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Autism Can’t Stop The Music For Canal Fulton Teen

Published May 28, 2012 by MJ WAS A CUTIE PIE

Source: Ohio.com – By Jewell Cardwell

News of disco queen Donna Summer’s death was being announced on the radio as I pulled into Canal Fulton’s Northwest High School’s parking lot to attend its May Fiesta dress rehearsal.

Imagine my surprise when I walked into the auditorium and found out the whole production was bathed in a ’70s and ’80s disco fever theme. There was a spinning disco ball, and costumes and tunes from Lipps Inc.’s Won’t You Take Me to Funkytown, the Village People’s YMCA and Gloria Gaynor’s I Will Survive.

Dance steps flowed from the Temptation walk to the bump to the hustle.

Things were poised to get even more interesting as I focused on one young man who had really stepped outside of his comfort zone to do all that he did.

Nate Johnston is his name.

His is a feel-good story on a number of levels. For starters, it spoke volumes about what a person— viewed by conventional thinking as “different” — can accomplish when he’s supported by a dedicated family and remarkably accepting teachers, especially special education director Michael Capes and musical director JoAnn Pitzer, schoolmates and friends.

Nate, 18, is a junior who has been diagnosed with autism.

Autism is a complex developmental disability, defined by the Autism Society of America as “impacting development in the areas of social interaction and communication skills. Both children and adults with autism typically show difficulties in verbal and nonverbal communication, social interactions and leisure or play activities.’’

Even so, there was Nate — front and center and in all of his glory — singing and moving and a-grooving to the lively disco beat.

OK, he wasn’t always in lockstep with everyone else.

But that’s not the takeaway here.

The point is that he was up there, participating, smiling and obviously having a great time. And he was being embraced and accepted at every turn.

Even more amazing was Nate’s big dance number.

A solo performance at that.

Talk about the courage that it must have taken to be out on the stage by himself, right in the public eye as the curtain opened.

For his soft-shoe debut, he reached high, tapping into Michael Jackson’s Beat It from the King of Pop’s platinum Thriller album.

Instructor on hand.

On one side of the stage, hidden behind the curtain and out of view of the audience, was Tori Fox — one of his private dance instructors — who was acting out the steps for Nate to watch as he went along. Call it an insurance policy the gloved one had on the side to make sure panic didn’t set in.

Tori — who is a freshman at the University of Akron, where she’s majoring in dance and special education — operates Dance House studio in Medina with her sister Lindsay. Nate is a student there.

Nate’s very proud mother Susan — who had been there to encourage her son every step of the way — captured all of his moves on camera. (His father is Scott Johnston.)

“He likes the arts and he has been able to use drama, acting and music to help him recover language and skills,” Susan Johnston said.

“He has been in three school plays and he has been in the choir program since he was a freshman. And it’s really enhanced his high school experience.”

She credits the dancing as playing a pivotal role in her son’s development.

“One of his classmates who graduated last year and her sister who helps with the choreography wanted Nate to take dance lessons so he could be upfront on stage and build his confidence.”

“He has been taking dance lessons with Tori … at Dance House in Medina weekly since August. They are so patient with him.”

This is not to say that each person with autism will be able to do what Nate does. Just that they have the opportunity, with the right kind of support, to write their own script, refusing to be defined by what academics or clinicians say is possible.

In other words, living their lives with question marks instead of periods.

Nate’s dancing, his mother was quick to acknowledge, “is average but he sure looks GREAT in his Michael Jackson costume.”

“When you consider that most people affected by autism are not able to imitate or cross midline well and Nate is accomplishing this because he is trying so hard to dance,” she said. “It is great to watch him at his lessons doing all these things he is not supposed to be able to do.”

Northwest High’s assistant principal, Scott Burnett, in talking about Nate — who takes a combination of regular and special education classes (depending on the courses) — applauded his perseverance. “He has been very successful here, where lots of students with similar disabilities are placed in more specialized programs.”

Dave Cooper, Nate’s case manager since his freshman year, agreed, crediting Nate’s parents for his drive.

“He’s involved in lots of activities, including helping out as assistant manager for the boys basketball team,” Cooper said.

“So the social piece is there.”

Why Michael Jackson?

Nate Johnston — if you haven’t guessed it already — is a huge Michael Jackson fan. And not just because he loves the genius of Michael’s music.

He believes the two share a bond, Susan Johnston explained:

“He relates to Michael Jackson because he feels both missed their childhoods. Michael because his music career took off so fast and Nate because of autism.

“I asked Nate how he [Michael] changed the music industry. Nate said because he invented the moonwalk. Nate doesn’t quite have the moonwalk down.” But that didn’t stop him from doing his own version on stage for all the world to see.

So what if Nate’s mastery of the moonwalk wasn’t perfect?

Maybe it should never be.

After all, Michael Jackson’s moonwalk is a highly stylized dance technique that presents the illusion of the dancer being pulled backward as he attempts to walk forward.

That’s not Nate Johnston.

He has made too many giant steps forward to ever glide backward.

http://www.ohio.com/news/local/autism-can-t-stop-the-music-for-canal-fulton-teen-1.310059

Administrator’s Note: I wish Nate all the best in life.  He clearly has the drive to be whatever he wants and he has a lot of support to do it.  Other than family, I am sure that Michael would be one of his biggest supporters if he were here.  Much love to Nate! Follow your dream! ♥

Mark Zuckerberg Wedding Michael Jackson Music in Heavy Rotation

Published May 21, 2012 by MJ WAS A CUTIE PIE

Source: TMZ.com

Mark Zuckerberg might have more money than the average man, but he has the same musical tastes as everyone else — because TMZ has learned his wedding was bumping some serious Michael Jackson tracks all night long.

A neighbor of the Facebook CEO tells TMZ … they could hear the music coming from the wedding the entire time (as evidenced by our video where you can hear Billie Joe Armstrong singing from the street).

The neighbor tells TMZ there was plenty of upbeat music all night — including Flo Rida, Bon Jovi and Janet Jackson. But the overwhelming favorite was the King of Pop himself, Michael Jackson.

Status update: everyone loves MJ!

http://www.tmz.com/2012/05/20/mark-zuckerberg-wedding-michael-jackson-priscilla-chan/

Administrator’s Note: You better know it and haters better recognize!  I can’t think of better way to start their new life! Congratulations on your nuptials, Mr. and Mrs. Zuckerberg!

Michael Jackson Jackets Coming To San Antonio

Published May 17, 2012 by MJ WAS A CUTIE PIE

Source: San Antonio Business Journal

Michael Jackson was defined, in part, during his legendary music career by his unique sense of fashion.

Next week, some San Antonians, many of whom are too young to remember Jackson, will get an up-close look at his trend-setting style.

Jackets worn by the King of Pop in his iconic music videos for hit songs “Thriller” and “Bad” will be on display at the Children’s Hospital of San Antonio (formerly Christus Santa Rosa Children’s Hospital) on May 21 from 2 p.m. to 3 p.m.

Christus officials say the display will be open to the public and is part of a larger tour intended to help raise money for children’s charities.

The jackets are owned by Austin philanthropist Milton Verret, who says he purchased them “with the promise of continuing Michael’s quest for helping children.”

Jackson recorded nearly a half-dozen albums, including “Thriller” and “Bad,” that were among the all-time best sellers in the recording industry. He released 13 No. 1 hit singles.

Jackson died on June 25, 2009, at the age of 50.

Michael Jackson The Immortal World Tour by Cirque du Soleil is scheduled to make a stop at San Antonio’s AT&T Center June 23.

The Business Journal reported in April that Christus Santa Rosa planned to transform its downtown hospital campus into a new Children’s Hospital of San Antonio. As part of that conversion, Christus is relocating adult services now at its downtown campus to other facilities.

http://www.bizjournals.com/sanantonio/blog/2012/05/michael-jackson-jackets-coming-to-san.html?ana=RSS&s=article_search&utm_source=feedburner&utm_medium=feed&utm_campaign=Feed%3A+bizj_national+%28Bizjournals+National+Feed%29


Jermaine Jackson Judges ‘King of Pop’ Tattoos on Oxygen’s BEST INK Tonight, 5/8/12 10 pm Eastern Standard Time

Published May 8, 2012 by MJ WAS A CUTIE PIE

Source: TV Broadway World/Oxygen

The iconic images of international superstar Michael Jackson inspire the artists as they reach for tattoo gold on an all-new BEST INK on Oxygen airing tonight, May 8 at 10PM ET/PT. Music Hall of Fame inductee Jermaine Jackson guest judges and shares his thoughts on tattoos inspired by his late brother, Michael Jackson. Viewers can follow the action on Twitter @Best_Ink and post their thoughts on the competition with #BestInk.

“Best Ink” — Tonight, May 8 at 10PM ET/PTOn this week’s “Best Ink,” only four tattoo artists remain in the competition and they are determined to secure a spot in the final round. The “Flash Challenge” requires the artists to create an album cover for pop-rock musician Porcelain Black’s upcoming album “Mannequin Factory.” Her request for “stripper couture” cover art leaves the artists bewildered. Will they be able to use their talents to give Porcelain the album design of her dreams? Meanwhile, pop music continues to rule the tattoo shop airwaves as the artists are tasked to create Michael Jackson tribute tattoos. The late musician touched their clients’ lives in meaningful ways and the possible tattoo designs – from the Jackson 5 era to the moonwalk – are endless. With a spot in the finale and $100,000 on the line, there is Little Room for error as the final four fight for the permanent title of “Best Ink.”

Read more: http://tv.broadwayworld.com/article/Jermaine-Jackson-to-Judge-King-of-Pop-Tattoos-on-Oxygens-BEST-INK-58-20120507#ixzz1uIXgt1oP

Video clip of tonight’s show: vid:18352321

 

Immortal Aerialist To Appear On Good Morning America To Set Guinness Book World Record -May 7, 2012

Published May 6, 2012 by MJ WAS A CUTIE PIE

Source: Michael Jackson THE IMMORTAL World Tour by Cirque du Soleil – Facebook

Tune in to Good Morning America this Monday, May 7 to catch IMMORTAL aerial artist, Igor Zaripov, attempt to set the Guinness World Records for the longest duration to hang suspended by the teeth!!

