant industry. Crafting spectacular wood tabletops and bars is his specialty. This past August, Black returned to Baton Rouge for two weeks to shape and install the golden-colored black walnut bar at Coyote Blues. It was his first time working in Baton Rouge since the 1980s.

There, he opened up about Jackson for the first time, still trying to digest his death nearly two months later. The world lost an entertainer, but Black lost a friend. While making his point, he’s pouring resin into groovy, ant-damaged sections of wood.

“I like to leave details that remind people that this came from a tree,” Black says, running his hands over the smooth surface. “The idea is to never hide the knots.”

Dinner With Michael

Published July 3, 2011 by MJ WAS A CUTIE PIE

Source: The Michael Jackson World Network

Back in March, 1992 Michael was filming his ‘In The Closet’ short film. Just before this, a competition was run on MTV around the world with the prize being ‘Dinner With Michael,’ which some of you may remember. The Australian winner of this competition was Paula Katsikas. Here is Paula’s story…

With my husband holding him and me with the long hair to the right of the photo.

It was back in March 1992, yet I remember it like it was yesterday. They were premiering his new clip then, ‘Remember The Time’, here in Australia, like they would have been all over the world and with the premiere and the promotion of his upcoming ‘Dangerous’ tour there was also a competition, where the winner and their partner would be flown to America to have dinner with Michael. The anticipation for this video was huge and I remember watching the video clip in awe, over and over again, amazed at how just when you think you have seen all there is to see from Michael he brings out something even more brilliant then before.

The next night, while still at the dinner table with my family, and while writing out the last of my entries for the competition of a life time, a competition that nothing could stop me from entering, I remember turning to my somewhat skeptical family to say the least and saying; “Just you all wait and see, I am going to win this!” The funny thing is that I did win and I didn’t even know it.

Michael and Naomi in front

The following Monday I called work not feeling well and to advise that I wouldn’t be in. My supervisor did mumble something about Michael, but as I was not feeling well, I didn’t take much notice and hung up. Within a couple of minutes I had a call back from work from one of the other girls hysterical on the phone shouting, “Paula you won! Paula you won!” It took about two more calls from work and another two from MTV before I actually believed it. I swear that when I hung up from that last call the whole neighborhood must have heard me scream. They had drawn the Australian winner the previous Saturday, but we were at a wedding and didn’t even see it. I mean you don’t really think that you are going to win. Anyway, about a week or two later my husband and I were on our way to America to have dinner with Michael.

We were greeted at the airport by a Starlite Limo and driven to the La Belage hotel in Hollywood where we caught up with our MTV representatives and the other winners. There were thirty winners all together and their partners. They held a party for us to all meet that night and the next morning we were driven by bus to the Marriott Palm Desert hotel in Palm Springs where we had time to get ready before they came and picked us up to take us to the dinner to meet Michael that night.

We were driven to a secret location where they had been filming Michael’s ‘In The Closet’ during the day. The feeling was surreal when they took us to take photos on the actual set, before Michael arrived. I look at the photos even now, then look at the film clip with Michael and Naomi and it is still hard to believe that we are actually standing on the same set.

Us with one of Michael’s animals

A big Marquee had been set up for the dinner with a real tropical carnival theme going on. There was lots of entertainment organized for us that night, from animals, like an elephant, a cheetah, a camel, a llama, a chimpanzee, as well as a puma who you felt was going to rise up and change into Michael at any moment, like it does in ‘Black or White,’ to a magician, people on stilts, fire eaters, and Rio dancers. The atmosphere was amazing and Michael had spared no expense. The place had been set up like a restaurant with small round dinner tables. We had been seated right up the front and next to our table was an empty reserved one. Much to our delight we were told that this was Michael’s table.

By this time we were overwhelmed by excitement as at any minute Michael was going to walk through the door and come and sit right next to us. We could barely contain ourselves and the agony of the wait was killing us. I remember us going outside and waiting to see Michael arrive by helicopter, but we were soon told we had to go back inside and sit down before he would come out of the helicopter and walk in. We did go back inside and finally Michael walked in. It was like the Earth just stood still. The media had been cruel, even back then, by claiming Michael was strange and weird, but let me tell you, I saw nothing strange or weird. I saw this beautiful, well dressed man walk through the door that was polite, well spoken, and gracious like he always is, and I will never forget that smile, that mesmerizing smile of his that just took your breath away. He truly looked amazing! The only thing strange I remember is how everything he walked past just seemed to light up and of how you just couldn’t take your eyes of him.

The set for In The Closet

Michael greeted people as he walked past and then came and sat down. I remember going over to him with my husband, giving him a hug and a koala (not real of course), that he placed on his lap and started patting. The picture at that moment was priceless. We thanked him for the dinner and asked him whether he was coming to Australia soon and he replied “yes” and said that he would be touring. He was referring to the upcoming ‘Dangerous’ tour. (The Australian tour was later cancelled and we had to wait till the ‘History’ tour to see Michael again.) I had gone over in my head all the things that I was going to say to him and here I was up close and the words just wouldn’t come out. He literally left me speechless.

I remember Michael getting up and dancing the Conga. He and Naomi were both pulled up by one of the Rio Dancers and everyone else joined in a line behind. Here we were dancing the Conga with Michael…Not something you do everyday. I also remember how they called us and Michael over for our photo shoot together and of how my husband who was positioned directly behind him for the photos, placed both his hands on Michael’s shoulders and kept them there, even after being told to take them off by the photographer and of how Michael just turned his head around and gave this adorable smile. I also remember Michael turning around once the photos had finished and shaking our hands and bowing his head to us as we bowed to him. Here is this huge superstar, the world’s biggest Entertainer ever, that still has this humble nature about him. The only thing that night that I don’t seem to remember, even though it was a dinner, was eating any food. I know that there was plenty of food there, all personally prepared by Michael’s chef, and I remember Michael taking the first mouth full to start the dinner, but I don’t remember eating a single thing. Believe me that with Michael being so close to me, food was the last thing on my mind that night.