EC Sends Out New Questionnaire Over Universal’s EMI Bid

Published April 27, 2012 by MJ WAS A CUTIE PIE

Source: CMU – The Complete Music Update

The European Commission’s competition regulators have sent out another questionnaire regarding Universal’s bid to buy the EMI record companies, according to Reuters.

The EC previously asked all affected parties for their opinions about the proposed takeover in March, and enough concerns were raised to persuade the regulator to proceed with a full three month investigation, rather than just approving the deal after one month, as it did with Sony’s bid to buy EMI Music Publishing.

A second questionnaire seeking commercial data from labels then followed, while this new call for information goes into more detail about the power (or not) of the big music companies, and delves further into those areas where most concerns were raised in phase one of the investigation. Most of the topics covered are predictable, though interestingly it seems the EC is particularly concerned about a combined Universal/EMI’s dominance in the jazz and classical genres as well as in chart hits.

Questions also look at whether Universal dominates radio and TV’s music output (it’s official tie up with the ‘Voice’ franchise has already caused some criticism in the UK tabloids), and whether or not, as the majors clam, the dominance of a small number of digital music providers – particularly Apple and Spotify in Europe – restricts the rights owners’ control over online pricing. It also poses other questions about the relationship between the majors and the digital players, including what control they have over the positioning of artists and music within digital stores.

The EC could block or approve Universal’s EMI deal outright, or look for a compromise that would force the mega-major to sell off some of its assets to win approval. Universal has so far resisted the temptation to offer such concessions (unlike Sony, which secured approval for its publishing purchase by committing to sell off some catalogues), but many reckon some remedies will be asked for by the regulators. And interest in the questionnaire about jazz and classics might suggest what kind of catalogues Universal would have to sell on to get the green light.

Pan-European indie labels group IMPALA and Universal’s rival Warner Music continue to oppose the takeover, of course. It was thought the EC would make a decision in early August, though Reuters is now pointing to early September.

Meanwhile, legendary producer George Martin has criticised the break up and sale of EMI to its two biggest rivals, Universal and Sony, saying it will give the two mega-majors a “virtual monopoly”.

Martin, who spent a chunk of his career working for EMI of course, is widely quoted as saying: “I am saddened that great companies have been swallowed up by the giants, and the domination of the recording and music publishing industry by Sony and Universal can only lead to a virtual monopoly in the European market. Is this what the people want? I always thought that democracy ensured a level playing field for our music industry, but I am wrong”.

Universal bounced back a quick response, saying that under Universal’s stewardship EMI will be able to enjoy a renaissance after a decade of uncertainty. According to the Telegraph, a spokesman for the company said: “Sir George has not spoken to anyone at Universal Music about this. If he did, we – as a long-standing music company which invests tens of millions in great British talent – would welcome the opportunity to explain how we will enhance that creative investment in EMI and its digital future. Universal Music is the right home for the company; we are music people. EMI will fare much better with us than with non-music owners, who only asset-strip the business.”

http://www.thecmuwebsite.com/article/ec-sends-out-new-questionnaire-over-universals-emi-bid/

Is Tupac Coachella Hologram The Future Of Touring?

Published April 18, 2012 by MJ WAS A CUTIE PIE

Source: MTV – By Gil Kaufman

Sure, the laser Pink Floyd show is totally awesome and the Beatles cover band totally nailed “Penny Lane.” But after the rapturous response to the Tupac
 Shakur hologram
 at Coachella, you can be sure phones are ringing off the hook this week all over Hollywood with calls to the Digital Domain wizards behind the stunt.

Think of the possibilities: The Doors resurrected with a young Jim Morrison, Nirvana on tour with a virtual Kurt Cobain or a resurrected Tupac and Biggie sharing a stage for a greatest hits show. But does the success of the Tupac mini-set mean that holograms are the touring industry’s version of 3-D movies?

would-fans-attend-a-tupac-hologram-tour.jhtml

“I thought it was great in that particular moment,” said veteran manager Danny Goldberg, who has worked with everyone from Nirvana and Led Zeppelin to Sonic Youth and the Hives, who he was on hand to see at Coachella. “They were evoking a certain nostalgia for [the era of] gangsta rap and I thought it worked in that context and was exciting and special. I think it’s not something that would be particularly easy for another artist to emulate.”

Goldberg said certain things work best the first time and if someone else was to try a holo-show they would have to find a way to make it new again, otherwise it might just seem cheesy and derivative. Part of that potential pitfall is the legacy of the artist. For example, if Paul McCartney announced a tour with a virtual John Lennon, Beatles fans would likely see that as being in bad taste and not show up. “It’s another tool in the toolbox of technology, but some tools should only be used sparingly,” he said, adding that he thought the execution at Coachella was stellar.

Making the trick work on a larger scale, or even on a full-blown tour
 is unlikely given the unique aspects of the Coachella gig. “Part of what made that effective was that it was a surprise, coupled with authentic living, breathing superstars in Dre and Snoop and not over-relying on it,” said Goldberg. “I wouldn’t look at it as the beginning of a big trend, but as an amazing moment.”

Fans may get another chance to experience the trick when the upcoming Cirque du Soleil-created Michael Jackson show in Las Vegas opens next year. While a spokesperson for the Jackson estate would not confirm that the MJ show would use similar technology, when MTV News spoke to Cirque President and CEO Daniel Lamarre in 2010 he said that, “The new technology that we want to bring to [the permanent] Vegas [show] will be more theatrical,” promising that fans “will see Vegas become the home of Michael Jackson and people will come from all over the world to experience the uniqueness of the technology that we want to bring there.” At the time, Lamarre hinted at the use of “3-D technologies and hologram technologies to allow people to see Michael Jackson onstage.”

Also on hand to watch holo-Pac at Coachella was Dave Brooks, managing editor of live entertainment trade magazine Venues Today. He said he could definitely see the technology employed in several ways. “Obviously the posthumous thing is one idea,” he said. “Think about the Michael Jackson Cirque tour, or the Who bringing back a hologram of [late drummer] Keith Moon. [Bringing back] dead band members could be a way to enhance the show and plenty of people would be impressed to see a hologram of Keith Moon.”

As for whether an all-hologram tour could win over audiences, based on what he’s seen so far, Brooks said it wasn’t likely … yet. “Anything is possible, but from that one glimpse of the technology I can’t say it’s enough to make a whole tour of just that.” In fact, he said having the hologram Tupac on stage for two songs was great, but it would likely have gotten tired if the West Coast legend had hung around all night.

Given the amount of all-star collaborations among pop and hip-hop stars these days, Brooks said the other way he could see the technology deployed is to briefly bring some of those one-off singles to life in concert. “Because of the nature of pop music these days, with collaborations like Calvin Harris and Rihanna and Alicia Keys and Jay-Z, this could definitely add a ‘wow’ factor,” he said. “It’s one thing to have [the other singer] on a screen, but if you could have them there in 3-D it would impress more.”

http://www.mtv.com/news/articles/1683289/tupac-hologram-coachella-future-of-touring.jhtml

Administrator’s Note:  Even though, the inventors of this technology are just trying it out, my feelings are very mixed about this when it come to doing a tour.  It would be great to see Michael performing live again versus an impersonator.   This technology will make it possible to see all of our favorite entertainers in person again, but another part of me asks, have they gone to far to make money off the deceased?  It’s kind of like putting a puppet on stage to replace the essence of the person.  A tribute show is one thing but this is totally different to me. How will it make some people feel when the show is over?  I know that I would be in tears afterwards.  I cried at a “Who’s Bad” concert last year so maybe I am not a good example.  But still, I have to ask if  we would want our loved ones or even ourselves to be used in such manner after death? What about the wishes of the deceased? There are a lot things to consider before they start doing tours like this.  Of course many people will love it, but some of the people interviewed in the video said they felt weird about it.  Those words stuck out to me. But I think it could be too emotional for some and you may not know that until you are faced with seeing it.  Something to think about….. Cutie Pie ♥

 

Davis High School Tribute To Tony Fields This Weekend, Davis, California

Published April 18, 2012 by MJ WAS A CUTIE PIE

Source: The Davis Enterprise

Dancer/actor Tony Fields, center, returned to his alma mater in 1994 to coach Davis High School drama students, including Laurran Valenty and Nate Brown. Mark Bullard/Enterprise file photo.

Students from the performing arts program at Davis High School will honor the memory of a local kid who went on to a career in the entertainment industry — the late Tony Fields — with a pair of benefit performances at 7 p.m. Saturday and Sunday.

Performances will take place at the Brunelle Performance Hall at Davis High School, 315 W. 14th St. Tickets are $15 general and $10 for students, available at the door.

The show will include songs made famous by Prince, Paula Abdul, Michael Jackson, Van Halen and Whitney Houston. There also will be a “Solid Gold” medley featuring songs that were popular on that 1980s show. Fields was a dancer in the show’s cast for six seasons.

Also featured will be the dream ballet from the musical “Oklahoma!” (Fields danced the role of Dream Curley while a student at Davis High.)

Drama teacher Gwyn Bruch met Fields in the 1970s, when he was a teenager.

“He was a member of the Jazz Choir and the drama department; he was in many local productions,” Bruch recalls. He was “charismatic, hyper, loud, in-your-face honest, with a huge heart and boundless passion.”

Fields graduated from Davis High in 1977 and enrolled in the well-regarded Pacific Conservatory of the Performing Arts and the Roland Dupree Academy of Dance, but soon left those programs and started working professionally.

“He went to Hollywood, he slept in his VW Bug, he got a job as a backup dancer for Debbie Reynolds, and also danced with people in Christmas specials,” Bruch recalls.

Fields also got work with Jackson, and was seen in iconic Jackson videos like “Beat It” and “Thriller,” as well as Lionel Richie’s video “Running Through the Night.”

He also got a regular gig as a dancer on the show “Solid Gold,” and was a cast member there from 1979 through 1985.

Fields was one of the thousands of hopefuls who auditioned for a part in Richard Attenborough’s 1985 film version of the hit Broadway musical, “A Chorus Line.” And unlike the vast majority of those hopefuls, Fields was hired, appearing in the role of Alan DeLuca.

He appeared opposite Angela Lansbury as the villain-of-the-week in her popular series “Murder, She Wrote,” he won an award for his performance in an original play and he worked with troubled teenage boys in juvenile justice system in Los Angeles.

But Fields became ill, and gradually the illness became quite serious. He lost weight and found it difficult to sustain the physical demands of dancing.

He returned to Davis in 1994, looked up Bruch, and offered to work with students at his alma mater. Bruch recalls that “he knew he was dying, (and) this is what he chose to do with his energy.”

So she put him to work, and says “the students adored him … they gave back as much as he gave.” The student show that Fields put together “was a hit, of course.”

Fields died not long after, in 1995, at the age of 36, from HIV-related complications. A performance was organized in his memory, “What I Did for Love — A Tony Fields Tribute.” And what initially began as a one-time event turned into an annual showcase.

Fields’ memory also was honored in 2009 when he was posthumously inducted into the Davis High School Hall of Fame.

Much of this year’s program is being put together under the direction of Cara Rains, a local dancer and dance teacher who met Fields when she was a child.

“She has picked some newer music that Tony would have liked, as well as a number of songs that he knew,” Bruch says.

This year’s show was to have included a performance by Becky Stout, a 2003 Davis High grad who received the school’s Tony Fields Memorial Scholarship.

“She called just the other day and told us that she couldn’t make it because she’d been cast in the Los Angeles run of ‘Follies,’ replacing a girl from Broadway,” Bruch says, with some pride. “So she’s got her break.”

What: “What I Did for Love — A Tony Fields Tribute”

When: 7 p.m. Saturday and Sunday

Where: Brunelle Performance Hall at Davis High School, 315 W. 14th St.

Tickets: $15 general, $10 students

http://www.davisenterprise.com/entertainment/music/dhs-students-perform-annual-tony-fields-tribute-this-weekend/

http://dhsblueandwhite.org/hofmembers.html

I used to love Solid Gold and I remember Tony.  He was a great dancer and very engaging to watch. Maybe you will remember him too after watching this……those were some great times to be alive in! :)

 

Justin Bieber Shows Love For Michael Jackson In “Boyfriend” Video From Upcoming Album “Believe”

Published April 10, 2012 by MJ WAS A CUTIE PIE

Source: Much Music

We’ve seen him covered in women’s hands and watching a tire swing on fire, but in today’s third teaser for Justin Bieber’s upcoming music video for Boyfriend, the young singer is channeling his inner Michael Jackson. With a snap into a pointed finger and crossed feet, Bieber hits MJ’s signature pose in his third video teaser, getting us even closer to next week’s full video release for Boyfriend.

Justin has never shied away from speaking about his love for the late King of Pop and was even honoured by being asked by Jackson’s children to speak at their father’s induction into the Hollywood Walk of Fame last year.

While many pop artists have paid homage to Jackson in music videos and songs, Bieber just may be the sole singer of the 21st century whose career can actually hold a candle to the legacy of Michael Jackson.

(Administrator’s Note:  Nope, don’t think so!  Justin is just really popular compared to other artists and he does have talent. I like him as a person, but just let him do his own thing and stop comparing him to Michael.  I do wish him well in his career. Thank you. Now continuing on with the thread…………..Cutie Pie. ♥

Check out Justin Bieber in his third video teaser for Boyfriend below.

First Teaser From ‘Boyfriend’

Second Teaser From ‘Boyfriend’

http://blog.muchmusic.com/justin-bieber-shows-love-for-michael-jackson-in-boyfriend-video/

Weird Al Sues Sony Music

Published April 1, 2012 by MJ WAS A CUTIE PIE

Source: The Tennessean – By Anita Wadhwani

Yankovic is seeking $5 million in unpaid royalties

“Weird Al” Yankovic, the frizzy-haired parody singer best known for his 1980s musical send-offs of stars such as Michael Jackson and Milli Vanilli, filed suit  against Sony Music Entertainment, claiming the record label has deliberately underpaid him more than $5 million.

Filed today in federal court in New York, Yankovic’s suit is the latest in a growing list of looming court battles between artists and the nation’s major record labels over accounting and payment practices for music sold and streamed online.

Since December, country singer Kenny Rogers, rocker Peter Frampton, members of the ‘80s rock band Toto and an heir to the drummer for the ‘70s rock band The Knack – known for the hit “My Sharona” – have all filed suit on similar grounds – claiming

that record labels have kept the lion’s share of digital music sales instead of fairly dividing them with the artists.

The artists are all represented by Nashville attorney Richard Busch, partner with King & Ballow. Busch claims that record labels have systematically and deliberately underpayed his artist clients of their fair share of royalties for music sold online.

Producers for rapper Eminem, whom Busch also represents, successfully sued Universal Music Group last year on similar grounds. That case returns to a Los Angeles courtroom on April 24 to determine how much in retroactive royalties will be paid to Eminem and his producers. The potential award is estimated in the millions of dollars.

Yankovic’s breach of contract claims more than $2 million in alleged underpayment from Sony for his music sold online through retailers such as iTunes and Amazon or downloaded as ringtones from cell phone companies since 2003. Yankovic’s records include hugely popular parodies of hit song’s such as “Eat It” – a riff on Michael Jackson’s “Beat It” and “Smells Like Nirvana,” a parody of the grunge group’s “Smells Like Teen Spirit.” He has sold more than 12 million records.

But Yankovic’s suit opens new territory in the disputes between artists and record labels over how to share in payments owed on revenues derived from new business models, particularly new kinds of online music sales.

Yankovic, whose real name is Alfred Matthew Yankovic, is also making the claim that he is entitled to a significant share of Sony’s profits from its deal with YouTube.

In exchange for an equity stake in Google-owned YouTube, Sony gave the video site legal access to Sony’s content. At the time of the deal, Weird Al’s “White and Nerdy” video and other content created by Yankovic were among the most popular videos on the site, the suit says. (Currently that video has had more than 69 million views). Yankovic claims, that because his videos made up a portion of Sony’s worth to YouTube, he is entitled to a share of the profits from the deal as well.

In addition to the underpayments from retailers like Amazon and iTunes, Yankovic’s lawsuit claims he is owed more than $2.5 million from that share of profits, plus smaller sums for legal awards, settlements, various overpayments, and underpayments from Sony as detailed in the suit.

“The question becomes what proportion of revenues should artists be receiving when record labels are making money off them in non-traditional ways,” Busch said. “There are numerous issues on the cutting edge that are similar and relate to revenues being received by the record labels, such as advertising, general advances, and lawsuit settlements, for example, that artists have a right to share in. I would expect claims like this, if not identical, to be made as the landscape evolves.”

A Sony official was not immediately available for comment.

Yankovic filed suit through his company Ear Booker Enterprises in the U.S. District Court for the Southern District of New York.

http://www.tennessean.com/article/20120330/BUSINESS/303300115/Wierd-Al-sues-Sony-Music


Rob Wiesenthal Named President, International of Sony/ATV Music Publishing

Published March 29, 2012 by MJ WAS A CUTIE PIE

Source: Retail Digital

NEW YORK, March 29, 2012 /PRNewswire/ — Sony/ATV Music Publishing announced today that Robert S. Wiesenthal has been named President, International. Mr. Wiesenthal will join the company in this newly formed role on June 27, 2012 and will be based in New York, reporting to Martin Bandier, Chairman & CEO of Sony/ATV Music Publishing. Sony/ATV Music Publishing is a joint venture between Sony Corporation and the Estate of Michael Jackson.

As President of International, Mr. Wiesenthal will be chiefly responsible for oversight of all territories worldwide excluding North America and the UK. He will work closely with the heads of the various territories to develop, promote and implement the strategic goals of the company.

Mr. Wiesenthal will also play a key role in the future integration of EMI Music Publishing’s international operations, which is subject to regulatory approval. As was announced in November 2011, an investor group that includes Sony Corporation of America, in conjunction with the Estate of Michael Jackson; Mubadala Development Company PJSC; Jynwel Capital Limited; the Blackstone Group’s GSO Capital Partners LP; and David Geffen signed an agreement to acquire EMI Music Publishing. Subject to regulatory approval, Sony/ATV Music Publishing will help oversee EMI Music Publishing. Mr. Wiesenthal played an instrumental role in the proposed acquisition by assembling the group of investors and helping to secure the necessary financing.

In addition, Mr. Wiesenthal will become part of Sony/ATV’s senior executive management team and will thus advise Mr. Bandier on new business initiatives, strategic partnerships and other potential opportunities to enhance Sony/ATV’s business operations.

“I am happy that Rob has accepted my invitation to join the Sony/ATV team at this important time,” said Martin Bandier, Chairman & CEO, Sony/ATV Music Publishing. “Rob’s job experiences have provided him with a distinct business perspective that I know will be helpful to us in his new role. As the music publishing industry continues to evolve to meet the demands of a digital world, Rob will assist Sony/ATV’s international businesses to meet these challenges head-on. I am excited to welcome him to the company and very much look forward to working with him for years to come.”

“With his insights into how to use content to make devices come alive and through numerous business initiatives across our operating divisions, Rob helped us as we moved from the analog to the digital world,” said Sir Howard Stringer, Chairman, CEO and President of Sony Corporation. “Rob’s business acumen has always played a crucial role in our corporate efforts to grow the various operating companies, most recently with the proposed acquisition of EMI Music Publishing by Sony and our partners. I am pleased he has agreed to join the successful team at Sony/ATV.”