Michael was supposed to stay for only half an hour that night but he ended up staying for about two and a half hours. These were the best two and a half hours of my life and they will be remembered and treasured along with Michael for the rest of my life.

Here we are on the set of In The Closet

We weren’t allowed to take any photos of Michael ourselves, and had been told that if we did, Michael would probably just get up and leave and no one wanted that. I guess this way he could relax a little more and enjoy the night without it feeling like a media attack with cameras constantly in his face. We were however sent a few photos and a short video of Michael with us by MTV. I frequently look at the photos and play the video to remind myself that it did really happen, that it wasn’t just a dream.

Michael may have been taken away from us physically but he is embedded so deep in both mine and my husband’s heart that no one can ever take him away from there without taking our hearts out as well.

Thank you Michael for this beautiful memory – Thank you Michael for all you have given us and for all that you were. You will always be loved and you will never ever be forgotten!

Bret Ratner on Michael Jackson: “You Felt Like God Was Within Him”

Published June 19, 2011 by MJ WAS A CUTIE PIE
By Patrick Goldstein From the LA times:
My father loves to brag to his friends that while his son is a big-shot Hollywood reporter, it was his father who actually met Michael Jackson. Until he retired a few years ago, my dad had a store called the 24 Collection on the Lincoln Road Mall in Miami Beach that specialized in fashion, jewelry, art and one-of-a-kind oddities (I still have a clock set into a Cuban cigar box with a portrait of Fidel Castro on the clock face). One day Brett Ratner, who grew up in Miami and whose mother was a regular customer at the store, called my dad and asked if he could bring his pal Michael Jackson by to look around. As he often did as a courtesy for celebrities who might be annoyed or hounded, my father closed the store that afternoon and put the staff at Jackson’s disposal.

“Michael walked around every inch of the store, feeling things, smelling things,” my father remembers. “He’d ask questions about what this was or that was, where it was from, how we found it. I made sure the staff didn’t intrude on him, although one person did ask for an autograph, which made them an ex-employee right away. But Michael was just off in his own world, curious about everything he saw.”

I think my dad got his hopes up when he saw that Jackson was also accompanied by an aide who had a zippered envelope full of cash. But the King of Pop never bought anything. After spending an hour in the store, he just thanked everyone for letting him look around and left.

I called Ratner this morning to ask him how he became such fast friends with Jackson. It turns out that they met in 1998 when Ratner was finishing his first “Rush Hour” picture. One day, Chris Tucker was doing a scene and broke into a wild, Michael Jackson-style dance. The sequence was so funny that when Ratner had test screenings of the film, it got one of the biggest laughs in the picture. But because it was an obvious Jackson impression, Ratner knew he had to clear it with the pop star before he could put it in the movie.

That presented a problem, since Jackson was so reclusive that even Ratner, one of the great celebrity schmoozers of our time, couldn’t get to him. He even called Jackson’s Neverland ranch but never got anywhere. Then he got lucky. “My editor was talking to the projectionist who ran the final screening and it turned out that he was Michael’s personal projectionist,” Ratner told me today. “So I gave him the print and asked him to play the beginning of the second reel for Michael, which had Chris’ dance in it.”

Two days later Ratner picked up the phone and heard the soft, feathery voice of Michael Jackson. So what did Michael say? Keep reading.

“Michael said he’d watched the whole movie and loved it, especially the scene Chris did with his dance. He said, ‘You have my permission to use whatever you want.’ ” That was great, but Ratner needed something in writing. When he asked Jackson to sign something on a piece of paper, Jackson simply invited him up to the ranch. “So I drove up there and walked in, with all his giraffes and other animals, all out there to greet me.” Ratner recalls. “I ended up staying at the ranch and we just became great friends. We both had this huge, almost childlike fascination with movies and music and all kinds of entertainment.”

Over the years, Ratner and Jackson spent an enormous amount of time together. They would film each other, with Jackson asking Ratner about how he became a film director and Ratner asking Jackson about how he became an entertainer. “I have hours of footage of us, sitting around in our pajamas, with me asking him about what kind of music he loved as a kid, what kind of books he had on the wall as a kid. When you were with him, you really felt like God was within him. He was an amazing, superhuman kind of person, but he always treated you as an equal. He would be your friend and he never asked for anything in return.”

One of their favorite activities was to have dance-offs in the game room at Jackson’s house. Jackson would put on a record, usually a song by his sister, Janet, and unleash some awesome dance moves. Then Ratner or Chris Tucker, who would sometimes come along, would play Michael’s records and dance along to them. I asked Ratner if that felt a little like a mere mortal playing one-on-one with LeBron James. “Hey, I wasn’t self-conscious. I’m a pretty good dancer. It was just fun to do it together.”

When they weren’t dancing, Ratner and Jackson would watch movies together. He says they must’ve watched the original version of “Willie Wonka and the Chocolate Factory” 50 times over the years. “I know that people looked at Michael and thought he was strange, but to me, he was fascinating,” Ratner says. “He was the most inspirational person in my life. His one dream was to cure all the sick children in the world. And when I’d say, ‘Isn’t that impossible?’ Michael would just start to cry. He was very emotional about things that moved him. I guess you’d have to say he was a pure innocent in a world that wasn’t so innocent anymore.”

MICHAEL JACKSON INTERVIEW BY BRET RATNER (VIDEO IS NOT IN ORIGINAL ARTICLE)

Face to Face – A Partial Except From People Extra All About Michael November/December 1984 Vol. 22, No 26

Published May 22, 2011 by MJ WAS A CUTIE PIE

Probably only the President of the United States is a s tightly protected as Michael Jackson – and even the President isn’t quite so hard to meet.  To most these days, Jackson appears only sporadically, if at all – a wonderful mirage visible onstage for a few hours in that flashing, high-tech Oz: The Victory Tour.  But every so often an elevator operator, an adoring fan or a security agent has snared Michael and sometimes lives change as a result.  Leslie Robinette of Greenville, Tennessee credits her recovery from aplastic anemia to Michael’s visit in a Seattle hospital 11 year ago, when she was 6.  “I’ll never forget it,” she says.  “I just perked right up afterward and the medication started working.”  Most encounters are less dramatic-a cop has his picture taken, a Dallas Cowboy gets a $50 dollar bill autographed-but meeting Michael has a way of delighting almost everyone.

David Smithee and Michael

Like Millions of fans, 14-year-old David Smithee’s most fervent wish was to meet Michael Jackson. He didn’t have much time.  David was dying of cystic fibrosis.  Last April the boy’s wish was answered.  Through the Brass Ring Society, a Tulsa group dedicated to fulfilling the dreams of terminally ill children, Michael invited David to the Jackson family home in Encino.

At 2 p.m. on April 9, Karen Smithee, a divorcee, drove her only child past the fans at the singer’s gate.  “We smiled and waved just like celebrities,” she says.  Michael met them in the living room, “so shy he couldn’t look at us.”  The Karen left them alone.  Michael took the boy to the kitchen for lunch (David had a roast beef sandwich), then to the backyards to meet Mr. Tibbs, the ram and Louis, the llama, after which Michael’s staff videotaped an interview with David.  “Michael made David feel like a star in his own right,” Karen says.  Jackson and his young visitor played video games (David won twice) and watched a movie in the private theater.  “There David was, sitting in Michael’s jacket, looking happier than I had ever seen him.,”Karen recalls.  Michael gave her son his red leather jacket from the Beat It video and the black-sequined glove he wore to the American Music Awards.  “He said the glove had a special magic, that I should never let anyone else wear it,” David proudly told his mother.

Seven weeks later David Smithee died. In July Karen learned that the dedications on the Victory album included Katherine Jackson, Michael’s mother, the late Marvin Gaye-and David.

Hector Carmona and Michael

At 2:30 early one morning in May, Hector Carmona, 26, was working the night shift as an elevator operator at New York’s elegant Helmsley Palace Hotel when a guest-one Michael Jackson-appeared asking for a tour.  Hector squired Jackson around for three hours and “he was especially impressed with the Gold Room, a music room with a beautiful harp.”  He was also impressed with Carmona’s uniform.  He said, “Oh, what a nice jacket.  But you ought to wear one glove. Two is too much.”  He said he’d like to have a jacket for his concerts.  We’re about the same size, 36 small.  Carmona retrieved one of his spares the next morning.  “It had just come from the cleaners.  I fixed it nice, with the captain’s braid on the shoulders.  He liked it very much. He wore it to the White House.”  Now Hector Carmona is a celebrity too. “I showed a picture of me with Mr. Jackson to a couple of girls.  They screamed, “This is the closest we’ll get to Michael. Let’s kiss him!”  Michael Jackson fever. It’s crazy, huh?”

Administrator’s Note:  I found out that Hector is currently working as an English Language Instructor, Interpreter, Translator, Singer. Poliglot (Spanish, English, Italian, French, Papiamentu. Some Russian, German, Arabic, Latin, Gipsy, Tagalog) in New York City.

Michael wearing Hector’s jacket at the White House

Mani Khalsa (no picture)

A typical morning finds Mani Khalsa in a local store shopping for asparagus, watermelon, peas, red peppers, cabbage, avocado, spaghetti, unsalted cheese and corn.  As personal chef to Michael, Khalsa, 25, a Michigan-bred Sikh, spends five hours a day cooking for the slim vegetarian (the brothers have their own chef).  “It’s impossible to cook for one,” Khalsa grumbles.  “Even a pepper is too big.”  His efforts are appreciated, though.  “Sweet potato pie is the hit of this tour,” he beams.  “Everywhere you turn they ask for it.”  And Michael’s favorite? “Enchiladas with cheese, tortillas and hot sauce. Every day his mother asks, “You still eatin’ those enchiladas?”

David Williams – Guitarist

If any knows Jackson musically, it is guitarist David Williams, who has accompanied him for five years.  ” I can play exactly the way that hears something,” boasts Williams, 34, a top LA session musician who has played with the Temptations and Marvin Gaye.  After Jackson heard him in 1979, Williams spent many hours in Michael’s home studio on Off the Wall, the toured with in him 1981 and still finds his talent “unbelievable.”  Says Williams, “Michael’s ideas are fresh.  He hears things, sounds that are coming from someplace else.”

Administrator Note:  Mr. Williams passed on March 9, 2009, three months before Michael, in a hospital in Hampton, VA from complications from high blood pressure.  He was only 58.  Mr. Williams also performed with Prince, Madonna, Chaka Khan, Jessica Simpson, Phil Collins, Van Halen and Lionel Richie.  He is best known for his work on with Michael, particularly on the Thriller album. May he rest in peace. ♥ ♥

Alice and Elizabeth Heap (No picture)

It was sheer curiosity that drew Alice Heap, 83, and her kid sister, Elizabeth, 77, to a Jackson concert in Knoxville, Tenn. A schoolteacher for 45 years, Alice is interested in the young. When reporter Marti Levary told Jackson security agents that two elderly ladies were in the audience, the women were invited backstage. “I see you have your earplugs in,” a costumed man impishly told Alice. “Who are you?” Alice Heap asked, understandably confused by the scene. “I’m Michael Jackson,” her bemused host said, squeezing her hand, which she later used to applaud enthusiastically.