For the past 12 years, Mr. Wiesenthal has held various positions at Sony, most recently as the Executive Vice President and Chief Financial Officer of Sony Corporation of America.

During his Sony career, Mr. Wiesenthal has overseen M&A activities, strategy and corporate development. In 2008, he led an effort to enable Sony to be the first company ever to transmit feature films directly to Internet-connected televisions outside conventional cable and satellite distributors.

In 2010, Mr. Wiesenthal helped create a joint venture bringing together the largest players in 3D to create the world’s first 24-hour 3D network. The network, 3NET, launched on DirecTV in 2011 as a partnership between Sony, Discovery Communications and IMAX. Today, 3NET has the largest collection of 3D television content in the world. The initiative leverages Sony’s combined strength in 3D capture, 3D televisions and 3D content.

Prior to joining Sony in 2000, Mr. Wiesenthal was Managing Director of Credit Suisse First Boston (or CSFB) where he headed its entertainment practice and digital media efforts. During this time, he was a strategic advisor to Sony Corporation of America.

ABOUT SONY/ATV MUSIC PUBLISHING
Sony/ATV Music Publishing was established in 1995 as a joint venture between Sony and trusts formed by Michael Jackson. Sony/ATV Music Publishing owns or administers over 750,000 copyrights by such artists as The Beatles, Brooks & Dunn, Leonard Cohen, Neil Diamond, Bob Dylan, Fall Out Boy, Lady Gaga, Kraftwerk, Jessie J, John Mayer, Joni Mitchell, Graham Nash, Willie Nelson, Roy Orbison, Linda Perry, Richie Sambora, Shakira, Taylor Swift, Wyclef Jean, Hank Williams and KT Tunstall, among others.

SOURCE Sony/ATV Music Publishing

http://www.retail-digital.com/press_releases/rob-wiesenthal-named-president-international-of-sonyatv-music-publishing

 

Mayor Performs Michael Jackson Song During City Event

Published March 29, 2012 by MJ WAS A CUTIE PIE

Source: Aliso Viejo Patch – By Julianna Crisalli

Evening with the Mayor attendees received dinner and show Wednesday. See video of the Mayor’s performance

Mayor Donald Garcia before his performance of Michael Jackson’s “Smooth Criminal” during the city’s annual Evening with the Mayor.Credit Julianna Crisalli

Mayor Donald Garcia made the 2012 Evening with the Mayor a bit different from past years.

City officials have created festive themes in the past, like the 2010 Aliso in Wonderland, this is the first to showcase a mayor performing a full dance routine.

Dressed in an all white Zoot Suit, Garcia along with instructors from the Impulse Dance Studio danced to Michael Jackson’s “Smooth Criminal” as the highlight of Wednesday’s event at the Conference Center.

Impulse dancers also performed a burlesque routine for the 40s Chicago themed evening.

“For all the people who have been to meet the mayor events over the years, in different cities—different right?” Garcia said.

Garcia said he only had three hours to learn and practice the routine.

“I’m just glad it’s over,” he said after the performance.

City Engineer John Whitman said the creativity of this event is one of things that makes Aliso Viejo unique.

“This town is amazing,” he said.

About 150 residents attended the event this year, which is sponsored by local businesses. Whitman said no city money was used to host this event—their sponsors donated all.

Check out Garcia’s performance in the video.

 

http://alisoviejo.patch.com/articles/mayor-performs-michael-jackson#c

What a cool Mayor! Cutie Pie♥

Lionel Richie Remembers Having Fun With The Jackson 5 On ‘Late Show With David Letterman’ (VIDEO)

Published March 28, 2012 by MJ WAS A CUTIE PIE

Source: Huffington Post

Lionel Richie Recalls Touring With Jackson 5 On ‘Late Show With David Letterman’

Lionel Richie hooked up with the other boys that would make up the initial lineup of The Commodores while in college in 1968. They realized they had something here, leading Richie to tell his parents that they had decided going to quit school and make music instead.

“We’re the black Beatles and we’re going to take over the world,” he recalled telling them on “Late Show” (Weeknights, 11:35 p.m. ET on CBS). He also recalled his father’s response, but said he couldn’t repeat it on national television. Needless to say, his father wasn’t supportive of the decision.

But then they started to get noticed as they toured around the country opening for The Jackson 5, and Richie recalled a different story his father started telling during interviews. “We’re now sitting there and my father’s doing an interview and he’s going, ‘You know, parents should stand behind their children,’” Richie told David Letterman.

Of the experience of touring with the Jacksons, Richie had nothing but fond memories. They were all young boys and men, so there was a lot of goofing around, pillow fights and basketball games. But the Jackson brothers didn’t always play fair, putting their smallest and youngest members up front because they knew Richie and his guys wouldn’t wail on the young ones as hard.

Watch “Late Show” every weeknight at 11:35 p.m. ET on CBS.

Click here to watch video: lionel-richie-remembers-jackson-5-late-show-video_n_1384453.html

Neverland Ranch Ferris Wheel Assembled In Birmingham (Slideshow, Video)

Published March 28, 2012 by MJ WAS A CUTIE PIE

Source: Birmingham News – Mark Almond

BIRMINGHAM, Alabama–Visitors to the Barber Motorsports Park this weekend can take a ride on a Ferris wheel once owned by the King of Pop.

Michael Jackson had the 70-foot-tall Ferris wheel custom-built in 2000 for his Neverland Ranch in southern California. In 2008, Archway Amusements bought the attraction. After being refurbished it has been seen at numerous state fairs and carnivals in the Midwest and South.

The Ferris wheel was assembled Tuesday in the fan zone at the Barber Motorsport Park. For a $5 donation to the Legacy For Good charitable foundation, race fans can take a ride on the wheel and get a high view of action on the race track.

There will be six races beginning Friday during the Honda Indy Grand Prix of Alabama presented by Legacy Race Weekend. The highlights will be Saturday’s Porsche 250 in the Grand-Am Rolex Series and Sunday’s Honda Indy Grand Prix of Alabama presented by Legacy featuring cars and drivers from the IZOD IndyCar series.

Click here to view video: bcpid619329486001?bctid=1533305678001&bckey=AQ~~,AAAAQBxUKuk~,O7BxoSOXb6WFLAfWuasVYL0JT6q8Hm3e

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http://blog.al.com/spotnews/2012/03/neverland_ranch_ferris_wheel_a.html

Michael Jackson’s Former Home For Sale

Published March 24, 2012 by MJ WAS A CUTIE PIE

Source: Zillow Blog

It was inevitable that the home where Michael Jackson met his untimely demise would eventually come up for sale. After all, it was listed previously without much success and now, once again, it has hit the Beverly Hills real estate market and is being listed for $23.9 million. Only this time, it carries a significant footnote in pop culture history as the place where the King of Pop died.

But even as images of Jackson’s chaotically messy bedroom from that fateful 2009 night linger, the reality now is that the multimillion-dollar mansion in the tony neighborhood of Beverly Hills has been cleaned up — destined for a new chapter with new owners.

The real question now, after so much drama (word is that Jackson’s mother ordered the queen-sized headboard to be removed from the auction), is how to market the home where the King of Pop died?

Given the headline-news-circumstances of Jackson’s death, and the stunning loss of an entertainment icon, marketing this property would be a Herculean task for any real estate broker. Unless, of course, the listing agent for the home where Jackson met his tragic end was a professional with a personal stake in not only maintaining the integrity of Jackson’s legacy, but representing the value of the home, too.

“I knew him and my wife [Kyle Richards] has been friends with Michael Jackson since she was 8-to-10 years old,” said Mauricio Umansky, the listing broker for the Holmby Hills mansion and co-founder of The Agency. “And I personally think there’s some great energy in the house and I see it as a major positive. I’m excited to be selling it.”

Umansky doesn’t dance around the subject of Jackson’s death in the home. He knows the pop-culture-changing bit of history will not only come up, but be a major storyline concerning the listing.

“It is what it is. There’s no need to hide it,” Umansky said. “Michael Jackson was an amazing human being — he changed music as we know it. Unfortunately, he passed away. It doesn’t take away from the house.”

Indeed, the grandeur is what drew Jackson to the 17,000-square foot French Chateau-style estate that was the creation of Hubert Guez, CEO of Hardy Designs, and his wife Roxanne Guez. In 2002, they hired L.A. designer Richard Landry to create a one-of-a-kind estate at 100 N. Carolwood Drive, Los Angeles, CA, which sits on over an acre in the prestigious Holmby Hills real estate market.

The 7-bedroom, 13-bathroom home is finished with high-end amenities such as a theater, wine cellar with tasting room, an elevator, 14 fireplaces, a spacious spa with gym and a large swimming pool. When construction was completed, it was designed to sell and priced at $38 million on the Beverly Hills real estate market. That’s when Jackson fell in love with the property.

“He loved the master bedroom and he loved the grounds,” said Umansky. “He was happy there.”

The home was leased for Jackson by concert promoter AEG Live from December 2008 up until his death in June 2009 for a reported $100,000 monthly rental. And it was here where Jackson was preparing for his comeback tour, “This is It” when he died of a drug overdose for which his personal physician, Conrad Murray, was later convicted of involuntary manslaughter.

The home was re-listed briefly in 2010 for $23.5 million, but the home has now been re-listed at a new price of $23.9 million. All contents relating to Jackson have been removed from the home, following the sale of most of Jackson’s personal items, furniture and collections during a December 2011 auction.

Umansky said he has no plans to stage the home.

“You have the chance to live in the same home that an icon lived in. If you look at Elizabeth Taylor’s home, it sold for more money because it was Elizabeth Taylor’s home,” explained Umansky. “It’s a beautiful home on a great piece of land.”

While curiosity about the property is bound to spike with news of its re-listing, there’s little chance that anyone except a pre-approved buyer will get a tour of the place. Set behind high walls, thick hedges and double gates, it’s not an easy place to spy on. And Umansky said he will be screening all potential buyers for financial qualifications.