Dextor Clinkscale

Tough guys like Michael Jackson too.  In July, several members of the Dallas Cowboys asked Chris Arnold, sports director of radio station K104 FM, to arrange a meeting with the singer. So Arnold took Robert Newhouse, Tony Hill, Dennis Thurman and Dextor Clinkscale to a concert.  When the jocks joined Michael backstage, Jackson recognized safety Clinkscale, 25, who had posed for a local paper dressed as Michael on the Thriller album a year earlier.  “Hey, that was you,” Michael said, grinning.  “I thought it was me at first.  Where did you get the clothes?”  Near the end of the half-hour meeting, Arnold, lacking any other paper, pulled out a dollar for Jackson to autograph.  Clinkscale had the same problem, but Cowboy salaries being what they are, he got Michael to sign a $50 bill.

Bill Bray

Back in 1969, when Michael was 10, Motown sent security agent Bill Bray, a 30 year veteran of the LAPD, to Richmond, California to guard the Jackson 5 during a promotional trip.  Bray has been the family’s security chief ever since and has seen to the mammoth protection necessitated by the Victory tour, even going undercover occasionally to follow a lead.  During these 16 years, Bray has seen Michael grow from a child star to superstar, at a price.  “He had to be sheltered and he sacrified what a youth at his age would normally do,” say Bray with the kind of emotion you’d expect from a family member.  “The things he missed along the line he’s seen that others behind him won’t miss.”  But the Jackson’s go what they wanted – “They always has the idea that they would become superstars” – and it hasn’t been all work.  “We’ve had fun,” Bray says. “My God, we’ve had fun.  I love ‘em, you understand.  In a way, I grew up with ‘em.”

Administrator Note:  Mr. Bray died on November 16, 2005.  He was still on Michael payroll at the time of his death.

Mike Hirsh (No Picture)

Mike Hirsh has a different perspective on Michael Jackson.  During every show he is underneath the stage, cranking hydraulic lifts, firing up smoke machines and raising the lid that enables Michael to ascend into view. “My title is stage manager.  I am like the fixer,” says the 32 year-old Hirsh, who at 6’10″, 240 pounds goes by the nickname “Lurch.”  “If  I have a problem I go in the dressing room and say, “Michael, let’s have a chitchat. The kid wants perfection.”  Even so, Hirsh’s crew has fun.  “Every night Michael looks down through the drum riser on Shake Your Body.  We’re down there dancing, doing the same thing they’re doing onstage.  I’ve seen him have to run to the microphone because he was so into watching us that he forgot to go back and sing.

Administrator’s Note:  Mr. Hirsh is the founder of LA Stage Call, a labor company that provides quality stagehand labor in the entertainment industry, including workers’ compensation and liability insurance.

Michael Jackson: The First Man I Ever Loved

Published May 14, 2011 by MJ WAS A CUTIE PIE

By Nicole


You never forget your first love. Whether it’s your first crush, your first kiss, or the first time you even noticed boys existed, you always remember the joy they filled you with. The guys that come later bring to mind complicated, adult feelings like pain and heartache, but that first love is pure and perfect, especially in hindsight.

My first love was a celebrity. I grew up with MTV, watching Madonna roll around in a bridal gown and Billy Idol dancing with himself on a dingy roof. But there was one man I loved from the very first time that I heard him sing: Michael Jackson. 

I can’t tell you the moment I first saw him or the day I decided I loved him. I was about five years old and, in addition to my cast albums of Annie and Grease, I regularly put Thriller on my Fisher Price record player in my yellow bedroom in Brooklyn, New York. I have no sense of rhythm so I never attempted to learn the “Thriller” dance. I would just run around my room, jumping on the bed and singing “Wanna Be Startin’ Somethin’.”

Every night after I said my prayers I would kiss Michael goodnight. He was my first poster, all dapper in his yellow sweater promoting the Thriller album. I had the same picture on a folder that I put my homework in, and I made my parents tape not only the Thriller video but also the making-of special that MTV ran. 

I watched The Jackson 5 cartoon on Saturday mornings, listened to Off The Wall in my Fisher Price tape player. I listened to that tape so much that it became warped and Michael sang “Rock With You” verrrrry slowly. I found it last night in my music collection after I heard the tragic news of his passing.

When I learned that Michael Jackson had died I was in a car driving to my mother’s house. I pulled over to the side of the road and started sobbing. I had never met him, never been to a concert and probably had stopped listening to his music after Dangerous came out in the late ’90s. I cried because what came rushing back was that image of Michael watching over me as I fell asleep as a child. All of the crazy stories, the lawsuits, the surgeries . . . it all disappeared. All I felt was love, the same clear, innocent love I felt when I was five. I will never experience that kind of love again.

I dried my eyes and pulled out my Thriller CD (sitting in my car with all of my favorite albums), popped it in and went to track 7 and listened to Michael sing “Human Nature.” He may have left this world, but he will never leave my life. He’s the first man I ever loved and he left a wealth of brilliant music for me to remember him by. I love you still Michael. God bless you and keep you in his grace until you are reunited with those you love.

Michael Jackson Saved My Marriage – How One Woman’s Unexpected Michael Jackson Mania Helped Heal Her World

Published May 14, 2011 by MJ WAS A CUTIE PIE
By Lisa Romeo
 

Michael Jackson saved my marriage. It wasn’t him exactly, but the Jackson mania I uncharacteristically developed following his death in June 2009. Not long before, in the heat of battle, I had nearly told my husband to beat it.

Although we had once danced to his music and liked his videos, Michael Jackson had never been important to us, a typical middle income, middlebrow, nearly middle-aged, white suburban couple exhaustedly raising two kids.

Things used to be different when it came to music. Frank and I were both frequent concert-goers in our teens and 20s. A friend and I once traipsed around half the country after a mediocre cover band. Frank once sang with performing choirs, and when he sang in my ear I used to go liquid in his arms. When the boys were little, we took them to hear indie folk singers and sponsored drum and cello lessons. Except for Frank’s adoration of the Beatles, that was about it.

Except. I’m a Jersey girl with the requisite buzz on for The Boss. I always appreciated his lyrics. I liked his look. Listening to him made me happy. Bruce Springsteen had the opposite effect on my husband. In spring of 2009, while driving with our sons, Springsteen’s “Our Hometown” poured from the car radio. I think I started singing along.

 ”Ugh, I hate this guy,” Frank growled, pounding the power button. I seethed for days, and soon we were embroiled in an ugly fight. It wasn’t about Springsteen or music, of course. That moment had merely punctuated other problems—about staying interested in each other after two decades of cohabiting, commingled income and co-parenting, and what often felt like codependence. At one point, I yelled, “you don’t have to like what I like, but damn it, stop dissing my interests, especially in front of the kids.”

Which brings us to June 25, 2009 and what happened next: I became someone I barely knew. Overnight, I became obsessed with Jackson, staying up until 3 a.m. searching for fresh information. Here I was, a supposedly sane, slightly conventional woman, a mother, a reliable professional, a no-nonsense type-A type, spending hours watching videos about a controversial dead celebrity.

I invited my sons to watch his music videos, running nonstop on cable. Later, I invited them and Frank to watch a hilarious Billie Jean literal music video, tipping us into an hour-long fest in which we searched for similar literal videos for other artists.

Still, this wasn’t long after the Springsteen incident, and I was hesitant to indulge my new interest in front of my husband. But the kids helped lead the way. My 12-year-old proudly mastered “Beat It” on Guitar Hero, and always cranked up the song in the car, windows down, sunroof open, singing loudly off-key and smiling. I sang, too. (Apologies to the neighbors.) My 16-year-old, needing material for a must-improve-my-handwriting-or-my-Latin-teacher-will-fail-me project, settled on Jackson lyrics, and we discussed HIStory and Stranger In Moscow (“Wow—’Armageddon of the brain’—cool line!”).

First, I was riveted by the Jackson narrative—the pain, the pathos, the suggested improprieties, the percussive bursts of passion. Next, the music itself captured me, and from there, I wanted to know everything—about his creativity, songwriting, genius, anything. I didn’t know what the hell was up with me. I had no other (dead or alive) celebrity obsessions, and here I was, going to see This Is It alone on a weekday morning. I was acting like a wacko.

My husband, my sons, didn’t know what to make of my Michael mania. Mom’s gone off the rails is what it probably looked like. I couldn’t stop reading about Michael Jackson, talking about him, watching documentaries and interviews, listening. CDs and DVDs arrived. Books filled an entire shelf. I contributed an article about his music to a charity fund-raising book.

And all the while, Frank did not say one negative word.

He likely decided we were in a place where it was wiser not to question my behavior. He agreed, on a night I knew he’d rather watch Monday Night Football, to attend a Manhattan presentation where a scholarly critic discussed themes and iconography in Jackson’s videos. Frank watched This Is It with me (again), and began alerting me to MJ TV coverage, bringing home magazines, and asking me to clarify Jackson song lyrics. My MJ mania ebbed at times, but mostly flowed, unbridled and baffling, even to me. Then, on Christmas day, I noticed the joyful anticipation on Frank’s face, and I finally got it: I was mesmerized by Michael Jackson, at least in part, because he reminded me of my husband. I’ll explain.

Years ago, I’d found a coloring book and crayons at Frank’s house, which I’d assumed belonged to his nephew—only the stroking was too precise, the colors correct, the lines unbroached. It turned out that my hunky husband-to-be liked to color when stressed. And have the occasional water balloon fight. And watch cartoons.

Not long into parenthood, Frank vetoed my no-fairy-tales, no “lies” plan. The Tooth Fairy, the Easter Bunny and Santa existed in our house only because of Frank’s “childlike, not childish” wonder (as Jackson once described it). Those videos of Jackson with a trailing line of kids? At every family gathering, I called Frank the Pied Piper.

Then, there’s the physical. Frank is not black, but neither, appearance-wise, was the post-”Bad” Michael, and that’s the point: Frank has advanced vitiligo, and was already coping with the disease when Michael Jackson walked right past us on a Bermuda dock in 1992 (but that’s another story). When we first met, Frank had a long mane of curly, dark brown hair and, for a time, he could also sing falsetto.

Frank’s smile is not as wide as Jackson’s, but he deploys it often. When we dated, we danced a lot, and my husband—30 pounds thinner—once moved… well… not like Michael Jackson, but smooth. We’ll never know certain things about Jackson, but it appears he was irrefutably a good father. Frank’s first question to me, on our first serious date? “You want children, right?”  

In This Is It, Jackson repeatedly invokes the word love, and one can almost hear the eye rolls. Frank tells me he loves me all the time, even when we’re both furious, even when I’m not speaking to him. I began to ask myself how often I’d dismissed it. Maybe they both mean it.

The longer I cruised the Jackson chronicles, the more I wondered: was my obsession on one level a way for me to reconsider the man I married? Sure, it’s odd, but after 22 years of  marriage, anything that rekindles love, and reminds us why we’re with the person we’re with, can’t be discounted.