This is standard-operating procedure for any high-end property. However, in the case of this $23.9 million property in heart of one of Los Angeles‘ most coveted neighborhoods, the fact that Michael Jackson’s final moments were spent here only further emphasizes the need for privacy — and the guiding hand of a close friend who knows how to sell a property that, for as long as it stands, will be part of the story of the King of Pop’s demise.

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http://www.zillow.com/blog/2012-03-21/home-where-michael-jackson-died-listed-for-sale-in-los-angeles/

 

Marlon Jackson Speech: Find Your Talent

Published March 17, 2012 by MJ WAS A CUTIE PIE

Source:  The News Star

Marlon Jackson, brother of Michael Jackson, arrives at the Emy-Lou Biedenharn Recital Hall on the campus of the University of Louisiana at Monroe for a speaking engagement on Friday, March 16, 2012. Margaret Croft/The News-Star

Marlon Jackson, multi-platinum recording artist and member of the world famous Jackson 5, spent most of Friday in Monroe spreading his message of how people can make a difference by making full use of their talents.

Jackson visited with community members, business leaders, high school students and pediatric patients during a visit.

Jackson landed in Monroe on Friday morning and made his first stop at the University of Louisiana at Monroe, where he gave a lecture on how talent can be used to improve the world.

“All of us are blessed with a gift,” Jackson told the energetic crowd at ULM’s Emy-Lou Biedenharn Recital Hall. “It’s up to us to find what that talent is and exercise it to its fullest.”

Jackson said the musical talents that he and his brothers share have enabled them to travel the world and make a difference in the lives of countless individuals across the globe.

“When we were little kids, we used to look out our bedroom window and wonder what were we going to be when we grew up,” he said. “Not once did we say ‘travel the world and entertain people and unite people as one through our music,’ but that’s what we did. That’s exactly what we did.”

Jackson said anyone can become successful if they work hard, and once they do, they should remember to give back and help promote peace in the world.

“To give money if you have it is one thing, but to give your time is a different story,” he said.

During a question and answer session, Jackson revealed that his brothers have been talking about possibly going back on tour, which sent the entire recital hall into excited applause.

When asked if he liked crawfish, he laughed and said, “Of course,” noting that his wife is from New Orleans.

T.J. Stevenson, pastor at St. James United Methodist Church on Adams Street, took the opportunity to present Jackson with some images Michael Jackson had drawn and signed for her while she was a flight attendant on one of his flights.

Stevenson, wearing a Michael Jackson T-shirt and sporting a phone with all Michael Jackson ringtones, said she wanted him to have the pictures so he could take them back to his family.

Following his visit to ULM, Jackson spent time at Carroll High School talking to students about respect, character and the importance of staying focused and grounded in order to become successful.

Mayor Jamie Mayo said Jackson was well-received by the students.

“He emphasized to them how they are all children of God and have been given gifts — both physical and mental — to succeed, and they need to take advantage of that,” he said.

Jackson also made a trip to the pediatric unit at St. Francis Medical Center, greeting kids and taking pictures with families, before stopping by CenturyLink.

Jackson will be in Monroe until Sunday and will spend time meeting with other local businesses. He also will be Mayo’s guest at a private campaign fundraiser Saturday night.

“It’s just an honor to have a member of the famed Jackson family here in Monroe for a couple of days to talk to our youth as well as visit some of our businesses,” Mayo said, adding that he hopes to discuss possible business opportunities that Jackson can help bring to Monroe “The most important thing for us is to introduce him to Monroe, Louisiana, give him our historic background and let him know what our strengths are and what we’re trying to build on and see what can come out of it.”

Click here for video excerpt: http://www.thenewsstar.com/article/20120317/NEWS01/203170316/-1/rss

New Version of Michael Jackson’s Last Days Coming from Kai Chase

Published March 10, 2012 by MJ WAS A CUTIE PIE

Source: Beck/Smith Hollywood – By Marilyn Beck and Stacy Jenel Smith

A new version of Michael Jackson’s last days will be coming to light by year’s end, with the release of Fit for a King, the first cookbook from celebrity chef Kai Chase.

We were chatting with Chase about the March 18 Drawing Hope International Gala Masquerade event in Beverly Hills, for which she is providing some of her trademark cultural fusion cuisine. (Tandoori Stuffed Chicken Breasts with Fruited Marsala Couscous, anyone?) However, the culinary master, who has cooked for luminaries including Mary J. Blige and President Obama, was also Jackson’s personal chef, and as soon as his name comes up, the conversation shifts. Chase makes it clear his impact on her life was profound.

She tells us, “When you read the book, you’ll see how things were different” as far as the portrayal of Jackson’s world. “I was feeding him and his children. He was going to rehearsals and the recording studio. He was energized, looking good, feeling good. I want to talk about the fun times — the practical jokes played on me in the house, me and the kids planting gardens. I was seeing him every day and working with him every day. He talked to me about a lot of things, as a boss and as a friend — how to move on with your career, write books, this and that.” However, “I was let go at a certain point,” recalls Chase. She was back at the mansion the day Jackson died.

Since then, her list of celebrity clients has grown, and “a lot of things are really coming to the forefront right now,” notes the beautiful chef, who listens to Jackson’s “Keep the Faith” song because “it keeps me inspired and motivated for greatness. The blessings keep pouring down. Sometimes I think he has something to do with that, and imagine him and God high-fiving.”

Chase is also offering an at-home cooking lesson to be auctioned off at the fund-raiser for Drawing Hope, which helps survivors of rape and sexual abuse in some 150 countries. Celebs excpected to be on hand for the event range from Garrett Morris to Kyle Massey to honoree AnnaLynne McCord of “90210.”

http://becksmithhollywood.com/?tag=kai-chase

UP AND DOWN THE LADDER OF LIFE WITH DONNY OSMOND

Published February 29, 2012 by MJ WAS A CUTIE PIE

Source: Life After 50 – By Sandi Berg

The perennial entertainer shares his thoughts on Michael Jackson, Marie, maturing and much more

“I once heard something I absolutely love,” says Donny Osmond. “That throughout our lives, we climb a ladder of success – trying as hard as we can get to the top of the ladder. But getting to the top is only one thing. The more important thing is that we have made sure, all along, that the ladder we’ve been climbing has been leaning against the right wall.”

Osmond, of course, made it to the top rung of the ladder of success – before he was even out of his teens – and yet, his climb has been one of moving up, falling back, and then starting back up again. Having begun that climb in the mid-1960s by appearing on “The Andy Williams Show” with his four elder brothers, the early-1970s saw Donny become the lead singer of The Osmond Brothers and ultimately go solo, charting with covers of classic hits such as “Go Away Little Girl” and “Puppy Love.”

By the mid-1970s, Osmond began regularly appearing with his younger sister, Marie. Hugely popular as a duo, ABC offered Donny and Marie a variety show that aired from 1976 to 1979. The siblings also teamed up again from 1998 to 2000 to co-host a syndicated television talk show and have been regular Las Vegas headliners since 2008.

Between his meteoric rise in the 1970s to a re-launch of his career in the 1990s, Osmond lost his footing on the ladder of success during the 1980s. Shunned by fans for not moving forward with his style and musical offerings, Alice Copper had taken a swipe at his clean-cut-goody-two-shoes image in his protest song, “The Department of Youth,” and his longtime friend and peer, Michael Jackson, made the suggestion that he should reinvent himself and perhaps even change his name.

While he never changed his name, Osmond, who has sold over 80 million records and has earned 33 gold records, did slightly roughen up his image a bit and, in 1989, charted with two big-selling recordings, including, “Soldier of Love,” that was initially credited to a “mystery artist” by some radio stations.

On the personal side, Osmond married Debra Glenn in 1978, and, today, are the parents of five sons and three grandchildren (plus another on the way). Professionally, he is still going strong as a regular presence at The Flamingo Hotel on the Vegas strip and a 2009 returned to primetime television as a contestant, and ultimately, the oldest winner, on the ninth season of “Dancing with the Stars.”

“Life After 50” recently caught up with Osmond, who will turn 55 this year. Candid and quick with a laugh, he did just that when asked what he feels is the biggest misconception people have about him.

Donny: A lot of people think I’m older than I am until they meet me. When they do, they ask if I’m the real Donny Osmond. This is not a lie. It just happened to me the other day. I flew into Detroit to do a show and when I got into the cab the driver asked what I was doing in town. I told him I was doing a show and he said: ‘Oh, are you in show business?’ So obviously he didn’t know who I was. I said, ‘Yes – ‘The Donny and Marie Show,’ and he said: ‘Oh yeah, I heard that’s in town. What do you do in the show?’ When I told him I was Donny, he said something I will never forget – which was a backhanded compliment. He asked me if I replaced the original Donny, because – ‘He’s got to be what – 90 years old by now?’ Well hey, when you’ve worked with John Wayne, Lucille Ball, Bob Hope and Groucho Marx, people do think you’ve got to be 90. The thing they forget is that I was in my early teens when I worked with them.

Life After 50 (LA50): What are your memories of working with Lucille Ball?

Donny: Lucy was the consummate professional. We did a lot of pre-recording for certain things on the “Donny & Marie Show.” The recording studio was in the basement of our home. So Lucy came to our house to do the recording and our engineer didn’t show up. Well, I know how to run the console and I know how to run the tape machine, so I told Lucy I’d be the engineer and producer. So there I was – 16 or 17 years old with Lucille Ball on the other side of the glass at the microphone – and she was not a singer by any stretch of the imagination. She was really trying. And when I look back on this, I have to laugh, because I would say: ‘Lucy that was terrible, one more time; you’re flat.’ Here was this punk kid telling Lucille Ball what to do. But – and here’s the best part of the story – she took my direction! She was that much of a professional. She recognized the fact that I was one of the stars of the show, but at that moment I was her engineer and producer, and she took my advice. That’s how much of a professional she was.