It’s been a year now, both since Jackson died and since our Springsteen-induced fight. I know now we won’t spill blood, and sometimes now it even feels as if we’re thrilled with the way we make each other feel. Maybe, deep down, he thinks I’m a bit of a nut job or wants to growl and switch off the CD player, but so far he hasn’t. I think that’s a good sign, and one I know has registered with our kids.

My curiosity about Michael Jackson has also brought music back to our family. We play all kinds of artists now, and recently took our sons to see Bon Jovi, their first rock concert. I hope they remember the time. For my birthday, Frank surprised me with tickets to Bruce Springsteen.

“I wish I could have taken you to a Michael Jackson concert,” he told me that night. But at that moment, all I knew was that Frank felt like another part of me.

Again.

Lisa Romeo lives in New Jersey.


Rising from the Ashes: Meeting Michael – One Chance in a Lifetime

Published April 10, 2011 by MJ WAS A CUTIE PIE

By Debby Barker   Fri, Apr 01, 2011

What some of us have only dared to dream others have experienced; meeting Michael or seeing him perform live. Read their stories and share the magic of that moment.

 

The Day I Met Michael

Many friends of mine have asked me to share this wonderful experience. I’ve tried my best to tell it somehow, but I think it’s impossible to describe such a deep, strong emotion. What Michael gave me on that day is beyond words.

Before I begin, I’d like to say that Michael was not only my favorite artist, he accompanied me through different times of my life; during the lightheartedness of my adolescence and also in my hardest times. His music was actually the sound track of my life. Thanks to him I met my husband, not to mention the wonderful friendships that I made.

When I was a child, I called my secret diary “Michael,” and every time I wrote something in it, it was like I was speaking to him. I remember that I covered up my room’s walls with all of his photos, but in particular, I had his poster in life-size beside my bed portraying him lying down; he really just seemed to be on my bed.  I remember it looked so natural that my little nieces were scared of it. They adored Michael, but still they were so scared that he would turn into a werewolf. If you only knew of all the conversations that I had with that poster….well, I was 11 at the time. Many children have their imaginary friend; I had Michael Jackson.

The first great emotion that I felt was on May 23rd, 1988, the first time I went to see him in concert (I was 17 years old.)  It was in Rome at the Flaminio Stadium, the first European stop on the BAD Tour.

Oh my God, what a concert!

In 1990, I married Giuseppe, better known as “Peppe Michael Jackson.”  I’m not joking when I say that he was famous for his resemblance to Michael.

In 1991, my first child Tania was born. Needless to say, she already knew Michael from her mother’s womb.  On July 4th, 1992, I attended another concert. It was during the Dangerous Tour, and only those who have seen this concert can understand how wonderful it really was.

In 1993, Vincenzo, my second child, was born. A great joy for me, but unfortunately that year, I had to face a very tough reality. Tania, my daughter, was diagnosed with Autism.

It’s not that easy for a 22-year-old girl to discover she had an Autistic daughter. I’m not referring only to the hurt of finding out, but it’s not easy to handle such trouble at that young age (it’s never easy; whatever age is it, honestly). Thanks to God, He gives us, besides all the pains and the sorrows in our life, also the strength and the dignity to face them.

Growing up and becoming a mother never reduced my love for Michael. On the contrary, it increased. Perhaps it was because I always identified myself with him. Michael and I had so many things in common. Our childhoods and the things we missed during that time, and having 3 sisters and 5 brothers increased my love for him more, I guess.

In 1996, I knew that Michael would have started his HIStory Tour in Prague. Some of my friends were getting ready for the tour, and I was feeling very bad because I knew that having two little children would keep me from ever going with them. As “fate” would have it, my neighbors were from Prague. They knew very well what I felt for Mike. I’ll never forget that night when they told my husband: “Come on you! Michael Jackson will be in our town. Let Stefania go see him with her friends. Our house is midtown of Prague and is vacant, so she could stay there. We will help you here with the babies.”

When my husband said yes, I couldn’t believe it!  It seemed to me as I could fly!  Since that day my dreams started, and I said to myself: “This time I will not be satisfied only by watching him on stage. He must know that I exist. He’s got to know what he gave me and what he represents to me. I’ll have to do something to impress him.”

So I got a canvas, 2 x 3 meters, and I started painting on it. I just had such a strong inspiration. I knew so well what to do; Michael sitting under a tree with the Walt Disney characters all around him. Peter Pan sitting on his knees; a river, a lawn, many children and Topo GiGio (whom he really adored) waving the Italian flag. I had lots of time to do it since I would not see Michael for many months. ‘I’ll make it.’ I repeated  to myself, and I kept on painting with all my love.

Finally, on September 5th, I landed at the Prague airport with my friend Vania and my canvas. Sonia and Patrizia who were also from Naples, were waiting for us. They had arrived two days before. We went to our friends’ house to drop off our suitcases, and then we rushed off right away to the Intercontinental Hotel where Michael was staying. On our way in the car, Sonia told me she was lucky enough to have hugged Michael the day before. Some fans were allowed to stand within the barriers placed in front of the hotel entrance. She was even allowed to enter with another group of fans into the restaurant where Michael was. I was happy for her, but at the same time I was regretting that I had not been there the day before. Maybe (who knows) Michael could have seen my canvas. This thought kept repeating itself.

Finally, we arrived near the hotel. We knew we were getting close because we could hear hundreds of fans screaming all around. They were gathering under the canopy of the hotel. I began trembling like a leaf, especially when I looked up and saw beside his window an enormous tarpaulin, affixed with the MJ mark on it.

Suddenly, everyone started screaming louder and the crowd flocked together. “Michael! Michael!” Yeah, it was him! He was leaving to go to Letenska Park for rehearsal. We couldn’t see him; we were behind too many others. This is when I had my first hysterical breakdown and cried. We all went to the Park; his voice resounded everywhere. We could hear him clearly as he rehearsed, and each time the wind blew stronger and moved those tarpaulins that divided us, we could even see him. He was stunning.