LA50: You and Michael Jackson came upon the American music scene at the same time. You were both the front person of a brothers group. What are your thoughts about him?

Donny: We were considered contemporaries when we were in our teens. But then he totally left me in the dust and went on to superstardom. There was a point in time when he and I were neck-and-neck. We were always looking over the fence at one another – ‘What’s Mike doing?’ ‘What’s Donnie doing?’ It’s funny, because the comparisons are amazing. “One Bad Apple,” our first number-one record, was written for The Jackson Five. Mike once told me they had passed on that song because they pretty much had their album done with “I Want You Back” and “ABC.” So we got that song, and I think it was three or four months later, we had the number-one hit with it. I remember one time, years later, I said to him: ‘Okay Mike, I’ve got a story for you about your song “Ben.” I told him that it had been written for me. He said: ‘Get out of here.’ And I told him how I had met the writer years later who told me he had written “Ben” for me, but we were out on tour and had to finish a movie so he said: ‘Let’s just get Michael to sing it.’ It became Michael’s number-one solo record. He sang about a rat and I sang about a puppy. We would get together and would laugh our heads off at the comparisons of our families. He would always ask me about my mom, my brothers and how they were doing. Mike and I were both the seventh of nine children. He was the lead singer of The Jackson Five and I was the lead singer of The Osmonds. Our mothers’ birthdays were the same day. His mom played clarinet, my mom played saxophone – it just goes on and on and on.

LA50: Were you and Michael close friends?

Donny: We kind of protected our relationship and I did especially during the last couple of years with all that’s happened. Today, everybody’s gotten on the bandwagon with their stories. But now that Mike is gone and Dr. Conrad Murray has been convicted and the headlines are over, I feel a bit better about coming out and telling some stories – like the last time we talked. He had called me – this is probably a year or more before his passing – and when I asked him where he was calling me from, he said he couldn’t tell me. I said: ‘Come on, you’re talking to me here, we’re buddies. Where are you?’ He asked me to promise not to tell anyone where he was and then told me he had rented a big motor home and, with his kids, had driven to Phoenix and was in hiding. I asked him who he was hiding from and he said, ‘Well, things are hitting the fan and there’s so much pressure.’ I asked him if he would do me a favor – to get in his bus and drive up to Utah where he and his kids could stay with me. Nobody would know, and they could have a little normalcy in their life. He said he was going to take me up on it, but he never did.

LA50: How hard was it for you growing up in the limelight?

Donny: I don’t know any other light. I don’t have anything to compare it to. I was out on the road by the time I was seven years old. When I was 12, I remember this moment when I asked myself: ‘Is this really what I want to do for the rest of my life?’ I made the commitment right then and, had I not made that commitment to myself – that this is what I wanted to do for the rest of my life, I’d have gotten out of the business right then.

LA50: What was that life like for a kid?

Donny: The best part was that as brothers from a close family, we could rely on each other. It’s not easy on the road. A lot of people think that show business is glamorous, but it’s not. It just has its glamorous moments. So it was nice to be a member of a family band. I think probably the worst part about it was that we really never got to live a normal life. A lot of my schooling was done through the mail, so I didn’t have the opportunity to have peers or buddies to kick around with. I was always in the studio, always touring, always recording. That was the downside. But overall, the ups always outweighed the downs.

LA50: You and Debbie have been married for 34 years now. How have you been able to balance your demanding career while maintaining a successful marriage?

Donny: That’s the million-dollar question, isn’t it? Debbie and I have had so many conversations about this. She realizes I’m married to two women – her and show business. It is such a demanding business. You can’t punch in at 9 a.m. and punch out at 5:30 p.m. You’ve got to constantly come up with ideas and then execute those ideas. But the key to everything is balance. You cannot disregard your children. I’ve seen so many people who have disregarded their family thinking that they would always be there. Well, they’re not always going to be there. I’ve missed out on a lot of things because of the nature of my traveling and work. But I do get home as much as I possibly can, because that’s where reality is. That’s where my foundation is and I don’t want to lose that. I’ve turned down some wonderful opportunities for the sake of just being home for a while.

LA50: You have said you consider yourself to be extremely romantic. Anything special planned for Valentine’s Day?

Donny: It won’t be a surprise if Debbie reads it in here before Valentine’s Day, but I’m going to surprise her and fly her to Cabo. We’re going to have a little romantic weekend there. I’m doing Las Vegas now, and Sundays and Mondays are my two days off. So Saturday night, after the show, we’ll take the first flight to Cabo.

LA50: Let’s talk about “Dancing with the Stars.” You and your partner, Kym Johnson, won the coveted Mirror Ball trophy. What was that experience like?

Donny: It was the hardest thing I’ve ever done in my life. This is not a wimpy little dance show. It was a really difficult thing for me. I was doing it while also doing Las Vegas every night. How I did it? I just don’t know where I got the energy.

LA50: You do get quite a workout when you perform every night. Is there anything else you do to keep in shape?

Donny: I go to the gym, but I don’t do that much cardio. I concentrate on keeping my muscles from atrophying. I do light weight training. I don’t want to be a body builder, so I don’t use heavy weights – your body just can’t do that when you get over 50.

LA50: Any philosophies on the subject of aging?

Donny: It’s just a number. Barring any diseases or unforeseen problems, I think a lot of people make themselves sick thinking about it. I know that some older people tend to withdraw from society. I think you should stay involved. Have friends, do not isolate yourself. The only way to do that is to get out there and keep your circle of friends – find new friends – and always keep re-inventing yourself.

LA50: Do you ever think about retiring?

Donny: I don’t think I ever will. I really like this business. As long as I balance it out –make sure I don’t neglect my wife, my children, my grandkids – I don’t see myself retiring. A lot of people look at that ‘R’ word as their only alternative, because they’re getting old. I am in total disagreement with that philosophy. You can do anything you want to do as long as you stay in shape, and I’m not just talking physically, but mentally. You have to keep challenging yourself. Always be on the lookout for another task to take on and conquer. It might take you a little longer than when you were 20, but just do it. You have got to do all you can to stay physically agile and mentally alert, and the only way to do that is to keep fighting and working hard. Yes, it’s a challenge, but it’s worth it in the end.

LA50: You come from a large family and you have one yourself. What are some of the family values you have instilled in your children?

Donny: I think the first thing that comes to my mind is a firm belief of God and tolerance – to love everybody. I’m a Christian. I follow the life of Jesus Christ. Being non-judgmental is the main principle that I try to instill in my children. I believe that whether someone is Jewish, Catholic, Protestant, gay, straight, Muslim, whatever – love them! Love thy neighbor. One of the most important principles you can teach a child is to be tolerant, loving, and kind towards everybody.

LA50: Baby boomers grew up with you and your sister as a part of their lives. Can you share with us how Marie is doing?

Donny: She’s had a tough life. She’s hit a few big bumps in her life, but she’s always been able to get over them. Still, sometimes I wonder how she has gotten over some of the atrocities that have taken place in her life. I can only think it has been the principles and the foundation that our parents taught both of us about God that has seen her through. Faith and hope is a part of our belief system. Without faith and hope, you’ve got nothing. You might as well just pack it in.

LA50: In your autobiography, “Life is Just What You Make It” (Hyperion, 2000), you reveal that you suffered from an anxiety disorder. How did you deal with that in your career and life?

Donny: It was probably one of the most difficult things I’ve ever had to deal with. It was utter hell. I sought professional help. I had to take medication. It got to the point where I couldn’t go on stage. Try going on stage in front of a couple thousand people feeling like you’re going to die. That’s how bad it got for me. I still get those pangs every once in a while, but now I know how to deal with it. I know I’m not going to die. I didn’t conquer it – I embraced it. I learned that if you try and fight it, it’ll fight you back even harder.

LA50: You seem to have done it all from a career standpoint. Are there still more rungs of the ladder you hope to climb?

Donny: I’m currently working on my 60th album. I’ve got a television show in the works with CBS and some solo touring coming up this summer. I’m also designing a new home. What else? I’d like to go back to Broadway. There are some parts being offered to me right now that I may be looking at doing over the next three or four years. I don’t know how much longer Vegas is going to last. Even though they want Marie and me to stay on, I’m really looking for another mountain to climb. I really don’t know what the next thing will be for me because things have a way of changing on a dime nowadays. But I always think of something my mom used to say: ‘Prepare yourself and the opportunity will come.’

Sandi Berg has worked in both film and television and is a regular contributor to “Life After 50” and a frequent contributor to “Written By,” the Writers Guild of America magazine.

http://www.lifeafter50.com/news/2012/feb/03/and-down-ladder-life-donny-osmond/

 

Siedah Garrett And Sergio Mendes Up For Oscar Nomination For Song “Real In Rio” From “Rio” Movie (Updated)

Published February 26, 2012 by MJ WAS A CUTIE PIE

Source: ABC News – By Dustin Fitzharris

Songwriter Siedah Garrett hopes to take home Oscar for her song. (Courtesy In the Mirror Productions)

When the 84th Academy Award nominations were announced in January, one category was noticeably sparse: Best Original Song. For the first time since the category was introduced 76 years ago, only two songs, “Man or Muppet” from “The Muppets,” and “Real in Rio” from “Rio,” are up for the award.

The reason for the lack of nominees is the rating system the Academy has in place. First, no more than five songs can be nominated and the song has to play an integral role in the film. Then the 236 members of the Academy’s music branch score submissions on a half-point scale from 6 to 10 and only those with a rating of 8.25 or above will be considered.

One woman who isn’t complaining about the lack of nominees is Siedah Garrett, the lyricist for “Real in Rio,” who is best known for co-writing Michael Jackson’s “Man in the Mirror” and dueting with the legend on his number-one hit, “I Just Can’t Stop Loving You.”

This isn’t Garrett’s first opportunity to take Oscar home. In 2006, her Grammy Award-winning song “Love You I Do” from “Dreamgirls” was nominated, but lost to “I Need to Wake Up” by Melissa Etheridge.

Although Garrett said she is “ecstatic” that she has a 50 percent chance of winning this year, neither she nor Sergio Mendes, co-composer of “Real in Rio,” were happy when they learned they would not have the opportunity to sing the song at the ceremony after it was decided the nominated songs would not be performed.

“I’m so bummed I can’t even tell you. I was so looking forward to performing our song with Sergio on that night,” Garret said. “Then when they told us it wasn’t going to happen, it was like wa,wa, wa, wa.”

Garrett got involved in “Rio” toward the end. Mendes and musician Carlinhos Brown had already been working on the soundtrack for close to a year.

Initially, they were writing songs in Portuguese, but then it was determined they would go in another direction. Garrett was tasked with writing English lyrics that sounded like the Portuguese ones that had already been written and recorded. With just days to complete the assignment, Garrett came through.

Life for the 51-year-old Los Angeles native has come a long way since she worked at an insurance company. She’s had her share of opportunities that have led her to where she is today. She said her first break came while washing her car in her driveway. She had the radio on and heard the DJ say that callers could call in and talk with Sergio Mendes. Garrett ran to the phone.

“To this day I do not know why I asked this question. I asked, ‘Sergio, are you looking for any singers?’” Garrett recalled.

Mendes informed her he was. She met with him at his home and played him a few of her recordings. The next thing she knew, Mendes’ wife handed her a cassette with three songs in Portuguese and told her she had five days to learn them. She did and was asked to go on tour with the Brazilian musician.

Perhaps her biggest break was being chosen by Quincy Jones in 1984 to join a group he was forming called Deco. More than 800 hopefuls auditioned, but it was Garrett and three male vocalists who won his attention. Their first project was working on the soundtrack for “Fast Forward,” a film directed by Sidney Poitier.

Although the film was a flop, Garrett wrote and sang “Do You Want It Right Now,” which hit number three on Billboard’s dance chart.

Through working with Jones, who had worked on Michael Jackson’s first two solo albums, Garrett was in the right position to cross paths with the King of Pop. When she heard he was working on a follow-up to “Thriller,” she began writing some lyrics around a phrase she once overheard someone saying on the phone: Man in the mirror.

After Jones played the demo of “Man in the Mirror” with Garrett’s vocals for Jackson, he not only loved the song, he loved her voice so much he passed on other notable singers who were being considered to duet with him on “I Just Can’t Stop Loving You” and chose her.

Both “I Just Can’t Stop Loving You” and “Man in the Mirror” became number one hits and changed Garrett’s life.

Garrett is currently recording a new album titled “The Answer’s Always Love,” which will be released in May through ArtistShare, a fan-funded model that allows fans to finance new projects. The album will contain a tribute song to Jackson called “Keep on Loving You.”

Even though Garrett has had a successful career, she said she wishes she had received more recognition as a singer; something she had always dreamed of.

“I was going to be Beyoncé before Beyoncé,” Garrett said. “As a black female, every record label I’ve ever been on wanted to throw me in the R&B category because I’m black. I’m a pop singer and a pop songwriter. I think that was my problem as an artist. I couldn’t be pigeon-holed. They didn’t know what to do with me.”

That’s why Garrett turned to songwriting.

“You can’t keep going to the same trap when there is no cheese in it,” she said.

Garrett doesn’t hold on to what could’ve been. She knows the power she’s had as a songwriter. A woman once told her that “Man in the Mirror” saved her life. The woman said that after contemplating suicide, she reconsidered after listening to the song over and over.

“Baby, as a songwriter, that is the highest compliment,” Garrett said. “That is the reason I write songs — to change lives.”

http://abcnews.go.com/blogs/entertainment/2012/02/siedah-garrett-songwriter-gets-real-about-the-oscars/

 

Administrator’s Note:  I hope you win Siedah!  You deserve it girl! Much love. ♥

Update: Man or Muppet took the Oscar for original song.

Chris Brown’s Directorial Debut ‘Turn Up The Music’ Video Released on the Web (Video)

Published February 19, 2012 by MJ WAS A CUTIE PIE

The Grammy-award winner’s fifth album, “Fortune,” is set for a March 16 release.

Source: Hollywood Reporter

It’s been a busy week for Chris Brown, who can now add both director and Grammy Award-winner to his resume.

Brown has dropped the video for “Turn Up The Music,” the second single from his forthcoming album Fortune. Brown co-directed the video with Godfrey Tabarez. He also performed the song at Sunday’s Grammys, where he won the award for Best R&B Album for last year’s F.A.M.E.

The video showcases Brown’s love of all things Michael Jackson. Nods to the King of Pop include dance moves à la “Bad,” some “Thriller”-esque animal masks, and a hat the “Smooth Criminal”-era Jackson would have been proud to wear.

Fortune is to be released March 16.

http://www.hollywoodreporter.com/earshot/chris-brown-video-turn-up-music-292617

Michael Jackson Guitarist Performs Solo Show

Published February 17, 2012 by MJ WAS A CUTIE PIE

Source: Las Vegas Weekly – Spencer Patterson

Photo: Maryanne Bilham

Jennifer Batten spent a decade in Michael Jackson’s touring band before filling a similar role on the road for Jeff Beck. Last year, she signed on for a stint in Zumanity, and one night after her final performance with that Cirque production, she’ll stage a solo show at Family Music Center on February 21.

When you think back on your years with Michael, what comes to mind first? The hard work was at rehearsals. On the Bad tour, we spent a solid month in the band room, and then the second month with Michael in an arena. He would look at video tapes every night, and then any changes that he wanted would come back to us before he arrived the next day.

The Details

Jennifer Batten

February 21, 7 p.m., $15 (kids under 12 free)
Family Music Center, 8125 W. Sahara Ave., 360-4080

Once we were on the road, it was just fun. His tours were at a whole other financial level, to the point where we only played two or three days a week. We had the rest of the time off to hang out at the Colosseum and the Forum in Rome, for instance.

And you would play, for example, the Eddie Van Halen solo from “Beat It?” Absolutely. It was kind of night-and-day different from the Jeff Beck gig. Because with Michael everybody knew every nuance of every song, so he wanted us to copy as close as possible the sounds that people were used to hearing. And Jeff wanted things to be different every night.

What was it like being a guitar player collaborating with Jeff Beck? It was pretty heavenly, because he’s been my No. 1 guitar guy since I was a teenager. And he basically just wanted to have fun. He was not a taskmaster by any stretch. He would call the tunes he wanted to do and we would rehearse and brainstorm to make things as cool as we could get ’em before we hit the road. It was a gas. He’s got a really great sense of humor, and it was basically a party after every show.

How did you get involved with Cirque? I’ve been a fan of Cirque for years and years, and then I heard they were doing a Michael Jackson tribute so I signed up to possibly get on that. And then Melle Vasquez, who has been doing guitar for Zumanity since it began, went out on pregnancy leave, so I ended up subbing for her.

What’s it like being a guitar player for a Cirque show? People expect a certain kind of music, but they don’t come for the music; they come for the acts. And I was well aware of that. I was actually a bit terrified, because I’ve never done any theater at all. Having somebody count 4, 5, 6 in my ear was very new. But I worked my butt off to memorize the tunes. In fact, for about two weeks, I was onstage with Melle playing air guitar—playing along but not plugged in, so I could get used to the feel of the whole thing.

Are you still hoping to play in Cirque’s Michael Jackson show? I won’t say no, but something else has come up in the meantime: a Michael Jackson tribute of my own with some friends. After seeing the Cirque show, it’s got a lot of fantastic effects, but ultimately I didn’t leave with the feeling that I had been to a Jackson show. What we’re gonna do is gonna be a lot closer to a real show, and the Michael guy that we have is pretty amazing. He’s got the moves and he looks closer to Michael than anybody I’ve seen. I’ve been approached by dozens of tributes since he passed away, and after seeing their videos, I ran the other way.

The guitar world seems so male-dominated. Does that surprise you? Honestly, I thought there would be a hell of a lot more women playing guitar by now—not strumming, but really learning the instrument. Back in 1987 I was saying, “You just wait, there’s gonna be a big change,” and it didn’t really happen. But now it’s starting to happen. I keep hearing about female players all the time. It’s still male-dominated, and might always be, but at least we’re starting to make a dent.

What can people expect from your solo show Tuesday night? It’s mostly original music—I have three CDs out, and it’s almost all instrumental music, though I do have some vocal sample kind of stuff. I make films for all of them, so it’s kind of a 3D experience. And I made it all-ages, because even younger kids can look at the films and enjoy that. And I do a few covers, including a Michael Jackson medley.

http://www.lasvegasweekly.com/news/2012/feb/15/michael-jackson-guitarist-performs-solo-show/

Gaithersburg MD Woman Seeks Success On ‘The Voice’

Published February 16, 2012 by MJ WAS A CUTIE PIE

Source: WTOP – By John Aaron

WASHINGTON – A singer from Gaithersburg is getting plenty of attention after bursting onto the scene in the reality competition show “The Voice.”

Erin Willett admits she was more than a little nervous before performing the Jackson 5′s “I Want You Back,” but took a deep breath, and brought the crowd to life. Her booming rendition was enough to get country star Blake Shelton to pick her to move onto the next round.

Willett is a lifelong singer, but the recent college grad had only been playing in clubs in New York for a couple of months when her friends convinced her to audition for the show. She says she was “literally just along for the ride,” and nearly missed the tryouts because of work.

Making her story even more impressive, she moved back to Gaithersburg to be with her family after her father’s death. Even though he wasn’t able to watch the show on Monday, he was able to attend the show’s taping in person while he was battling cancer. Seeing her father’s reaction on TV for the first time on Monday made Willett “want to push so much more” in her music career.

Meanwhile, she’s still adjusting to her newfound fame.