That night I couldn’t close my eyes for the thought of the next morning, when we would have to leave in the early dawn to get the best places to stand at the hotel. We were the first to arrive that morning, September 6th. We put my drawing within the barriers just in front of the main entrance, so when Michael would come out he would surely see it just in front of him.

The long wait began. Meanwhile, several fans began to arrive increasing the crowd in an amazing way. They were coming from every part of the world. Many of them came up to me to compliment me on my drawing. Michael’s photographer approached me and started taking pictures of it, very satisfied. A little bit later, Michael’s cameraman was there too, and videotaped the canvas for what seemed to be a very long time. He congratulated me on a great job as well.

I was certainly very flattered by that, but I wanted Michael. I wanted to see his eyes looking down on my canvas, and then hope that our glances would cross into one another’s. I had dreamed it for so many years. Finally, into the later part of the morning, the hotel door opened. Everybody started screaming “Michael! Michael!” I was paralyzed. I couldn’t believe it; he was just a few meters from me. He was gorgeous!

He wore black trousers, a red shirt and a black jacket. At one point he looked down at the drawing. He even stopped to do his thumbs-up as if to say, “Okay!” He took a few steps forward to say hello to the crowd, and then he came back to sit in the car. He must have gone to the wrong vehicle because he got out and went to another car. (There were 2 of the same looking cars parked in a row.) Wayne, his bodyguard, called Teddy Lakis (star promoter) and pointed to the drawing. He came over to us and said, “Michael likes this drawing very much, he‘d like to have it.” Since I had lost my tongue to speak, my friends answered, “Oh, yes! This was drawn just for him, but she would love to have the pleasure of giving it to him personally.”  He went back to Michael to report what he was told, and then returned to us and said, “Okay, Mr. Jackson is going to visit the President, but when he comes back he said you’re invited to go up in his room.” After those words, I couldn’t understand anything more. I laughed, I cried, I trembled, I stammered; I was totally out of my mind!

He hadn’t much make-up on and he was gorgeous! His hair was tied in a strange way; a sort of loose ponytail. He wore the same red shirt of that morning, but had on different trousers. I was trembling so badly and praying, ‘God please, I don’t want to cry and look foolish, so please give me the strength to control myself and stand on my own two feet.’

I went on staring at him; I did not want to miss anything. Suddenly, Wayne motioned to me to open the tube and I made a fool of myself once again. Since it was huge and very heavy, I made it crash into the chandelier with a terrible clatter. Luckily it didn’t break, and I only managed to say in a whisper, “Oh, sorry.” It was in that moment that his eye caught mine, and he smiled with the sweetest expression.

As the bodyguards rolled out the canvas, Michael stood up from the chair with an, “Oooohhh!” as if to say, “At last!” He began to observe it with the enthusiasm of a child. He was very sweet because I was very nervous, and he tried to make me feel at ease by commenting on it aloud and smiling, “Oh my God, it’s wonderful!” Then, without turning away from the picture, he came closer to look at it and he started shouting, “Oooohhh, Topo Gigìo!” dwelling on the final i of the name. Everyone was laughing at his childlike behavior but me. I was paralyzed.

His eyes lit up like those of a child in front of his favorite toy. Apart from Wayne and Yanik, there were some kids in his room and a woman whom I think was their mother: She had always been with Michael since his arrival in Prague, but I did not know who she was.

When Michael saw Topo Gigio with the Italian flag in his hand, he asked me, “Are you Italian?” I answered, “Yes”. The woman immediately began to speak to me in Italian and said, “Oh, how nice, I’m Italian too. Where are you from?” When I answered, “I’m from Naples,” Michael smiled at me and said, “Oh, I love Naples.” 

He kept on analyzing the picture; concentrating on every single detail and saying, “Oh boy, it’s wonderful, wonderful!” Luckily the woman helped me by acting as an interpreter. Michael asked me, “Why did you choose to portray us under a tree?” I answered, “I don’t know, it has been a sort if inspiration. I saw it in my mind before painting.” He said, “Oh, sure. You had a vision! That tree means a lot to me.”
Then the woman smiled and said to me, “Wow, he said he will bring it home and put it in his room.” I couldn’t believe it and I just said, “Thank you.” He said, “No, thank you! You gave me such a beautiful present. It is full of love.”  He went on saying, “Thank you, I love you.”

Wayne, who was holding up the canvas together with the woman, told Yanik to take a picture. Unfortunately, at that moment Michael put on his mask. I believe he did so because he had almost no make-up on. I could clearly see some spots of vitiligo on his face, in particular between his cheek and the right ear. Then he gave me his hand, and invited me to stand close to him for the photo.

I don’t know how I managed to stand on my feet, especially when I felt his hand holding my hip. I wore an openwork t-shirt, and I could feel his fingers touching my skin; he smelt of vanilla perfume. It was the hardest time of my life. My heart was beating so hard that I’m sure he could hear it too. In the meantime, Yanik was fighting with the camera and couldn’t get the picture. Michael said something, but I couldn’t understand. He told Yanik something like he was the only one who could be a true bodyguard, and then he teased him by saying, “Hello, Yanik, you know that if you don’t push the button you can’t take the picture, don’t you?” Everybody started laughing. I was still feeling Michael’s hand on my hip and I felt very dizzy. It seemed like the whole room was moving around me. I took a deep breath and smiled while Yanik finally took the picture. Michael exclaimed, “We did it!”

That was the most beautiful moment in my life; his beautiful eyes were staring at mine. He understood that I was much too excited and so he asked me, “Are you ok?” with such an incredible sweetness. That was the real moment that I did let myself go. I threw my arms around him sobbing, “Oh, Michael.” He hugged me too; he held me so tightly and I broke down and cried. That was the one thing I never wanted to do in front of him, crying just like every common fan, but I accumulated too much tension so I could not hold it back. Michael, with all his sweetness, kept on caressing my head and my back. If I could have, I would have stopped the time and stayed in his arms and felt his warmth, heard his voice and smelled his perfume into eternity.

I couldn’t believe it. I dreamt of that moment since I was a child. I have imagined that scene a million times, and now I really was there in those arms. God, he smelled so good, and how tight he was holding me! I shall never be able to describe what I felt at that moment. Never! 

Since I couldn’t stop crying, I told him, “I’m sorry,” and he said to me, smiling with such an indescribable kindness, “Oh-oh! It’s all right.” He stared at me with that particular glance that only he has and asked me again, “Are you ok?” It was incredible! Just a few moments earlier he looked like a child to me, and now only a few minutes later he took the stature of a father figure. I told him, “I’m fine, thank you.” Then he smiled and asked me with some curiosity what I had in my bag.

I actually didn’t realize that I had been holding my bag since I entered the room, but I was so excited I didn’t think to put it down anywhere. Inside of it I had my children’s photos, and a letter that I wrote for him in which I had opened my heart; writing all that Michael meant to me, and giving him all my support for all that he had to endure. He put down the bag on the table and began to leaf through the photos. I told him, “These are my children.”  He replied, “Oh, congratulations, you already are a mother. But they’re such beautiful kids!” I said, “This is Vichi, he’s 3, and he has imitated you since he was only one.” He smiled, saying that Vichi was really a beautiful baby boy.

Then I showed him Tania’s photos, and I said to him that she’s Autistic. He said, “Oh no, I’m sorry! I do know Autism. They live in a world all on their own.”  “Sure,” I replied, “and you are part of her world too. Since she was a newborn baby, she always listened to your music when she breaks down and cries. She needs to listen to your songs to calm her. She does not play any kind of game, so most of the time she usually spends her hours watching your videos. When we were at the hospital, we had to take the video player and all of your VHS tapes with us to make her stay quiet.” He became serious, slowly taking a careful look at Tania’s pictures, visibly touched.

He said nothing at first, and then spoke. “She’s beautiful. Her glance; her smile is wonderful. Can I take her pics?” “Certainly you can,” I replied. “How old is she?” He asked. “She’s five,” I said. “Can she speak?” “No, Michael. Unfortunately I never heard the sound of her voice.”  He said, “No! My God! She‘s so beautiful! Is there something I could do for her? Do you need my help? How can I help you?” I simply thanked him. I could have asked him to let Tania meet him because he often gave hospitality to many disabled children in Neverland, but I did not have the courage to ask. I’m still regretting this decision. I’m sure that Tania would have been so happy there. She loves to see him singing and dancing.

Michael took my hand, and looking into my eyes he said, “Don’t ever lose your faith or your hope, and don’t stop fighting for her. Never! Don’t give up!”  We embraced each other once again, and just as I was crying I said, “Thank you Michael, I love you!” and he answered,   “I love you too; I love you more.” It was such an intense moment; so special that I have real a difficulty telling it. I fear that it may go away somehow.

I always knew that he was a sensitive, kind of person, but at that moment he was sensitive only for me. He was really touched, and he made me feel all his support and all his love. What a wonderful man; so humble and special! (Here, I start crying again) Then he took my letter, and I said, “Michael, please, it’s so important to me that you’ll read my letter.” And he said, “I’ll do it tonight, I promise.”

Unfortunately, it came my time to say goodbye. Wayne was already waiting for me close to the door. I said to that woman, “Please, I have something more to tell him.” I would have told him that I felt so sorry for him; for everything he had to go through because of the charges and the wickedness he suffered. I wanted to say these things to him even if I had already written everything in my letter. I was only able to say, “How are you?” But I’m quite sure he knew what I was referring to. In fact, we looked into each other’s eyes and I felt really in tune with him. He thanked me and he told me he was fine, also thanking us for the gestures of love that he received from us in which he gained more and more strength. I told him, “Please, take care of you, and don’t forget you’ll always have our support; we will always be with you.”  “Ooh, thank you, I love you so much. God bless you,” he said. We said goodbye, and while I was walking to the door I reminded him to read my letter once again. He brought his hand to his lips and kissed the index and the middle finger, and then he placed them to his heart saying, “I swear it.”

I almost crossed the threshold, when I realized that I had forgotten to take the paper bag which had some gifts in it that my friends gave me to give to Michael. I turned back with confidence, took the bag and said, “Oh, I forgot to give Michael these things” Red faced, I went back over to Michael. He looked at me smiling. I threw this enormous bag of gifts into his hands, and instead of telling him that those were my friends’ gifts for him, I said: “These are my friends.” God, how embarrassing. Everyone there was laughing. Michael made fun of me, looking into the bag with his eyes open wide. We all were laughing; it was really a nice moment and Michael was so cute. He asked me to help him hold the bag while he took the items from inside. I don’t know how I contained myself because from that moment on, I can’t recall anything. I don’t remember how we said goodbye. I don’t remember who brought me downstairs. I don’t even remember if the girls who came up with me had left already or if they came down with me. I only know that I found myself sitting and crying on the sidewalk.

Separating myself from him was one of the most difficult moments of my life.

Thirteen years have gone by, and I still have not remembered what happened; my mind completely removed the moments after I left. He dedicated so much of his time to me making me feel loved….me, a perfect stranger! He was really a gift of God!

Thank you Michael, you are really an angel….. You will always live in my heart. I love you!

Stefania Capasso
MJTP Username: stefyMJ
Dot # 14702