“I’ve had a lot of people reach out to be on Twitter, email, Facebook, who are from the area,” she said, although no one’s come up to her in public. While she’s fine with remaining anonymous, she knows it will be exciting when she gets asked for a picture for the first time.

“I’m definitely going to be like ‘Ah! It’s Happening!’”

The chances of “it” happening will go up significantly if she sticks around on the show, which we’ll find out about over the next few weeks. She stays in communication with Shelton via email, and says that, no matter where she ends up as a contestant, a career in the music business is in her future.

Take a listen to Erin Willett:

http://www.wtop.com/?nid=52&sid=2749876

Administrator’s Note:  Erin does not live that far from me!  I like her.  She did the song her way, showing originality.  I hope she goes far.   I also sorry about the lost of her father as well.  I am glad he got to see her on the show.  I know he’s with her in spirit. Much love. ♥

Houston Shines In Last Role For Movie ‘Sparkle’

Published February 16, 2012 by MJ WAS A CUTIE PIE

Source: The Charleston Gazette

AP Photo – Whitney Houston finishes up a song at the American Music Awards in 2009.

LOS ANGELES — For Bishop T.D. Jakes, watching Whitney Houston sing a classic gospel hymn two months ago made him sure the long-struggling singer was poised for a comeback.

Instead, her soulful rendition of “His Eye is on the Sparrow” will be the last chance for audiences to see Houston perform new music. Her performance was filmed for a scene in the upcoming movie “Sparkle,” in which Houston stars as the mother of a family of girls who form a singing group and struggle with fame and addiction.

Houston’s death on Saturday in the bathroom of her room at the Beverly Hilton Hotel thwarted any chance for the singer to rebound from years of damage to her voice and reputation caused by drug abuse and erratic behavior.

The footage of Houston singing is nowhere near as voluminous as the rehearsal videos left behind by Michael Jackson that were crafted into the film “This Is It.” Yet “Sparkle” represents a similar opportunity for audiences — the chance to see a once-gifted but since-tarnished artist perform one last time.

Jackson’s film, released four months after his death, earned more than $250 million worldwide; the success of “Sparkle,” scheduled for release on Aug. 17, remains to be seen. However, Jakes predicts that audiences will be moved by Houston’s singing of the “Sparrow” gospel classic and another song recorded for the film.

“She delivered it with such conviction that it was a very touching moment in the filming of the movie,” recalled Jakes, a Texas minister and South Charleston, W.Va., native who helped produce the film. “She just left such a deep impression on everybody.”

Houston’s performance, filmed in Detroit, brought tears to the eyes of those on the “Sparkle” set, Jakes said.

The film’s executive producer, Howard Rosenman, said the film will show audiences a “Whitney that people have never seen, Whitney that people have never heard.”

By the time of her death, Houston was far removed from her defining film role in 1992′s “The Bodyguard.” That film, written by Morgantown High graduate Lawrence Kasdan, not only became a blockbuster, but also broke down cultural barriers and produced an award-winning soundtrack anchored by the singer’s vocals.

Posthumous releases are nothing new to modern audiences, who watched Heath Ledger’s Oscar-winning turn as the Joker in “The Dark Knight” in summer 2008, months after his accidental overdose death. A day after Houston’s death, Amy Winehouse’s parents accepted a Grammy Award for her duet with Tony Bennett, “Body and Soul,” which appeared on the crooner’s best-selling album “Duets II.”

Winehouse died of alcohol poisoning on 23 July 2011.

The cache of rehearsal footage for his comeback concerts that Jackson left behind when he died in June 2009 helped his estate dig out of debt and showed the world the first images of Jackson performing that it had seen in years. Concert promoter AEG Live released 30-seconds of footage a week after the singer’s death and the hundreds of hours of video were crafted into “This Is It,” which not only demonstrated the King of Pop’s showmanship, but also aided prosecutors who secured an involuntary manslaughter conviction against the singer’s personal physician.

For Bishop T.D. Jakes, watching Whitney Houston sing a classic gospel hymn two months ago made him sure the long-struggling singer was poised for a comeback.Instead, her soulful rendition of “His Eye is on the Sparrow” will be the last chance for audiences to see Houston perform new music. Her performance was filmed for a scene in the upcoming movie “Sparkle,” in which Houston stars as the mother of a family of girls who form a singing group and struggle with fame and addiction.

Houston’s death on Saturday in the bathroom of her room at the Beverly Hilton Hotel thwarted any chance for the singer to rebound from years of damage to her voice and reputation caused by drug abuse and erratic behavior.

The footage of Houston singing is nowhere near as voluminous as the rehearsal videos left behind by Michael Jackson that were crafted into the film “This Is It.” Yet “Sparkle” represents a similar opportunity for audiences — the chance to see a once-gifted but since-tarnished artist perform one last time.

Jackson’s film, released four months after his death, earned more than $250 million worldwide; the success of “Sparkle,” scheduled for release on Aug. 17, remains to be seen. However, Jakes predicts that audiences will be moved by Houston’s singing of the “Sparrow” gospel classic and another song recorded for the film.

“She delivered it with such conviction that it was a very touching moment in the filming of the movie,” recalled Jakes, a Texas minister and South Charleston, W.Va., native who helped produce the film. “She just left such a deep impression on everybody.”

Houston’s performance, filmed in Detroit, brought tears to the eyes of those on the “Sparkle” set, Jakes said.

The film’s executive producer, Howard Rosenman, said the film will show audiences a “Whitney that people have never seen, Whitney that people have never heard.”

By the time of her death, Houston was far removed from her defining film role in 1992′s “The Bodyguard.” That film, written by Morgantown High graduate Lawrence Kasdan, not only became a blockbuster, but also broke down cultural barriers and produced an award-winning soundtrack anchored by the singer’s vocals.

Posthumous releases are nothing new to modern audiences, who watched Heath Ledger’s Oscar-winning turn as the Joker in “The Dark Knight” in summer 2008, months after his accidental overdose death. A day after Houston’s death, Amy Winehouse’s parents accepted a Grammy Award for her duet with Tony Bennett, “Body and Soul,” which appeared on the crooner’s best-selling album “Duets II.”

Winehouse died of alcohol poisoning on 23 July 2011.

The cache of rehearsal footage for his comeback concerts that Jackson left behind when he died in June 2009 helped his estate dig out of debt and showed the world the first images of Jackson performing that it had seen in years. Concert promoter AEG Live released 30-seconds of footage a week after the singer’s death and the hundreds of hours of video were crafted into “This Is It,” which not only demonstrated the King of Pop’s showmanship, but also aided prosecutors who secured an involuntary manslaughter conviction against the singer’s personal physician.

Clips from the film were played for jurors during last year’s trial of Dr. Conrad Murray, and even a defense attorney had to admit after watching unreleased footage that it didn’t show the singer was impaired as Murray’s team had hoped it would.

Sony Pictures Entertainment, which will distribute “Sparkle,” declined to comment for this story or say whether it planned to release any footage of Houston’s singing before the film’s release.

The movie is a remake of a 1976 film written by Joel Schumaker and Rosenman, who said it became a cult favorite in the black community because of its complex characters during an era when so-called “blaxploitation” films focused on caricatures. The upcoming version co-stars Jordin Sparks, who rose to fame while competing on “American Idol.”

Sparks has not commented on Houston’s death or her work with the singer on the film.

Jakes said Houston’s role in the film mirrors her own life and struggles. Houston was professional and courteous during filming, he said.

“I think the coming production will, in many ways, memorialize the depth of who she is,” Jakes said.

By the time the film and soundtrack are released, some of the questions surrounding Houston’s demise should be answered. Although investigators found some prescription medications in Houston’s hotel room, officials are awaiting the results of toxicology tests before determining her cause of death.

Jakes said that, although he wasn’t on set every day, he never saw Houston act unprofessionally.

“I certainly got the feeling she was trying to reposition her life and move forward with more focus and commitment to her faith,” he said.

Although famous for her love songs, Houston began singing in church in New Jersey, where her mother, Grammy-winning gospel singer Cissy Houston, led a choir for many years.

Whitney Houston apparently felt comfortable returning to those roots in recent months. In addition to her work in “Sparkle,” she sang “Yes, Jesus Loves Me” for an audience in Hollywood two days before her death. It was her final performance.

Clips from the film were played for jurors during last year’s trial of Dr. Conrad Murray, and even a defense attorney had to admit after watching unreleased footage that it didn’t show the singer was impaired as Murray’s team had hoped it would.

Sony Pictures Entertainment, which will distribute “Sparkle,” declined to comment for this story or say whether it planned to release any footage of Houston’s singing before the film’s release.

The movie is a remake of a 1976 film written by Joel Schumaker and Rosenman, who said it became a cult favorite in the black community because of its complex characters during an era when so-called “blaxploitation” films focused on caricatures. The upcoming version co-stars Jordin Sparks, who rose to fame while competing on “American Idol.”

Sparks has not commented on Houston’s death or her work with the singer on the film.

Jakes said Houston’s role in the film mirrors her own life and struggles. Houston was professional and courteous during filming, he said.

“I think the coming production will, in many ways, memorialize the depth of who she is,” Jakes said.

By the time the film and soundtrack are released, some of the questions surrounding Houston’s demise should be answered. Although investigators found some prescription medications in Houston’s hotel room, officials are awaiting the results of toxicology tests before determining her cause of death.

Jakes said that, although he wasn’t on set every day, he never saw Houston act unprofessionally.

“I certainly got the feeling she was trying to reposition her life and move forward with more focus and commitment to her faith,” he said.

Although famous for her love songs, Houston began singing in church in New Jersey, where her mother, Grammy-winning gospel singer Cissy Houston, led a choir for many years.

Whitney Houston apparently felt comfortable returning to those roots in recent months. In addition to her work in “Sparkle,” she sang “Yes, Jesus Loves Me” for an audience in Hollywood two days before her death. It was her final performance.

http://wvgazette.com/News/201202150271?page=2&build=cache